Showing posts with label Adult Science Fiction. Show all posts
Showing posts with label Adult Science Fiction. Show all posts

Monday, August 03, 2026

52. Prey



52. Prey. Michael Crichton. 2002. 507 pages. [Source: Library] [audio book, 5 stars, adult science fiction, adult thriller]

First sentence: Things never turn out the way you think they will.

Premise/plot: Jack Forman, our protagonist, is a stay at home dad. (Three kids, if my memory is correct). After losing his job because he was a whistleblower--or trying to be--he's been unable to get another job in his field. (He reported something unethical and dangerous not knowing the person he was reporting to was IN on the shady shady side of things). His wife, Julia, well she's SOMETHING. Perhaps she wasn't always so something. Maybe there was a time when she was loving, supportive, and a great mother. But we never see that side of her--not really.

Jack Forman finds himself at the center of a GREAT mystery. And it starts soon after a terribly horrible health scare with his youngest. Soon he's being asked by the people who fired him to "help out" and trouble shoot with code that he developed. BUT he soon finds that what they are NOT telling him could feel all the libraries in the world. And his creepy wife is at the center of it--for better or worse.

A science experiment has gone terribly, terribly, terribly wrong! And Jack Forman finds himself almost completely alone in trying to save the world.

My thoughts: Prey is my fourth Michael Crichton novel that I've read. I LOVED, LOVED, LOVED, LOVED IT. I listened to the audio narrated by Robert Sean Leonard. It was FABULOUS. I have a feeling I would have loved the story either way--in print or on audio. I COULD not stop reading this one.



© 2026 Becky Laney of Becky's Book Reviews

Friday, July 17, 2026

48. Jurassic Park: The Lost World



48. The Lost World (Jurassic Park #2) Michael Crichton. 1995. 448 pages. [Source: Library] [adult science fiction, 5 stars, dinosaurs]

First sentence: The late twentieth century has witnessed a remarkable growth in scientific interest in the subject of extinction.

Premise/plot: One scientist, Richard Levine, is on a mission to prove that there is a LOST WORLD of dinosaurs. He is following clues here and there--which leads him to Ian Malcolm among others. But he has no proof, just a dream, a goal, a quest. Ian is keeping the whole surviving dinosaur thing hush, hush, hush. Only those who have heard his nightmares would ever suspect that he might be keeping big secrets. Still no one--at the start--is quite sure WHERE this alleged lost world might be. When Levine appears to be completely and totally in distress--moments away from being a dinosaur's snack--Malcolm leads a team (Thorne, Sarah Harding, two kids (Arby? Kelly?) to try to find him on an island. Piecing together the clues that Levine left behind. Bringing the best (though untested) equipment. But they are not the only ones looking for the "Lost" World.

My thoughts: I LOVED, LOVED, LOVED this one. I loved how there were fewer characters. I loved how there was more story. It seemed less gimmicky to me, perhaps. OR maybe I'm just so invested to the story that I'm stopping the overthinking enough for me to love the story completely and fully. I was less annoyed with this one as well--in terms of the "kids" in the story. Though offhand, I'm not sure how old these kids were supposed to be--well, that or in the original. I also loved that the story wasn't all dinosaurs attack people 100% of the time always and always.


© 2026 Becky Laney of Becky's Book Reviews

Friday, July 03, 2026

46. The Andromeda Strain



46. The Andromeda Strain. Michael Crichton. 1969. 327 pages. [Source: Library] [3 stars, adult science fiction, science fiction, thriller]

First sentence: A man with binoculars. That is how it began: with a man standing by the side of the road, on a crest overlooking a small Arizona town, on a winter night.

Premise/plot: In an introduction to Fahrenheit 451, speculative fiction was explained simply focusing on three statements:

What if . . . ?
If only . . .
If this goes on . . .

The Andromeda Strain explores the 'what if' aspect of if an alien organism (entity? substance? lifeform? something) made it through the atmosphere. Is that an absolutely horrendous description? Yes, yes, it is. So "Scoop" is a super secret hush hush scientific project that is purposefully seeking to "scoop" stuff from the atmosphere for study, for science, for military purposes. When the satellite? capsule? (something or other) becomes unstable in orbit and falls to earth unexpectedly, it crashes in a super small town in Arizona. The results are devastating and catastrophic--for that town. But are there implications for the whole world? Maybe. Maybe not. But Project Wildfire isn't about taking risks--intentionally. They are also super secret hush, hush, all the classified. These scientists will be studying the TWO SURVIVORS (a baby and an old man) and the capsule itself.

My thoughts: This one is extremely super science-y and technical. I skimmed those bits. It isn't so much a thriller thriller. It is dry, technical, the opposite of action-packed. I think it could have gone a different direction, BUT, it didn't. And this direction is good for the fictional world. There isn't really a "climax" just scientists doing science-y things like experiments with a few going incredibly wrong here and there.

My first Crichton was Jurassic Park. There is no comparison. This one wasn't as action-packed or interesting or entertaining.


© 2026 Becky Laney of Becky's Book Reviews

Friday, June 19, 2026

44. Jurassic Park




44. Jurassic Park. Michael Crichton. 1990. 466 pages. [Source: Library] [5 stars, adult science fiction, dinosaurs, action/thriller]

First sentence: The tropical rain fell in drenching sheets, hammering the corrugated roof of the clinic building, roaring down the metal gutters, splashing on the ground in a torrent.

Premise/plot: Is there anyone who doesn't know the premise of Jurassic Park?????? Even if you've never actually actually seen the movie, Jurassic Park???? There are companies--individuals--playing God, if you will, who have brought "back" dinosaurs from extinction filling in the blanks as they see fit. But perhaps with not enough caution. Just because you can do something doesn't mean you should do something.

There are many, many, many characters. But essentially the book is mainly about what happens when visitors come to the park ahead of the opening--that is still in the future (or is it???). They are there to "see" what has been done....so far.

My thoughts: I loved, loved, loved, loved, loved this book!!!! I think it is SO much better than the movie. I really got swept up in the story!!!! And I loved how much more substantive the book is--in terms of both characterization and plot. Life finds a way indeed!


© 2026 Becky Laney of Becky's Book Reviews

Wednesday, May 20, 2026

37. Project Hail Mary


37. Project Hail Mary. Andy Weir. 2021. 476 pages. [Source: Library] [adult science fiction, 5 stars]

First sentence: "What's two plus two?" Something about the question irritates me. I'm tired. I drift back to sleep. A few minutes pass, then I hear it again.

Premise/plot: Earth is in great, great danger. But the sole surviving member of the team sent to try to save it, has no memory. His memory will come in bits and pieces as he tries to remember his mission and purpose. It will turn out that Earth isn't the only planet in danger--there is a threat to many star systems or galaxies. It may take teaming up with an alien species to save both worlds.

Ryland Grace and Rocky are in some ways an unlikely pair, but, as they learn each other--each other's languages, each other's sciences, each other's characters and personality--they may be just what the other needed to succeed.

My thoughts: I have not seen the movie. I didn't really watch movie reviews and reactions until after I read the book. I knew this one involved a certain degree of self-sacrifice because it doesn't take any searching out to have heard that. And that is fairly typical for fiction--fantasy novels (Lord of the Rings, Harry Potter, Narnia, etc) or science fiction (it would be harder to think of science fiction that doesn't have some degree of self-sacrifice). I really enjoyed reading this one. For me, I loved the "current" sections. I wasn't as thrilled by all the flashback scenes, though I suppose I may change my mind when I see the movie. I was invested in the "now" and the problem-solving and the suspense of what will happen next. I didn't care as much about the past.

© 2026 Becky Laney of Becky's Book Reviews

Wednesday, May 13, 2026

36. The Martian



36. The Martian. Andy Weir. 2011. 369 pages. [Source: Library] [adult science fiction, 5 stars, space]

First sentence: I'm pretty much f***ed.  That's my considered opinion.

Premise/plot: It's all a matter of perspective if Mark Watney is lucky or unlucky. One could argue that he's unlucky to be stranded on Mars and battling for survivor cut off almost completely from the human race, from Earth. Limited resources--though plenty of mystery novels, disco, and 70s sitcoms. One could also argue that he's incredibly lucky--lucky that he survived the original accident, lucky that he recovered, lucky that he's skilled and resourceful enough to put to use every thing he has as a resource, lucky that he has a positive outlook.

Most of the novel IS from his point of view. Though we get brief updates from those on earth about how to rescue Mark.

My thoughts: I loved the movie. I loved the book. BOTH were excellent.

© 2026 Becky Laney of Becky's Book Reviews

Sunday, March 01, 2026

26. The Martian Chronicles

    

26. Martian Chronicles. Ray Bradbury. HarperCollins. 1958/2006 edition. 268 pages. [Source: Library] [5 stars, science fiction; short stories; classic; audiobook]

One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs, along the icy streets.
And then a long wave of warmth crossed the small town. A flooding sea of hart air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.
Rocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground. Rocket summer. People leaned from their dripping porches and watched the reddening sky. (1)
ETA: I listened to The Martian Chronicles on audiobook. It is narrated by Scott Brick. It was an awesome audio book. I'm not surprised that Ray Bradbury's book makes such an excellent listen. His writing is SO good. AND his characters, plots, story twists, everything grabs your attention.


I LOVE, LOVE, LOVE Ray Bradbury's The Martian Chronicles. This is the second or third time (probably fourth) I've read this one. And each time I read it, I end up loving it even more. It's like each time I'm surprised by how much I love it. Like in between readings I forget how engaging and compelling it is. I settle into thinking that it was just me exaggerating things (again). That it couldn't possibly be that good. But no. It is that good.

The edition I read this time had twenty-seven stories; some of these 'stories' are just vignettes, or short preludes, transition pieces of a paragraph or two. But many are full-length stories. There are some great stories in this one.
  • January 2030 Rocket Summer
  • February 2030 Ylla
  • August 2030 The Summer Night
  • August 2030 The Earth Men
  • March 2031 The Taxpayer
  • April 2031 The Third Expedition
  • June 2032 --And the Moon Be Still as Bright
  • August 2032 The Settlers
  • December 2032 The Green Morning
  • February 2033 The Locusts
  • August 2033 Night Meeting
  • October 2033 The Shore
  • November 2033 The Fire Balloons
  • February 2034 Interim
  • April 2034 The Musicians
  • May 2034 The Wilderness
  • 2035-2036 The Naming of Names
  • April 2036 Usher II
  • August 2030 The Old Ones
  • September 2036 The Martian
  • November 2036 The Luggage Store
  • November 2036 The Off Season
  • November 2036 The Watchers
  • December 2036 The Silent Towns
  • April 2057 The Long Years
  • August 2057 There Will Come Soft Rains
  • October 2057 The Million Year Picnic
I wasn't aware that there were different editions of this one, and that the stories could vary depending on the edition. Also the dates have been modified (by thirty years) in some editions, like the edition I read this time around. The very, very newest edition has the original dates, 1999-2026. This newest edition does not have "The Fire Balloons." Also, instead of "The Wilderness" it has "Way in the Middle of the Air."

My thoughts on individual stories, and, first sentences from the stories

"Ylla"
They had a house of crystal pillars on the planet Mars by the edge of an empty sea, and every morning you could see Mrs. K eating the golden fruits that grew from the crystal walls, or cleaning the house with handfuls of magnetic dust which, taking all dirt with it, blew away on the hot wind.
A story told solely from the perspective of the Martians, in this case, a husband and wife. A husband has a very definite reaction to his wife's strange dreams. She dreams of a man, Nathaniel York, coming in a ship, in a rocket, and landing. The dream even tells her where and when. But her controlling and perhaps jealous husband has a way of dealing--for once and for all--with his wife's dreams.

"The Earth Men"
Whoever was knocking at the door didn't want to stop. Mrs. Ttt threw the door open. "Well?"
The story of the second expedition. Let's just say that the welcoming committee wasn't quite what they expected! First, NO ONE wanted to bother with them, then they were greeted by a strange assortment of Martians all claiming to be from Earth. And then....well, that wouldn't be polite of me to spoil it!
"The Third Expedition" (aka Mars is Heaven)
The ship came down from space. It came from the stars and the black velocities, and the shining movements, and the silent gulfs of space. It was a new ship; it had fire in its body and men in its metal cells, and it moved with a clean silence, fiery and warm. In it were seventeen men, including a captain. 
This one is a classic short story that you may have stumbled across in another context from The Martian Chronicles. (I've heard two radio adaptations, for example.) And the title is self-explanatory. It is the story of what happens when the third expedition lands. It is the story of what they see and  WHO they see. It is a story that stretches you, perhaps. But it's a good one!

"--And the Moon Be Still As Bright"
It was so cold when they first came from the rocket into the night that Spender began to gather the dry Martian wood and build a small fire. He didn't say anything about a celebration; he merely gathered the wood, set fire to it, and watched it burn.
And now we're on to the fourth expedition, the fourth rocket ship to successfully land on Mars. This time they manage to stay alive past the initial day or two or three. This is the story of what happens when one of the crew members, Spender, goes off on his own to learn the Martian culture, to explore the ruins, to explore the cities, to examine the artifacts and remnants of a culture that is gone with the wind. What happens next...well....there are a million reasons why readers shouldn't sympathize with Spender, but, like Captain Wilder, they may feel the pull all the same.


"The Settlers"
The men of Earth came to Mars. They came because they were afraid or unafraid, because they were happy or unhappy, because they felt like Pilgrims or did not feel like Pilgrims. There was a reason for each man. They were leaving bad wives or bad jobs or bad towns; they were coming to find something or leave something or get something, to dig up something or bury something or leave something alone. They were coming with small dreams or large dreams or none at all.
One of my favorite vignettes. For some reason it reminds me of John Steinbeck.

"Night Meeting"
Before going on up into the blue hills, Tomas Gomez stopped for gasoline at the lonely station.
There is something haunting and fantastical about this short story of a human and Martian meeting and not exactly seeing the same reality.

"The Fire Balloons"
Fire exploded over summer night lawns. 

 I first read "The Fire Balloons" in another collection of Ray Bradbury stories. I didn't, at the time, see it as being part of The Martian Chronicles. (And, in fact, it wasn't part of the edition I first read.) But now it is one of my favorite stories! In it two priests go to Mars as missionaries. One at least was expecting, was hoping, to meet Martians, to actually BE a missionary TO Martians, to an alien species. So when given the opportunity of going out into the hills and trying to communicate with blue balloon-like hovering creatures OR ministering to humans who have migrated to Mars, the answer is clear to Father Peregrine. But do the Martians need his church? This story has one of my favorite quotes:
"Father Peregrine, won't you ever be serious?"
"Not until the good Lord is. Oh, don't look so terribly shocked, please. The Lord is not serious. In fact, it is a little hard to know just what else He is except loving. And love has to do with humor, doesn't it? For you cannot love someone unless you put up with him, can you? And you cannot put up with someone constantly unless you can laugh at him. Isn't that true? And certainly we are ridiculous little animals wallowing in the fudge bowl, and God must love us all the more because we appeal to His humor."
 "The Wilderness"
Oh, the Good Time has come at last--
It was twilight and Janice and Leonora packed steadily in their summer house, singing songs, eating little, and holding to each other when necessary. But they never glanced at the window where the night gathered deep and the stars came out bright and cold.

This is another story that I ended up loving. And it was new-to-me too, it not being part of the original. But in this story we meet two women who are about to travel to Mars to get married and settle down. (The men having gone first.) The story likens exploring and settling Mars to exploring and settling the Old West (places like Wyoming, California, Oregon, etc.) It is about how the two handle their last night on Earth.
Is this how it was over a century ago, she wondered, when the women, the night before, lay ready for sleep, or not ready, in the small towns of the East, and heard the sound of horses in the night and the creak of the Conestoga wagons ready to go, and the brooding of oxen under the trees, and the cry of children already lonely before their time?...Is this then how it was so long ago? On the rim of the precipice, on the edge of the cliff of stars. In their time the smell of buffalo, and in our time the smell of the Rocket. Is then then how it was? And she decided, as sleep assumed the dreaming for her, that yes, yes indeed, very much so, irrevocably, this was as it had always been and would forever continue to be. 
"Usher II" (aka Carnival of Madness)
"During the whole of a dull, dark and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher..." Mr. William Stendahl paused in his quotation. There, upon a low black hill, stood the house, its cornerstone bearing the inscription: 2036 A.D.

I remembered this as being one of the stories in A PLEASURE TO BURN, a Ray Bradbury collection celebrating the creative stories leading up to the writing/publishing of Fahrenheit 451. And it was first published as "Carnival of Madness." But it was also part of Ray Bradbury's book, The Martian Chronicles. And it is perhaps one of the most memorable of the collection. It is a true must read for anyone who loves Fahrenheit 451, for it continues on some of the same themes. I don't want to say too much about it really, because it shouldn't be spoiled at all if you want to get the full enjoyment of it!

"The Martian"
The blue mountains lifted into the rain and the rain fell down into the long canals and old LaFarge and his wife came out of their house to watch. 
An elderly couple have come to Mars and one night they are surprised by the appearance of their "son" (who died and was buried back on Earth). Their "son" doesn't want to leave the house, and is enjoying his family too much to risk getting "trapped" by going into the city and interacting with others. This story is creepy.


"The Luggage Store," "The Off Season," "The Watchers," "The Silent Towns," "The Long Years," "There Will Come Soft Rains," and "The Million Year Picnic."

These stories, I feel, work best as a sequence showing what happens both on Earth and Mars when the worst happens--atomic war on Earth. In "The Luggage Store," one speculates that his business will improve greatly if the war happens, if the worst happens. He feels that everyone will want to go back home to Earth to be with their loved ones, to find out if their loved ones are okay, to try to piece their society and civilization back together. In "The Off Season" readers learn that the war has started and the destruction has begun. There is nothing truly comical about it, but, it does happen to be told from the point of view of a man who has just opened a hot dog stand. "The Watchers" shows the people leaving Mars to return to Earth--for better or worse. "The Silent Towns" and "The Long Years" are two stories set on Mars. The first, "The Silent Towns" is told from the point of view of a man who chose to stay behind. He's lonely, but not THAT lonely it turns out. He does meet one woman who stayed behind, but, he decides that his own company is enough after all. "The Long Years" sees the return of Captain Wilder, I believe, who discovers a man and his family. There is a twist, however, which prevents this one from being a happy story. "There Will Come Soft Rains" is a very, very, very lonely story where we get a glimpse--just a small glimpse perhaps--of the desolation and destruction of life as we know it in at least one human city. We see the ending of an era, perhaps. There are no human characters in this one. "The Million Year Picnic" resonates even more when seen back-to-back with "There Will Come Soft Rains." In this story, readers meet a family: parents and sons who have come to Mars on their own private Rocket--a rocket that has been hidden away for many years, a rocket that has been saved for a true emergency. We meet a father who has prepared for THE END in a big, big way.

Read The Martian Chronicles
  • If you love science fiction
  • If you like science fiction
  • If you enjoy short stories; if you don't enjoy short stories
  • If you are a fan of Ray Bradbury
  • If you are a fan of the Twilight Zone



© 2026 Becky Laney of Becky's Book Reviews

Sunday, February 01, 2026

12. Frankenstein



12. Frankenstein (Oxford World's Classics). Mary Wollstonecraft Shelley. 1818/1998. 261 pages. [Source: Library, Audiobook, classic, science fiction, speculative fiction.]

First sentence: You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings.

Premise/plot: Robert Walton is on the adventure of a lifetime; he's always, always, always wanted to be an arctic explorer. He just wishes he had a best-good-buddy to share it with. As he's sharing his longing for a friend with his sister--via letter--he stumbles across a candidate for the job. He's a strange, odd man with one super-crazy story to tell. He's also a man full of warnings and woes. His name is Victor Frankenstein. You might have heard of him. Maybe.

Victor Frankenstein understands dreaming big. If asked what he wanted to be when he grew up, he might have responded oh-so-seriously: GOD. You see, Victor spends way too much time thinking about how life is created. Well. Perhaps I should rephrase that. When he's thinking about creation, he's thinking about how to reanimate DEAD BODIES and RECREATE life.

Frankenstein becomes more than a little obsessed with his science project. I personally could never figure out the appeal. He isn't interested in bringing the dead back to life--as is. That is, reanimating the life of a specific person. He is interested in piecing together bits and pieces of dead humans into a new super-human form. Taller. Stronger. Bigger. And definitely uglier. He isn't interested in prolonging life or reuniting families. What does he hope to gain by his creation? Does he see himself as a Creator? What does he owe his creature--if anything? What does his creature owe him--if anything?

If man is created in the image of God, is the monster created in the image of Frankenstein? Does the monster share the characteristics of Victor Frankenstein? Are the two more alike or different? Does the monster reveal the heart and mind of his Creator?

My thoughts: I've read Frankenstein so many times now. I think I've really only ever read the 1818 text of the novel. Most of the time I stick with the same copy I used in college.

I love the book.

 

© 2026 Becky Laney of Becky's Book Reviews

Tuesday, December 23, 2025

126. Hitchhiker's Guide to the Galaxy



126. The Hitchhiker's Guide to the Galaxy. Douglas Adams. Illustrated by Chris Riddell. 1979/2021. 289 pages. [Source: Library] [4 stars, speculative fiction, humor, science fiction, audio book]

First sentence: The house stood on a slight rise just on the edge of the village. It stood on its own and looked out over a broad spread of West Country farmland. Not a remarkable house by any means – it was about thirty years old, squattish, squarish, made of brick, and had four windows set in the front of a size and proportion which more or less exactly failed to please the eye. The only person for whom the house was in any way special was Arthur Dent, and that was only because it happened to be the one he lived in. He had lived in it for about three years, ever since he had moved out of London because it made him nervous and irritable. He was about thirty as well, tall, dark haired and never quite at ease with himself. The thing that used to worry him most was the fact that people always used to ask him what he was looking so worried about. He worked in local radio, which he always used to tell his friends was a lot more interesting than they probably thought. It was, too – most of his friends worked in advertising.

The Hitchhiker's Guide to the Galaxy is all about the journey and NOT the destination. Arthur Dent, one of our heroes, is one of two survivors of Earth's destruction--the other being a stranded alien named Ford Prefect. Earth was 'set' to be demolished on the same day that Arthur Dent's house was set to be demolished... many adventures or misadventures follow once these two hitch a ride on a spaceship (or two). 

The Hitchhiker's Guide to the Galaxy follows a dream logic of sorts. The less you think about it, the more you go with the flow, you can almost relax into the story and it works. It's silly and outrageous, but, you're content to go along for the laughs. It helps that it is quite quotable in places. But like a dream, the ending is abrupt. You can't help wanting to close your eyes and try to get back into the dream to see if you can wrap things up. 

The ending was my least favorite part. The humor was my most favorite part.

Quotes:

I like the cover,’ he said. ‘Don’t Panic. It’s the first helpful or intelligible thing anybody’s said to me all day.’
‘I’ll show you how it works,’ said Ford. He snatched it from Arthur who was still holding it as if it was a two-week-dead lark and pulled it out of its cover.
‘You press this button here, you see, and the screen lights up giving you the index.’
A screen, about three inches by four, lit up and characters began to flicker across the surface.
‘You want to know about Vogons, so I enter that name so.’ His fingers tapped some more keys. ‘And there we are.’
The words Vogon Constructor Fleets flared in green across the screen.
Ford pressed a large red button at the bottom of the screen and words began to undulate across it. At the same time, the book began to speak the entry as well in a still quiet measured voice. This is what the book said.
‘Vogon Constructor Fleets. Here is what to do if you want to get a lift from a Vogon: forget it. They are one of the most unpleasant races in the Galaxy – not actually evil, but bad-tempered, bureaucratic, officious and callous. They wouldn’t even lift a finger to save their own grandmothers from the Ravenous Bugblatter Beast of Traal without orders signed in triplicate, sent in, sent back, queried, lost, found, subjected to public inquiry, lost again, and finally buried in soft peat for three months and recycled as firelighters. The best way to get a drink out of a Vogon is to stick your finger down his throat, and the best way to irritate him is to feed his grandmother to the Ravenous Bugblatter Beast of Traal.
‘On no account allow a Vogon to read poetry at you.’
Arthur blinked at it.
‘What a strange book. How did we get a lift, then?’
‘That’s the point, it’s out of date now,’ said Ford, sliding the book back into its cover. ‘I’m doing the field research for the new revised edition, and one of the things I’ll have to do is include a bit about how the Vogons now employ Dentrassi cooks, which gives us a rather useful little loophole.’
A pained expression crossed Arthur’s face. ‘But who are the Dentrassi?’ he said. ‘Great guys,’ said Ford. ‘They’re the best cooks and the best drinks mixers and they don’t give a wet slap about anything else. And they’ll always help hitchhikers aboard, partly because they like the company, but mostly because it annoys the Vogons.


Vogon poetry is of course the third worst in the Universe. The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent of his poem ‘Ode To A Small Lump of Green Putty I Found In My Armpit One Midsummer Morning’ four of his audience died of internal haemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been ‘disappointed’ by the poem’s reception, and was about to embark on a reading of his twelve-book epic entitled My Favourite Bathtime Gurgles when his own major intestine, in a desperate attempt to save life and civilization, leapt straight up through his neck and throttled his brain.
The very worst poetry of all perished along with its creator Paula Nancy Millstone Jennings of Greenbridge, Essex, England in the destruction of the planet Earth.

All right,’ said Ford, ‘just stop panicking!’
‘Who said anything about panicking?’ snapped Arthur. ‘This is still just the culture shock. You wait till I’ve settled down into the situation and found my bearings. Then I’ll start panicking!’
‘Arthur, you’re getting hysterical. Shut up!’ Ford tried desperately to think, but was interrupted by the guard shouting again. ‘Resistance is useless!’


All right,’ said Deep Thought. ‘The Answer to the Great Question…’
‘Yes…!’
‘Of Life, the Universe and Everything…’ said Deep Thought.
‘Yes…!’
‘Is…’ said Deep Thought, and paused.
‘Yes…!’
‘Is…’
‘Yes …!!! …?’
‘Forty-two,’ said Deep Thought, with infinite majesty and calm.



© 2025 Becky Laney of Becky's Book Reviews

Wednesday, August 20, 2025

93. Station Eleven



93.  Station Eleven. Emily St. John Mandel. 2014. Knopf Doubleday. 352 pages. [Source: Library] [5 stars, speculative fiction, adult science fiction, apocalyptic]

First sentence: The King stood in a pool of blue light, unmoored. This was act 4 of King Lear, a winter night at the Elgin Theatre in Toronto. 

Premise/plot: There isn't 'one' central character in Station Eleven. It is a premise-driven novel. The premise: what if there was a pandemic that killed 99% of the earth's population. How would that surviving 1% live in the following days, weeks, months, years, decades following the collapse of life as we knew it. The book primarily focuses on two clusters of the population: a traveling troupe of actors and musicians known as "The Traveling Symphony" and a more sedentary bunch the "Museum of Civilization" located at Severn City Airport. Central characters are Kirsten Raymonde, Clark Thompson, Miranda Carroll, Elizabeth Colton, Arthur Leander, and the Prophet. 

The novel opens and closes with Arthur Leander on stage. At least, I'm 98% sure that is how the novel closes. (It has been a day since I finished it.) "Dr. Eleven" is a graphic novel in two volumes that is rare, limited editions printed by the author, Miranda Carroll, to give to a select few. Kirsten, a child actor who is in Arthur Leander's play, receives copies of these two right before the collapse of civilization. Arthur's son receives another set. Kirsten does in some ways become fixated on the story and characters within the graphic novels.

All characters can be traced indirectly back to Arthur's life, though for some, the connection is extremely brief. (For example, a few vignettes of Jeevan Chaudhary who conveniently has many jobs: a paparazzi, a journalist, a paramedic, a 'doctor' post-collapse. He takes pictures for gossip magazines of Alexander and his wives; he later interviews Arthur for a magazine; he later attempts to save Arthur on stage while he's having a heart attack.) Two of the characters are his ex-wives. Another, Kirsten, is his co-star (though the role is small). He comes to almost be a symbol for LIFE BEFORE because celebrity really doesn't make the transition in this new world. Kirsten is obsessed with finding newspaper and magazine clippings about Arthur. Clark, another important character, is a 'friend' of sorts to Arthur who does survive and almost thrive in the new world. [In the book, he is not in any way villainous.]

My thoughts: I first read Station Eleven in January 2015. I recently watched the ten part mini-series from 2021/2022. The book and adaptation are SO DIFFERENT. There are things I absolutely LOVE about the book that were changed significantly by the adaption. There are things in the adaptation that I absolutely LOVE. The mini-series made main characters out of characters that were mentioned in passing a couple of times. This is particularly true of the Traveling Symphony. There were a few people in the book that were fleshed out significantly and made important. There were characters that were portrayed as being Kirsten's absolute best friends in the Traveling Symphony in the book that did not make it into the adaptation. Jeevan and Kirsten maybe spend five or six minutes together in the book. Maybe. In the movie, their connection spans at least a year, and, is one of the most emotional connections in the whole adaptation. In the book, as I mentioned, he's almost a footnote character. In the adaptation, he's IMPORTANT. However, the greatest change might be what they did with Clark Thompson.

The book is beautifully written. I liked the world-building. I especially liked Miranda's creation of the graphic novels Station Eleven. I liked what little description we get of Dr. Eleven and his situation. I wouldn't have minded more. It actually would be a graphic novel that I'd want to read if it existed. I liked what the two graphic novels meant to Kirsten.

I would definitely recommend this one.


© 2025 Becky Laney of Becky's Book Reviews

Tuesday, August 12, 2025

89. The First Men in the Moon



89. The First Men in the Moon. H.G. Wells. 1901. 213 pages. [Source: Library] [3 stars, adult science fiction, classic]

First sentence: As I sit down to write here amidst the shadows of vine-leaves under the blue sky of southern Italy, it comes to me with a certain quality of astonishment that my participation in these amazing adventures of Mr. Cavor was, after all, the outcome of the purest accident. It might have been any one. I fell into these things at a time when I thought myself removed from the slightest possibility of disturbing experiences.

Premise/plot: Mr. Bedford has money troubles; he is looking for a relatively quick and easy 'out' for those troubles. He is trying his hand at writing a play. He's gone to the country to write that play and obviously hopes for peace and quiet. Dr. Cavor, his neighbor, is anything but quiet. He's a mad scientist though perhaps Mr. Bedford doesn't realize quite how 'mad' this mad scientist is when they meet. Mr. Bedford, perhaps, should have minded his own business and not lost his temper. Then again, that would have been a short book indeed! Dr. Cavor is out to create a gravity-defying element--which, of course, he'll name Cavorite. Working together--somewhat--they decide to use Cavorite on a sphere Dr. Cavor builds to go to the moon. Obviously. What else would you do if you could defy gravity?! What they find on the moon is quite shocking, especially to Mr. Bedford though he has his regrets before even leaving earth.

My thoughts: I enjoyed the book. It was silly. It requires you to suspend your disbelief. But it was good. I definitely enjoyed it more the second time around. HOWEVER, I will say that the movie adaptation from the 1960s while not faithful to the book particularly, was certainly more entertaining. They added a LOVE INTEREST to Mr. Bedford and had her 'accidentally' forced along for the ride. The ending is much improved in the movie, in my opinion. I also loved seeing CHICKENS IN SPACE. It was silly and over the top but also delightful.

Quotes:

"Can it be," he said, "that I have formed a Habit?"

What is this spirit in man that urges him for ever to depart from happiness and security, to toil, to place himself in danger, to risk even a reasonable certainty of death? It dawned upon me up there in the moon as a thing I ought always to have known, that man is not made simply to go about being safe and comfortable and well fed and amused.

"Good Lord!" I exclaimed. "Just think of all the trouble we took to get into this pickle! What did we come for? What are we after? What was the moon to us or we to the moon? We wanted too much, we tried too much. We ought to have started the little things first.

"It was I found the way here, but to find a way isn't always to be master of a way. If I take my secret back to earth, what will happen? I do not see how I can keep my secret for a year, for even a part of a year. Sooner or later it must come out, even if other men rediscover it. And then...governments and powers will struggle to get hither, they will fight against one another, and against these moon people; it will only spread warfare and multiply the occasions of war....What good would the moon be to men? Even of their own planet what have they made but a battle-ground and theatre of infinite folly? Small as his world is, and short as his time, he has still in his little life down there far more than he can do.

I think that going to bed was one of the luckiest ideas I have ever had in an emergency.




© 2025 Becky Laney of Becky's Book Reviews

Tuesday, August 05, 2025

87. Lost in Time



87. Lost in Time. A.G. Riddle. 2022. 455 pages. [Source: Library] [5 stars, adult science fiction, adult speculative fiction, alternate universes, time travel]

First sentence: On the anniversary of his wife’s death, Sam Anderson visited her grave. It was a crisp spring morning in Nevada, with dew on the grass and fog rolling through the cemetery. In one hand, Sam carried a bouquet of flowers. In the other, he gripped his son’s hand. Ryan was eleven years old and strong-willed and introverted, like his mother. After her death, he had withdrawn, spending even more time alone, playing with LEGOs, reading, and generally avoiding life.

Premise/plot: Sam and Adeline Anderson find themselves in quite the mess. This father and daughter are suspects in a murder investigation. There is video evidence that they were the last [last to be seen, at least] to enter the victim's home. Nora and Sam were in a relationship together. Now Sam may just be exiled...forever...to save his daughter from being implicated as well.

Exiled means EXILED in Lost in Time. Criminals/prisoners are sent to the FAR, FAR, FAR, DISTANT past in an alternate universe. Convicts won't get the chance to appeal, they'll be alive as long as they can survive the elements: dinosaurs, earthquakes, volcanoes, meteors, etc. 

What makes it worse for this father of two, is that he is one of SIX scientists who invented the Absolom time machine. It was meant to be a quick new way to "ship" stuff. They didn't know it was a time machine, but not a time machine to their own past, but a multi-verse time machine. 

Adeline will do just about anything to save her father [after the fact] even if it means working/living with the enemy.

My thoughts: I loved, loved, loved, loved, crazy-loved this one. I wish I could find more science fiction like this one. For #lawnerds who also love sci-fi, especially time travel, this one is a dream read. 

I enjoyed the complexity of this one. I loved the world-building and puzzle-building. All the pieces, all the clues, are there to be found. But it takes a while for everything to come together. (I was not expecting it to play out quite like it did.)

I really loved the characterization in this one. In particular, Adeline's character. She is our main narrator....

© 2025 Becky Laney of Becky's Book Reviews

Tuesday, July 22, 2025

80. Ender's Game



80. Ender's Game. Orson Scott Card. 1985. 324 pages. [Source: Library]

First sentence: "I've watched through his eyes, I've listened through his ears, and I tell you he's the one. Or at least as close as we're going to get."

ETA: My most recent 'read' of the book is July 2025. I listened on audio. I wanted to reread this one after rewatching the film a few weeks ago. I did like it more than I did in 2020, but less than I have in the past. I think the older I get the more I see how much harm and damage they caused Ender and am more outraged on his behalf. I see less 'cool adventure' and more this is so incredibly wrong.

Premise/plot: Andrew Wiggin, aka "Ender," is six years old and potentially the earth's savior. Two wars have been fought and barely won against the aliens known to readers as Buggers. The third war will take much preparation--decades worth of the International Fleet training up children to be commanders and soldiers.

Ender is one such student or trainee. His older brother, Peter, and older sister, Valentine, didn't make it so far as Battle School in space. Ender's life is wearisome and burdensome. He doesn't make friends easily and his biggest fear is being just as violent and out of control as his brother, Peter. He is prone to self-reflection and self-loathing. But in terms of military genius, strategizing, leadership...he excels.

When the time comes to fight the war, will he be ready?

My thoughts: For a decade I would have considered this one of my favorite, favorite books. Now that it's been almost twenty years or so since I first read it--well, my thoughts and impressions have changed some. I love the last fourth of the novel. That hasn't changed. But the first fourth of the novel, well, it's DISTURBING, uncomfortable, awkward, a bit off. I did NOT remember the use of the n word. I did not remember the jokesy approach to different races (or ethnicities). I did not remember the chokehold scene where Peter is trying to kill his brother. I did not remember some of the crudeness.

One thing that bothers me is Peter. Peter is a psychopath in my opinion. He is cruel to his brother and sister. He is cruel to small animals. He is a bully. He is manipulative. He is egocentric and a narcissist. He dreams of world domination. He is just a sick, sick, sick individual. And I think what readers are outright told about him is just the tip of the iceberg. If Valentine is to be believed about the files and records she's been keeping of her brother. Chances are he might have done even more than she knew about. There was one line that disturbed me where she is telling Ender that you don't know what I had to do to keep Peter from hurting you. Of course, we don't know--she doesn't say. But Card later seems to redeem the character of Peter and seeks to make him sympathetic.

Card does do flawed humans well. I will give him that. Are any of the characters in this one not flawed?!?! I think the most likable characters may be Bean and Petra.

 

© 2025 Becky Laney of Becky's Book Reviews

Friday, May 02, 2025

44. Mickey7

 

Mickey7. Edward Ashton. 2022. 320 pages. [Source: Library] [3 stars, science fiction, adult fiction]

First sentence: This is going to be my stupidest death ever.

Premise/plot: Mickey Barnes is an expendable. The Mickey readers first meet is Mickey7. Every time his body dies--he's deployed on the most dangerous, ultra-impossible missions--a new body is 'born' and his mind uploaded. Multiple copies of the same expendable are not only frowned upon but illegal. There are valid reasons for concern after past experiences on other planets. So when Mickey's death is reported prematurely, well, there's a problem--a big one. Mickey7 and Mickey8 both exist....and have to share an identity or risk being destroyed forever. 

Mickey7 is adult science fiction with some adult themes. It is set on a planet hostile to the human settlers, and a colony facing increasingly difficult problems--lack of resources being one, a limited population being another. 

My thoughts: I liked this one okay. It was fine. There was one scene that was offputting let's say. I'm trying to decide if it's fair to judge a book based on a scene that is decidedly not for you...or not. I think if you enjoy science fiction about colonizing other planets....and alien drama/conflict, then this one might be for you. This one was recently released as a film, Mickey17. I don't know that I will seek out the film--my library hasn't ordered it yet--but I did know that *if* I was going to watch the film,  thenI wanted to have read the book first. There is a sequel as well. Not sure if I'll seek out that either...but maybe.

 

© 2025 Becky Laney of Becky's Book Reviews

Tuesday, April 08, 2025

37. The Worthing Saga

  

37. The Worthing Saga. Orson Scott Card. 1990. Tor. 465 pages. [Source: Library] [5 stars, adult science fiction, short stories, framework stories]

First sentence: In many places in the Peopled Worlds, the pain came suddenly in the midst of the day's labor. It was as if an ancient and comfortable presence left them, one that they had never noticed until it was gone, and no one knew what to make of it at first, though all knew at once that something had changed deep at the heart of the world.   

ETA: I think this is the fourth time I've reviewed it for Becky's Book Reviews. I listened on audio book this time around. IT was mostly great. I absolutely love the first half--the framework stories. The short stories are hit and miss. I like some of them a LOT...and I detest/loathe others. The book as a whole is one that sticks with me vividly.

 Premise/plot: Imagine living in a world where there is no pain, no suffering, no grief, no fear, no anger, no violence, no injury. Wrong actions, in a sense, have ceased to have consequences. If a person were to hurt himself/herself chopping wood or tending the fires, then there would be instant--almost magical--healing. Even morally wrong actions are prevented, on this world there are no children out of wedlock; and the child is always the husband's never the lover's if you're an adulteress. Yes, there is an occasional death, but never for the very young, never for the able-bodied. It is hard to imagine for us this life of easy contentment. A life with no struggles? A life truly worry-free? A world where fire doesn't burn you and ice doesn't freeze you? Surely there must be a catch, right? Some reason why this world isn't a perfect paradise...

The change came in the middle of the night. Imagine going to bed with everything being quite all right, and waking up to find that life is not what you thought it was. Pain. Grief. Suffering. Worry. Fear. Anger. And it wasn't just emotional, as the village learned. It was physical, too. As one accident after another occurred, the villagers soon realized that they could not only be hurt, but they could also DIE. With the whole village (and indeed the whole world) in confusion, no one knows quite what to think. Is God dead? If God is still watching over them, why then is there suffering? Why suffering after all these centuries of watchful care? Folks are going along muttering that God doesn't look out for them anymore.

The old clerk trembled and nodded and his voice quivered as he spoke. 'I have read the books of ancient times,' he began, and all eyes turned to him. 'I have read the books of ancient times, and in them the old ones spoke of wounds that bleed like slaughtered cattle, and great griefs when the living suddenly are dead, and anger that turns to blows among people. But that was long, long ago, when men were still animals, and God was young and inexperienced. (5-6)

Yes, no one understands this Day of Pain. Least of all, Lared, our young hero. But it is Lared who will become the chosen speaker that will write the story and tell the tales that will explain this Day and give it meaning. Two strangers come to the inn, the inn that Lared's parents own, and it is Lared and his sister, Sala, who befriend them. Jason. Justice. A man and woman. The two are mysterious, no doubt about it, and more than one person suspects that they're coming is linked with the Day of Pain.

The two share their stories mostly through dreams and waking visions. Jason will occasionally share one the old-fashioned way, but most are transmitted directly into Lared's mind. Lared doesn't know what to think. He doesn't like the dreams. He doesn't like the uneasy feelings they leave him with...but he also knows that he has been called, chosen, if you will, to write this down. To record them. It is not his place to understand everything, just to write it down as it's been given to him.

Lared and his village provide the framework for the stories that Jason and Justice share. It is a story of two men, one empire, and one powerful drug.

Abner Doon. A name that still strikes fear in people thousands of years after his death. Some even say that he was the devil himself. But was he really? His name is associated with death and destruction, and in some ways, it is easy to understand why. He caused the death and destruction of the EMPIRE. The very arrogant, often corrupt, very stagnant empire. But was the fall of the empire really that bad? Wasn't it better for humanity in general? Jason Worthing certainly thinks so.

Jason Worthing. Another name that people fear to speak aloud. Why? It is a name of reverence. Many people feel that Jason Worthing is God. The creator of life. The sustainer of the universe, even. But was he really? Yes, he had a hand in establishing life and building civilization, at least on one planet, but the creator of all life? No. Just an ordinary man with unusual psychic powers who came from a technologically advanced society.

The empire. It's not that the empire was completely evil. Sure the empire had its fair share of corrupt and power-hungry politicians. More than its fair share. Every branch of the empire had its corrupt officials. And there was nothing that couldn't be bought--as long as you had money. But that wasn't the real crime of the empire. The real crime was that humanity was being robbed of its very soul, its very essence. They had lost the point of living. They were corrupting the very nature of our existence.

Somec. Perhaps the most powerful drug the empire had ever known. What did it do? It put the user into a deep sleep, a coma, if you will. First, the user would have his/her memories downloaded or recorded, if you will, onto a tape or into a bubble. I forget quite how they did it. I just know that there was a way of downloading and uploading memory. Then the assistant would inject somec. It wasn't a pretty picture. It burned. It hurt. It caused severe physical problems--sweating, discomfort, pain--but the user would forever be unaware of it because the memories would never include this part of the experience. Who was it for? At first, it was just for starship pilots. Their skills would be needed throughout a long voyage. And if a trip took hundreds or perhaps thousands of years, then they'd need Somec to function. The computer would always be able to wake them up in case of an emergency. But they'd arrive at their destination intact. So for colonization vessels, it really couldn't be any better. A ship would carry three hundred or so passengers and all the supplies needed to create and establish a civilization on another planet. So there were a few valid uses of the drug, I suppose. But the real corruption began when somec became a common necessity for the people.

Imagine the possibility of immortality. Somec offered immortality. The wealthy. The elite. The powerful. The brilliant minds of society were all given the chance for immortality. The more valuable society deemed you, the longer you would sleep between waking cycles. The common people lived and died naturally enough. But a good portion of society, became obsessed with immortality. But is living a thousand years natural if you spend 70% of it or so asleep? What does it accomplish really? You're not able to have friendships with others unless you're on the same sleep cycle. You're not able to maintain family relationships either. People could theoretically outlive their great-great-great-great-great-grandchildren. Love becomes to a certain extent irrelevant. Most things become irrelevant. No time for the finer things in life. Love. Romance. Music. Art. For not only do most people spend most of their times asleep, what little time they're awake they're obsessed with power, money, fame, greed, control. They always want more, more, more. Never content. There is no longer any joy in living life. But really too few people notice what they're missing. Except for one. The aforementioned Abner Doon.

Abner "rescues" Jason, if you will, and offers him a chance to become a part of something great. Jason becomes a starship pilot, a very famous starship pilot, and he eventually leads a colonization ship. Abner's big plan--besides the fall of the Empire--is to recreate life as it used to be. His plan? To spread humanity throughout the galaxy. To have human civilizations sprout up on thousands of planets. He knows that with the fall of the Empire, with the fall of technology, it will be thousands upon thousands of years before ANY civilization becomes advanced enough for star flight. He sees this as a way for humanity to wipe the slate clean and begin anew.

The Worthing Saga is the story of Jason's planet. How Jason "fathered" or "created" that world. And what happened to its inhabitants. What happened to his descendants. All these stories--and there are many--span thousands of years. Everything is leading the reader back to Lared. Back to the Day of Pain.

The Worthing Saga contains the previously published The Worthing Chronicle and nine short stories.

My Thoughts: Worthing Saga is one of my favorite, favorite books. And my FAVORITE Card novel. (Though I love Ender's Game and Speaker for the Dead.) The Worthing Saga is about the meaning of life. It is about what it means to be human. It asks important questions. It goes where few novels do. It asks what the meaning of pain and suffering is. It asks what the meaning of struggles are. It is ethical in nature. It asks the hard questions. But it is philosophical as well.

I love the world-building. I find the three settings within the book to be fascinating. (There is Lared's home planet which is the present-day setting; there is Capital, the planet from Jason Worthing's memory and stories, Capital becomes "real" to Lared as he experiences Worthing's memories through dreams; there is Worthing, the planet that Jason colonized with a handful of colonists thousands of years before the novel opens, again this planet becomes "real" to Lared as he experiences other people's memories through Justice, Jason's descendant.) Readers get a taste of all these societies and communities. Capital is decadent and immoral and corrupt. It is obsessed with the notion of eternity--of living forever. It "lives forever" by drug use. Somec. You might be under Somec--asleep--for anywhere from one year to ten years, and then awake for anywhere from one day (like the Empress) to three years. But somec disrupts EVERYTHING good and natural about life. An example of the decadence and immorality can be seen in the "lifeloops." People filming/recording their "real" lives for everyone to watch. Most--if not all lifeloops--are graphic in nature. It's hard not to be disgusted by the depiction. (For example, one actress complaining to her agent that he better not hire any seven year old boys for her next film.) Closely connected to the world-building, is the mythology of it. How Abner Doon's name lives on. He IS the devil. How Jason Worthing's name lives on. How people see him as being GOD. Both men are very much human, having strengths and weaknesses, being oh-so-fallible. But they have become collectively so much more than that. They've lost their humanity. Truth has been shaped and reshaped too many times to allow for them to be just human.

I love the characterization. I love getting to know Lared, Sala, Jason, and Justice. Not to mention all the men and women from the memories and stories. (I have a soft spot for Hoom.) I love the storytelling. I love the dialogue. I love how everything is layered together. How the story all comes together. How Lared slowly but surely pieces things together and comes to understand--if understand is the right word--the world. Card's characters are so very human, so vulnerable, so fallible. Readers see humans at their best and at their absolute worst within The Worthing Saga. Moments of compassion and redemption make it so worth while.


I love the ideas. I love the depth and substance. That is not to say that I agree absolutely with every single philosophical idea within the book. But it goes places most fiction doesn't. It asks real questions, tough questions. It explores ideas. One also sees the consequences (or possible consequences) of ideas. But it encourages you to think about deep things, to explore questions like why is there pain? why is there suffering? would the world be a better place without pain, without suffering? Is pain a necessary evil? Do we only feel joy and happiness because we know about pain and sorrow? what makes life beautiful? do we become better people through our struggles with life?


I do enjoy the framework. The Worthing Chronicle (1982) makes up half of The Worthing Saga. This is THE story with Lared being visited by Jason and Justice shortly after the day of pain disrupts his community. (It really is a haunting opening.) The second half of the book consists of short stories. Most of these short stories were written years before The Worthing Chronicle and were previously published. Tales of Capitol (1979): "Skipping Stones," "Second Chance," "Lifeloop," "Breaking the Game," "Killing Children," and "What Will We Do Tomorrow." Tales from the Forest of Waters (1990, 1980): "Worthing Farm," "Worthing Inn," and "The Tinker." Of these stories, I find Skipping Stones, Second Chance, and Breaking the Game to be most memorable. After you've read these stories, you almost need to go back and reread the first section. I'm not sure you can fully appreciate the book without rereading it a few times and absorbing it. Most of the stories--but certainly not all of them--are emotional. I love that the book is a book to be EXPERIENCED. 

ETA: YET I do have to say that I don't absolutely love everything. Some of the stories are EXTREMELY graphic and disturbing...one might even say disgusting. Not all of the stories. Not even most of the stories. And they are there to show the corruption and sickness of what humanity has become...so I guess they somewhat serve a purpose. Yet this one is distasteful in places.

© 2025 Becky Laney of Becky's Book Reviews

Tuesday, March 25, 2025

29. The Martian Chronicles

    

29. Martian Chronicles. Ray Bradbury. HarperCollins. 1997 edition. 288 pages. [Source: Library] [5 stars, science fiction, speculative fiction, classic, short stories]

First sentence: One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs, along the icy streets.
And then a long wave of warmth crossed the small town. A flooding sea of hart air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.
Rocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground. Rocket summer. People leaned from their dripping porches and watched the reddening sky.  

Premise/plot: Martian Chronicles is a collection of Mars-themed short stories. It has been published in several different editions. New stories kept getting added, for example, small edits here and there. The earliest stories are from the 1940s. Each chapter can (and does) stand alone. The stories do have a flow, and, perhaps some do depend on what has gone before. But there is not one main character. It doesn't follow a particular person or family. 

This time around [I might have rearead this one a half dozen times or so] I read it from the Library of America edition (2021). It uses the *original* dates. And it includes all of the stories, I believe. 

January 1999 Rocket Summer
February 1999 Ylla
August 1999 The Summer Night
August 1999 The Earth Men
March 2000 The Taxpayer
April 2000 The Third Expedition
June 2001 And the Moon Be Still As Bright
August 2001 The Settlers
December 2001 The Green Morning
February 2002 The Locusts
August 2002 Night Meeting
October 2002 The Shore
November 2002 The Fire Balloons
February 2003 Interim
April 2003 The Musicians
May 2003 The Wilderness
June 2003 Way in the Middle of the Air
2004-2005 The Naming of Names
April 2005 Usher II
August 2005 The Old Ones
September 2005 The Martian
November 2005 The Luggage Store
November 2005 The Off Season
November 2005 The Watchers
December 2005 The Silent Towns
April 2026 The Long Years
August 2026 There Will Come Soft Rains
October 2026 The Million Year Picnic

My thoughts on individual stories, and, first sentences from the stories

"Ylla"

They had a house of crystal pillars on the planet Mars by the edge of an empty sea, and every morning you could see Mrs. K eating the golden fruits that grew from the crystal walls, or cleaning the house with handfuls of magnetic dust which, taking all dirt with it, blew away on the hot wind.
A story told solely from the perspective of the Martians, in this case, a husband and wife. A husband has a very definite reaction to his wife's strange dreams. She dreams of a man, Nathaniel York, coming in a ship, in a rocket, and landing. The dream even tells her where and when. But her controlling and perhaps jealous husband has a way of dealing--for once and for all--with his wife's dreams.

"The Earth Men"
Whoever was knocking at the door didn't want to stop. Mrs. Ttt threw the door open. "Well?"
The story of the second expedition. Let's just say that the welcoming committee wasn't quite what they expected! First, NO ONE wanted to bother with them, then they were greeted by a strange assortment of Martians all claiming to be from Earth. And then....well, that wouldn't be polite of me to spoil it!
"The Third Expedition" (aka Mars is Heaven)
The ship came down from space. It came from the stars and the black velocities, and the shining movements, and the silent gulfs of space. It was a new ship; it had fire in its body and men in its metal cells, and it moved with a clean silence, fiery and warm. In it were seventeen men, including a captain. 
This one is a classic short story that you may have stumbled across in another context from The Martian Chronicles. (I've heard two radio adaptations, for example.) And the title is self-explanatory. It is the story of what happens when the third expedition lands. It is the story of what they see and  WHO they see. It is a story that stretches you, perhaps. But it's a good one!

"--And the Moon Be Still As Bright"
It was so cold when they first came from the rocket into the night that Spender began to gather the dry Martian wood and build a small fire. He didn't say anything about a celebration; he merely gathered the wood, set fire to it, and watched it burn.
And now we're on to the fourth expedition, the fourth rocket ship to successfully land on Mars. This time they manage to stay alive past the initial day or two or three. This is the story of what happens when one of the crew members, Spender, goes off on his own to learn the Martian culture, to explore the ruins, to explore the cities, to examine the artifacts and remnants of a culture that is gone with the wind. What happens next...well....there are a million reasons why readers shouldn't sympathize with Spender, but, like Captain Wilder, they may feel the pull all the same.


"The Settlers"
The men of Earth came to Mars. They came because they were afraid or unafraid, because they were happy or unhappy, because they felt like Pilgrims or did not feel like Pilgrims. There was a reason for each man. They were leaving bad wives or bad jobs or bad towns; they were coming to find something or leave something or get something, to dig up something or bury something or leave something alone. They were coming with small dreams or large dreams or none at all.
One of my favorite vignettes. For some reason it reminds me of John Steinbeck.

"Night Meeting"
Before going on up into the blue hills, Tomas Gomez stopped for gasoline at the lonely station.
There is something haunting and fantastical about this short story of a human and Martian meeting and not exactly seeing the same reality.

"The Fire Balloons"
Fire exploded over summer night lawns. 

 I first read "The Fire Balloons" in another collection of Ray Bradbury stories. I didn't, at the time, see it as being part of The Martian Chronicles. (And, in fact, it wasn't part of the edition I first read.) But now it is one of my favorite stories! In it two priests go to Mars as missionaries. One at least was expecting, was hoping, to meet Martians, to actually BE a missionary TO Martians, to an alien species. So when given the opportunity of going out into the hills and trying to communicate with blue balloon-like hovering creatures OR ministering to humans who have migrated to Mars, the answer is clear to Father Peregrine. But do the Martians need his church? This story has one of my favorite quotes:
"Father Peregrine, won't you ever be serious?"
"Not until the good Lord is. Oh, don't look so terribly shocked, please. The Lord is not serious. In fact, it is a little hard to know just what else He is except loving. And love has to do with humor, doesn't it? For you cannot love someone unless you put up with him, can you? And you cannot put up with someone constantly unless you can laugh at him. Isn't that true? And certainly we are ridiculous little animals wallowing in the fudge bowl, and God must love us all the more because we appeal to His humor."
 "The Wilderness"
Oh, the Good Time has come at last--
It was twilight and Janice and Leonora packed steadily in their summer house, singing songs, eating little, and holding to each other when necessary. But they never glanced at the window where the night gathered deep and the stars came out bright and cold.

This is another story that I ended up loving. And it was new-to-me too, it not being part of the original. But in this story we meet two women who are about to travel to Mars to get married and settle down. (The men having gone first.) The story likens exploring and settling Mars to exploring and settling the Old West (places like Wyoming, California, Oregon, etc.) It is about how the two handle their last night on Earth.
Is this how it was over a century ago, she wondered, when the women, the night before, lay ready for sleep, or not ready, in the small towns of the East, and heard the sound of horses in the night and the creak of the Conestoga wagons ready to go, and the brooding of oxen under the trees, and the cry of children already lonely before their time?...Is this then how it was so long ago? On the rim of the precipice, on the edge of the cliff of stars. In their time the smell of buffalo, and in our time the smell of the Rocket. Is then then how it was? And she decided, as sleep assumed the dreaming for her, that yes, yes indeed, very much so, irrevocably, this was as it had always been and would forever continue to be. 

"Way In the Middle of the Air" 

"Did you hear about it?"
"About what?"
For better or worse this story exists. It does. I can see why some editions sweep it under the rug and pretend it doesn't exist. Is that the right call? Maybe. Maybe not. It concerns a racist family airing very vocally their views about 'a certain race' [the n-word is used throughout] joining the space race and going to Mars. It is a violent story. It is an ugly story. I didn't feel it enhanced the collection as a whole. However, it is what it is. And when the story was written racism WAS in play. It would have been written before the Civil Rights movement and perhaps gives one vignette of the times.

"Usher II" (aka Carnival of Madness)

"During the whole of a dull, dark and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher..." Mr. William Stendahl paused in his quotation. There, upon a low black hill, stood the house, its cornerstone bearing the inscription: 2036 A.D.

I remembered this as being one of the stories in A PLEASURE TO BURN, a Ray Bradbury collection celebrating the creative stories leading up to the writing/publishing of Fahrenheit 451. And it was first published as "Carnival of Madness." But it was also part of Ray Bradbury's book, The Martian Chronicles. And it is perhaps one of the most memorable of the collection. It is a true must read for anyone who loves Fahrenheit 451, for it continues on some of the same themes. I don't want to say too much about it really, because it shouldn't be spoiled at all if you want to get the full enjoyment of it!

"The Martian"
The blue mountains lifted into the rain and the rain fell down into the long canals and old LaFarge and his wife came out of their house to watch. 
An elderly couple have come to Mars and one night they are surprised by the appearance of their "son" (who died and was buried back on Earth). Their "son" doesn't want to leave the house, and is enjoying his family too much to risk getting "trapped" by going into the city and interacting with others. This story is creepy.


"The Luggage Store," "The Off Season," "The Watchers," "The Silent Towns," "The Long Years," "There Will Come Soft Rains," and "The Million Year Picnic."

These stories, I feel, work best as a sequence showing what happens both on Earth and Mars when the worst happens--atomic war on Earth. In "The Luggage Store," one speculates that his business will improve greatly if the war happens, if the worst happens. He feels that everyone will want to go back home to Earth to be with their loved ones, to find out if their loved ones are okay, to try to piece their society and civilization back together. In "The Off Season" readers learn that the war has started and the destruction has begun. There is nothing truly comical about it, but, it does happen to be told from the point of view of a man who has just opened a hot dog stand. "The Watchers" shows the people leaving Mars to return to Earth--for better or worse. "The Silent Towns" and "The Long Years" are two stories set on Mars. The first, "The Silent Towns" is told from the point of view of a man who chose to stay behind. He's lonely, but not THAT lonely it turns out. He does meet one woman who stayed behind, but, he decides that his own company is enough after all. "The Long Years" sees the return of Captain Wilder, I believe, who discovers a man and his family. There is a twist, however, which prevents this one from being a happy story. "There Will Come Soft Rains" is a very, very, very lonely story where we get a glimpse--just a small glimpse perhaps--of the desolation and destruction of life as we know it in at least one human city. We see the ending of an era, perhaps. There are no human characters in this one. "The Million Year Picnic" resonates even more when seen back-to-back with "There Will Come Soft Rains." In this story, readers meet a family: parents and sons who have come to Mars on their own private Rocket--a rocket that has been hidden away for many years, a rocket that has been saved for a true emergency. We meet a father who has prepared for THE END in a big, big way.

 

© 2025 Becky Laney of Becky's Book Reviews

Tuesday, March 18, 2025

26. To Say Nothing of the Dog

  

26. To Say Nothing of the Dog. (Oxford Time Travel #2) Connie Willis. 1998. 512 pages. [Source: Bought]

First sentence: There were five of us--Carruthers and the new recruit and myself, and Mr. Spivens and the verger. It was late afternoon on November the fifteenth, and we were in what was left of Coventry Cathedral, looking for the bishop's bird stump. Or at any rate I was. 

Premise/plot: Ned Henry narrates the novel. And he does a great job. When we first meet him, he's suffering from time-lag. He's spent too much time--of late--jumping through time. He's not alone. There is someone doing her very, very best to drive EVERYONE in his department crazy. Lady Schrapnell is a woman on a mission--a RICH woman on a mission. And she won't take no for an answer. If Lady Schrapnell volunteers you for a job, well, you stay volunteered until the job is done to her satisfaction. And what does Lady Schrapnell want most of all? The bishop's bird stump. Her project is the rebuilding of Coventry Cathedral--a cathedral destroyed/damaged during World War II. And she HAS to know if the bishop's bird stump was still in the church during the raid. She needs to know if it should be replicated as part of the 'restoration.' So Ned Henry is just one of dozens looking IN THE PAST for the answers as to what happened to the bishop's bird stump.

But that 'mission' becomes almost secondary....when it is 'discovered' that there's been an incongruity. At first they think it's simple, it's easily fixed. One of the time travelers interfered when she shouldn't. But. They'll just send another time traveler to fix that interference, and things should go smoothly. But since the time traveler they send is Ned Henry, since he's suffering from exhaustion and time-lag, since he barely heard his instructions, since he jumped into the Net to avoid being discovered by an angry Lady Schrapnell, nothing is simple. What Ned Henry soon realizes is that his arrival in June 1888 has changed things. His arrival has kept two people from meeting (and subsequently falling in love and marrying), and that's just the start.

But he isn't the only one in the past. He isn't the only time-traveler working to restore things. Verity Kindle. The beautiful Verity Kindle has a role to play as well....

Verity Kindle is the heroine of To Say Nothing of the Dog. She is on a mission of her own. While Ned Henry was given the assignment of finding out the whereabouts of the bishop's bird stump, Verity's assignment is to read Tocelyn's diary. The diary is available to read in the future. But the most relevant pages to the Coventry Cathedral project were damaged. So she's been sent to the oh-so-important summer of 1888 to read the newly written diary entries. She's having about as much success as Ned Henry. In other words, not much luck at all! These two work together as best they can. Verity manages to travel back and forth a few times to the future. Their mission--as they see it has changed a bit. They worry that they've damaged the future and that something horrible may happen as a result. Like Tocelyn, they know, was supposed to marry a "Mr. C". They know this for a fact from future diary entries. Yet here they are and she's engaged to someone else! Their "new mission" is to find the identity of "Mr. C." and make sure they meet when they're supposed to meet....

My thoughts: Read this book. That's all I have to say about that. No, not really. I have plenty to say about this one. But I don't think my review will be able to do this one justice. What is To Say Nothing of the Dog? It's a funny sci-fi mystery with a smidgen of romance.

I have a weakness for time travel. I do. And this one is a great example of a time-traveling sci-fi novel that just works really well. It's smart. It's funny. 

I loved this one. I have always loved this one. It is a delightful time travel novel. I love the humor! I do! It's so very, very funny! And I love the details and the dialogue. This one is just a joy cover to cover!

Quotes:

2 Quotes About the bishop's bird stump:

"Perhaps it was removed for safekeeping," he said, looking at the windows. "Like the east windows."
"The bishop's bird stump?" I said incredulously. "Are you joking?"
"You're right," he said. "It isn't the sort of thing you'd want to keep from being blown up. Victorian art!" He shuddered. (7)

I must be getting light-headed from lack of sleep. No one, even badly shell-shocked, would steal it. Or buy it at a jumble sale. This was the bishop's bird stump. Even the munitions scrap iron drive would turn it down. Unless of course someone recognized its potential as a psychological weapon against the Nazis. (12)

About time-lag:

One of the first symptoms of time-lag is a tendency to maudlin sentimentality, like an Irishman in his cups or a Victorian poet cold-sober. (9)

And isn't this the truth:

There is nothing more helpful than shouted instructions, particularly incomprehensible ones. (153)

Verity Kindle on mystery novels:
"Of course they're usually about murder, not robbery, but they always take place in a country house like this, and the butler did it, at least for the first hundred mystery novels or so. Everyone's a suspect, and it's always the least likely person, and after the first hundred or so, the butler wasn't anymore--the least likely person, I mean--so they had to switch to unlikely criminals. You know, the harmless old lady or the vicar's devoted wife, that sort of thing, but it didn't take the reader long to catch on to that, and they had to resort to having the detective be the murderer, and the narrator, even though that had already been done in The Moonstone. The hero did it, only he didn't know it. He was sleepwalking, in his nightshirt, which was rather racy stuff for Victorian times, and the crime was always unbelievably complicated. In mystery novels. I mean, nobody ever ever just grabs the vase and runs, or shoots somebody in a fit of temper, and at the very end, when you think you've got it all figured out, there's one last plot-twist, and the crime's always very carefully thought out, with disguises and alibis and railway timetables and they have to include a diagram of the house in the frontispiece, showing everyone's bedroom and the library, which is where the body always is, and all the connecting doors, and even then you don't have a prayer of figuring it out, which is why they have to bring in a world-famous detective--"
"Who solves it with little gray cells?" I said.
"Yes. Hercule Poirot, that's Agatha Christie's detective, and he says it isn't at all necessary to go running about measuring footprints and picking up cigarette ends to solve mysteries like Sherlock Holmes. That's Arthur Conan Doyle's detective--"
"I know who Sherlock Holmes is." (205)


Well, it wasn't exactly the ending of an Agatha Christie mystery, with Hercule Poirot gathering everyone together in the drawing room to reveal the murderer and impress everyone with his astonishing deductive powers. And it definitely wasn't a Dorothy Sayers, with the detective hero saying to his heroine sidekick, "I say, we make a jolly good detectin' team. How about makin' the partnership permanent, eh, what?" and then proposing in Latin. (431)
Verity and Ned:

She peered at me. "It isn't fair, you know."
"What isn't?" I said warily.
"Your boater. It makes you look just like Lord Peter Wimsey, especially when you tilt it forward like that." (254)

"The first time I ever saw you, I thought, he looks just like Lord Peter Wimsey. You were wearing the boater and--no, that wasn't the first time," she said accusingly. "The first time was in Mr. Dunworthy's office, and you were all covered in soot. You were still adorable, though, even if your mouth was hanging open." (254)

"Lord Peter took a nap," she said. "Harriet watched him sleep, and that's when she knew she was in love with him."
She sat up again. "Of course, I knew it from the second page of Strong Poison, but it took two more books for Harriet to figure it out. She kept telling herself it was all just detecting and deciphering codes and solving mysteries together, but I knew she was in love with him. He proposed in Latin. Under a bridge. After they solved the mystery. You can't propose till after you've solved the mystery. That's a law in detective novels."
She sighed. "It's too bad. 'Placetne, magistra?' he said when he proposed, and then she said, 'Placet.' That's a fancy Oxford don way of saying yes. I had to look it up. I hate it when people use Latin and don't tell you what they mean..." (259)

 

 

 

 

© 2025 Becky Laney of Becky's Book Reviews