Sunday, May 27, 2012

Sunday Salon: Mini-Reviews

Well, I thought I would do more mini-movie reviews. All of these have been watched in the past two months.

Watch Lucky Me (1954)
  • If you're a big, big, big Doris Day fan and you just have the need to see every single movie she ever made.
  • If you love musicals and are running out of new-to-you musicals, and you don't mind lowering your standards a bit. (Lucky Me is no Singin' in the Rain, no Showboat, no Seven Brides for Seven Brothers.) Personally, I found some of the songs so painful that I fast-forwarded...and I like musicals...and Doris Day. 
  • If you don't mind movies with the oh-so-predictable mistaken-identity plot.
  • The original trailer
Watch On Moonlight Bay (1951)
  • If you're a fan of Doris Day 
  • If you're a fan of Gordon MacRae
  • If you've seen the sequel By the Light of the Silvery Moon (1953) two or three times but have never yet caught the original movie
  • If you like romantic comedies. This one is genuinely both, I think. Though perhaps in an old-fashioned way. Doris Day plays the young teen girl, Marjorie Winfield, who falls in love with a college man, William Sherman. He does not get along with her father because he's silly enough to go around boasting about how he doesn't believe in marriage! 
  • If you like movies about rascal-y little brothers. Marjorie's brother, Wesley, played by Billy Gray, is A RASCAL if I've seen one. He is something else. Oh the trouble this boy causes, the messes he makes!!! The lies he tells. One of the big scenes in the movies (for me) is when he sneaks out to the movies. The silent film is about the dangers of drinking alcohol. After watching the Prohibition series, I do believe that there were such propaganda films, but it was just very, very, very interesting to see!
  • If you like movies set during this time period, around the start of World War I. By the end of the movie, we see William Sherman as a soldier all ready to go to war. 
  • If you don't mind traditional, old-fashioned notions of love, romance, and women's roles. (Marjorie is definitely having to choose between a father who would control her and a would-be-husband who would control her.) 
  • Not a clip of the movie, but there are pictures and music
Watch Captain Horatio Hornblower (1951)
  • If you like sea-dramas, action-adventure films with big, big, big battle scenes at sea (like this one).
  • If you like or love  Gregory Peck.
  • If you have low expectations. This film doesn't come close to comparing with Errol Flynn at his very best...as in Captain Blood (1935) and The Sea Hawk (1940). It is not the best romance, by any stretch of the imagination, in fact I'd rank it as a non-romance. For at the time, he's married and his wife is pregnant with their son AND she's engaged to another man. As a mindless sea adventure it works a bit better.
  • Original trailer;



© 2012 Becky Laney of Becky's Book Reviews

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Saturday, May 26, 2012

Library Loot: Fourth Trip in May

New Loot:

The Drowned Cities by Paolo Bacigalupi
Farmer Boy by Laura Ingalls Wilder
Farmer Boy Goes West by Heather Williams
George, Nicholas and Wilhelm: Three Royal Cousins and the Road to World War I by Miranda Carter
Wild Romance: A Victorian Story of Marriage, a Trial, and a Self-Made Woman by Chloe Schama
The Suspicions of Mr. Whicher: A Shocking Murder and the Undoing of a Great Victorian Detective by Kate Summerscale
Murder in the First Class Carriage: The First Victorian Railway Killing by Kate Colquhoun.
The Memory of Love by Aminatta Forna
Code Name Verity by Elizabeth Wein
The Moving Finger by Agatha Christie
4:50 from Paddington by Agatha Christie
Towards Zero by Agatha Christie
Nanjing Requiem by Ha Jin 
City of Tranquil Light by Bo Caldwell

Leftover Loot:

True Sisters by Sandra Dallas
Into the Arms of Strangers: Stories of the Kindertransport by Mark Jonathan Harris and Deborah Oppenheimer
The War of Our Childhood: Memories of World War II by Wolfgang W.E. Samuel
Antsy Does Time by Neal Shusterman
Mrs. McGinty's Dead by Agatha Christie
Crooked House by Agatha Christie
We Two: Victoria and Albert by Gillian Gill.
The Man Who Broke Into Auschwitz: A True Story of World War II by Denis Avey 

Library Loot is a weekly event co-hosted by Claire and Marg that encourages bloggers to share the books they’ve checked out from the library. If you’d like to participate, just write up your post-feel free to steal the button-and link it using the Mr. Linky any time during the week. And of course check out what other participants are getting from their libraries.

© 2012 Becky Laney of Becky's Book Reviews

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Friday, May 25, 2012

The Secret of Chimneys

The Secret of Chimneys. Agatha Christie. 1925/2012. HarperCollins. 336.

I definitely enjoyed The Secret of Chimneys. I picked this one up because I accidentally read The Seven Dials Mystery first. When I learned that Seven Dials Mystery starred so many characters first introduced in The Secret of Chimneys, I knew I would have to read this one right away!!! If I loved Seven Dials so, so, much, I knew I would probably love this one too. And I did enjoy it. And I definitely loved the characters, I probably would have loved them anyway even if I hadn't already known them, so I would definitely recommend these two books--and to recommend them in the proper order. Read Secret of Chimneys first.

The Secret of Chimneys is a bit over-the-top, I won't lie. I suppose you could call it a silly book that isn't exactly meant to be taken seriously. But it was a fun book, for the most part. I probably loved Seven Dials Mystery more than this one. But still, I liked it.

Anthony Cade travels to England as a favor for a friend. If he delivers a certain manuscript--a memoir--by a certain person (recently deceased) living in exile to a particular publisher by a certain day, he receives a good sum of money. Money that will be divided between them (Anthony and Jimmy). But that isn't the only package he's taking with him, he's also got a bundle of letters from a married woman to her lover. Jimmy has told him that these letters have been used (in the past) to blackmail the woman. He's gotten a hold of the letters, and he doesn't want to blackmail her, he wants to see them returned safely to her. Will his mission succeed? Well, it sounds easy enough, in a way, until you factor in all the different political factions that want to see him fail and the manuscript be destroyed.

The setting of this one is an estate called Chimneys. And we do meet many, many lovely characters. Including Eileen (Bundle) Brent, Superintendent Battle, Lord Caterham, George Lomax, Bill Eversleigh, Virginia Revel, Anthony Cade.

Read The Secret of Chimneys 
  • If you love Agatha Christie
  • If you love British mysteries, classic mysteries
  • If you like a little humor/sarcasm with your mystery/suspense
 

© 2012 Becky Laney of Becky's Book Reviews

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Thursday, May 24, 2012

Rereading The Schwa Was Here

The Schwa Was Here. Neal Shusterman. 2004. 240 pages.

I am definitely glad I chose to reread Neal Shusterman's The Schwa Was Here. I'm not exactly sure I loved it as much this second time, but, I am glad I reread it.

My reaction the first time I read this one--back in 2005--was that THIS WAS THE BEST, BEST, BEST book ever...at least of 2004. I was wowed by the characters of Schwa and Antsy. And smirked at the developing relationship between Old Man Crawley and Antsy. I thought it had heart and humor and a great narrative voice. And I still do, for the most part. I definitely think that Antsy is a GREAT narrator. The narrative voice in this one is so strong. Antsy can be very very funny in his observations--particularly in his observations about life, like how he compares life to a bad haircut, or change in life to a bad haircut. But he can also be authentic in some very tense, uncomfortable situations. In particular the tension-filled dynamics of his family. Never do readers get the idea that Antsy's life is one big joke after another. Readers see a blending of humor and pain. Which I think is authentic.

So the premise of this one is simple, Calvin Schwa is a middle schooler who, for the most part, remains invisible to teachers and students alike. They just don't see him. It's like he's not even there. Antsy does notice him, though even Antsy sometimes slips, and begins to make the Schwa a project of his. He decides to experiment to see the properties of the Schwa effect. The first few experiments are funny. Over-the-top ridiculous. But the experiments don't last forever, and the joke doesn't stay funny for long. Schwa may have enjoyed a couple of weeks of particular attention (not being taken seriously, mind you, not being seen for who he is, really is, but being the focus of a joke, a bet, a fad), but soon Antsy is his only friend. Almost. (A girl does enter into this.) How long can the Schwa go on being unseen and unheard? When will enough be enough? Can he turn his tragic non-life around?

I suppose the only thing that has changed in my rereading is that it doesn't strike me as truly being the best, best, best, best, best book ever. I still love it, I still really love it. I still seeing it as being a strong novel with a lot of heart and soul to it--a blending of emotions that make up life as we know it. I still love Antsy. I still love seeing a novel that addresses the invisibility of some kids. I still love seeing all the family drama. 

Read The Schwa Was Here
  • If you love Middle Grade Fiction
  • If you love coming-of-age stories
  • If you love stories with great narrators
  • If you have room in your heart for a grumpy old man
© 2012 Becky Laney of Becky's Book Reviews

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Wednesday, May 23, 2012

The Mascot

Mascot: Unraveling the Mystery of My Jewish Father's Nazi Boyhood. Mark Kurzem. 2007. Penguin. 432 pages.

If I'm ever asked, "What's your father like?" a simple answer always escapes me. Even though I can look back on a lifetime spent in his company, I have never been able to take his measure. One part of him is a shy, brooding Russian peasant who shows a certain air of naivete, if not gullibility, with strangers. Then there is another side: alert, highly gregarious, and astonishingly worldly. His unexpected appearance on my doorstep in Oxford one May afternoon in 1997 left me more mystified than ever.

The Mascot is such a powerful and compelling biography. It is not your traditional biography--Holocaust or not. It is the story of how one man's past is revealed, how a father chooses to share his memories--some quite vivid, others very vague or fuzzy--with his adult son. The father's life is revealed to his son in a series of conversations and through the son's research to validate his father's story.

Mark, our narrator, always knew his father had his secrets. His father had a brown bag he carried with him everywhere. No one was allowed to see this bag's contents. But. Occasionally, the father would share with his family--his wife and sons--stories from the past. On these occasions, he'd pull out a photograph, an article, an item from the bag. Mark suspected that these stories were just that--stories, being part fact, part embellishment.

But one day his father tries to tell him the truth, the whole truth, the whole UGLY truth about his past. Pieces and fragments. A memory here and there. What is certainly understandable is just how much is missing, how much he doesn't know about who he is and where he comes from.

He was told by his rescuers (Latvian police men or Latvian soldiers?) that he was found in the woods or forest. Alone. Wandering. Obviously struggling to survive. He was taken in by the soldiers and "adopted" into their company. They gave him a name. They gave him a birthday. They gave him a small uniform--from 1941 to 1945 he was given three uniforms. Though he was taken into one man's home--"adopted" (though not legally) by a husband and wife--he stayed connected or associated with a unit of soldiers. He witnessed things NO CHILD of five, six, seven, eight, or nine should EVER witness. He saw men, women, children, babies being killed--in one instance herded together into a building which was then set on fire.

Though he doesn't remember his name--his family name, the names of his brother and sister, father and mother--or the name of his village, the name of his country--he does remember one thing: he witnessed the slaughter of his mother, his younger brother, his baby sister. He witnessed the slaughter of an entire neighborhood or village. At the time, he didn't realize this violence, this bloody slaughter, was because they were Jewish. In fact, his very "Jewishness" was buried deep inside him. At times he seemed aware that he too was Jewish, that his life was at risk if his Jewishness was revealed. But at the same time, the only way he could cope with his present--with his new reality, his new identity, the company he was keeping--was forced to keep in a way--was to bury his 'true' Jewish identity and become the boy others wanted/needed him to be. To survive, he had to deny so very very much.

So the story Mark hears from his father is fragmented, in a way, with very few clues. But it is emotional and intense. Almost too much for him to handle. In fact, it is almost too much for him--the father--to handle. And at one point, he asks himself and he asks his son why. Why bother remembering the past? What good--if any--can come from remembering, from seeking to remember, from uncovering the truth, from piecing everything together, from telling and sharing his story with his family, his friends, his community. For those expecting a clear answer to this, you might be disappointed. The truth is not that black and white. A son and father learn much about one another. The family is at times strengthened, but at other times put under great stress and pressure--by all this. There were things that seemed a little shocking to me, for one, that there were certain organizations (if organizations is the right word?) that denied and rejected his story. Who told him that he was NOT Jewish, that he did NOT suffer during the war, that his story was not part of the Holocaust. Still others (sometimes just individuals, other times groups of individuals) who denied his story, who essentially said that his story was all lies, that it could not happen, did not happen. I think this shocked the son as well, that people could hear the story, see the photographs, and come to the conclusion that this small child (he was found at the age of five) was a willing participant in the war, that he voluntarily joined the enemy, that he was a Nazi just like the others--the adult soldiers. Was he ethically responsible for the actions taken by others? True, you might argue, that the soldiers were trying to "train" him to be a little Nazi, a good, little soldier. But what choice--if any--would he have had? 

Read The Mascot
  • If you can't get enough nonfiction about World War II (like me)
  • If you enjoy reading Jewish books; Holocaust books.
  • If you are interested in family dynamics (relationships); this one is great at exploring a father-son relationship.
  • If you are interested in history and research; this one provides a behind-the-scenes look at how research is done in a very practical, personal way. (Research isn't just about getting a grade.)
  • If you enjoy biographies.

© 2012 Becky Laney of Becky's Book Reviews

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