Wednesday, November 29, 2017

The One

The One. John Marrs. 2018. (2016 UK) 416 pages. [Source: Review copy]

First sentence: Mandy stared at the photograph on her computer screen and held her breath.

Premise/plot: What if finding "the one" was as simple as taking a DNA test and waiting to be matched with your one and only perfect match? The premise of this one is simple: for the past ten to twelve years, people have been joining Match Your DNA. Some wait weeks to hear back about their match; for others the wait is longer--much longer, YEARS longer. Once your match has been found, you're emailed the results. But, of course, love is a business, and you have to pay for contact information. The One follows the lives of five characters: Mandy, Christopher, Jade, Nick, and Ellie. All have recently got that all-important email. But their results differ.

The One is supposed to eliminate the "prejudices" and "biases" of dating, changing your expectations if you will. You might be matched with a male or female. (The process never once asks you your sexual orientation.) You might be matched with someone (much) older or (much) younger. Your perfect match might be a different religion and live on the opposite side of the world. Your perfect match might be rich or poor. Your perfect match might be married--with or without children--to someone else. Love has no boundaries or limitations. People are using the idea of a "perfect match" to end engagements, end marriages, abandon their children, quit jobs, and/or move around the world. Gone is the idea that love is a choice.

Who should read The One? Those that love HORROR just as much as SOAP OPERAS. It's melodramatic like a soap opera--with some near-graphic sexual scenes--but also GORY. It is not a suspense, in my opinion, because one of the main characters is up-front about being a serial killer. In that character's introductory chapter, readers learn this. And while other characters face dangers of their own, I personally saw most of the twists coming. The stories of these five characters do not really ever connect with one another.

My thoughts: Objectively, I suppose I don't have any problems with The One. The chapters are short; the action is well-paced. The narrators are unique enough that you can easily tell their voices--their stories--apart even if they weren't clearly marked. The characters, if not well-developed, are developed enough. What it lacks in suspense, it makes up for with some twists and turns.

Subjectively, I didn't care for it at all. I didn't realize it was published by Harlequin until I'd already said yes to reviewing it. I usually have a strict policy in terms of "adult" romance and a book's graphic-ness. I was looking for a suspense with plenty of action. But not Harlequin-type action. I also prefer less GORE.

That being said, the narrators alternate chapters. If this one was a book with five novellas, I definitely would have enjoyed some stories more. I preferred the stories of Mandy, Jade, and Ellie. Though there were elements within those stories that I didn't care for completely. And here's the thing: many of these elements weren't really all that necessary to the plot.

© 2017 Becky Laney of Becky's Book Reviews

No comments:

Post a Comment

I'm always happy to hear from you! To help fight spam, comment moderation has been set up for posts older than two days. Feel free to ask me questions or ask for recommendations!