43. The Hobbit

 

 

43. The Hobbit. J.R.R. Tolkien. 1937.  320 pages. [Source: Library] [5 stars, MG Fantasy, fantasy, classic] 

First sentence:  In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.  

ETA: I listened to the audio book narrated by Andy Serkis. It is a little over ten hours, I believe. IT WAS WONDERFUL, FANTASTIC, A JOY AND DELIGHT. He is a talented voice actor. I loved all his voices, except perhaps for some birds? But I recommend the audio a hundred million percent. I would say the audio book is perhaps better than the book. Perhaps. It definitely HELPS the singing portions! I usually skip the poems/songs when I read. But Serkis actually makes them enjoyable!!!!

Premise/plot: Bilbo Baggins has an unexpected adventure in J.R.R. Tolkien's The Hobbit. When this children's classic opens, Bilbo is decidedly not a burglar. But by the end of it, well, you may have to decide for yourself if he is or isn't... Regardless, Bilbo sets off with THIRTEEN dwarves on a get-rich-or-die-trying quest. They're off to face down a DRAGON, but the dragon won't be the only challenge they face. Will Bilbo return to his beloved shire wiser?!

My thoughts: I love, love, love, love, love, love, love this one. I do. I may even love it a tiny bit more than the Lord of the Rings trilogy. Maybe. It's a tricky thing really because in truth, I just LOVE hobbits. I love spending time with hobbits. I love Tolkien's insights about hobbits. One of the things I love about Tolkien is how quotable he is.

Quotes:

“Good Morning!” said Bilbo, and he meant it. The sun was shining, and the grass was very green. But Gandalf looked at him from under long bushy eyebrows that stuck out further than the brim of his shady hat. “What do you mean?” he said. “Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?” “All of them at once,” said Bilbo.

“What a lot of things you do use Good morning for!” said Gandalf. “Now you mean that you want to get rid of me, and that it won’t be good till I move off.”

He liked visitors, but he liked to know them before they arrived, and he preferred to ask them himself. He had a horrible thought that the cakes might run short, and then he—as the host: he knew his duty and stuck to it however painful—he might have to go without.

“Go back?” he thought. “No good at all! Go sideways? Impossible! Go forward? Only thing to do! On we go!”

He was altogether alone. Soon he thought it was beginning to feel warm. “Is that a kind of a glow I seem to see coming right ahead down there?” he thought. It was. As he went forward it grew and grew, till there was no doubt about it. It was a red light steadily getting redder and redder. Also it was now undoubtedly hot in the tunnel. Wisps of vapour floated up and past him and he began to sweat. A sound, too, began to throb in his ears, a sort of bubbling like the noise of a large pot galloping on the fire, mixed with a rumble as of a gigantic tom-cat purring. This grew to the unmistakable gurgling noise of some vast animal snoring in its sleep down there in the red glow in front of him. It was at this point that Bilbo stopped. Going on from there was the bravest thing he ever did. The tremendous things that happened afterwards were as nothing compared to it. He fought the real battle in the tunnel alone, before he ever saw the vast danger that lay in wait.

“You have nice manners for a thief and a liar,” said the dragon. “You seem familiar with my name, but I don’t seem to remember smelling you before. Who are you and where do you come from, may I ask?” “You may indeed! I come from under the hill, and under the hills and over the hills my paths led. And through the air. I am he that walks unseen.” “So I can well believe,” said Smaug, “but that is hardly your usual name.” “I am the clue-finder, the web-cutter, the stinging fly. I was chosen for the lucky number.” “Lovely titles!” sneered the dragon. “But lucky numbers don’t always come off.” “I am he that buries his friends alive and drowns them and draws them alive again from the water. I came from the end of a bag, but no bag went over me.” “These don’t sound so creditable,” scoffed Smaug. “I am the friend of bears and the guest of eagles. I am Ringwinner and Luckwearer; and I am Barrel-rider,” went on Bilbo beginning to be pleased with his riddling. “That’s better!” said Smaug. “But don’t let your imagination run away with you!”

If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.

 

© 2025 Becky Laney of Becky's Book Reviews

185. Anne's House of Dreams

Anne's House of Dreams. L.M. Montgomery. 1919. 227 pages. [Source: Bought]

First sentence: “Thanks be, I’m done with geometry, learning or teaching it,” said Anne Shirley, a trifle vindictively, as she thumped a somewhat battered volume of Euclid into a big chest of books, banged the lid in triumph, and sat down upon it, looking at Diana Wright across the Green Gables garret, with gray eyes that were like a morning sky.

 ETA: I don't know how many times I've read this series--dozens??? scores???? My most recent read through is December 2023. It is just as magical as when I first discovered the series in the late 1980s. 

Premise/plot: Anne Shirley marries Gilbert Blythe in this oh-so-lovely, oh-so-charming book by L.M. Montgomery. Technically, it is the sequel to Anne of the Island! Anne of Windy Poplars was written in the 1930s, decades after Anne's House of Dreams. In this Anne book, the happily married couple settle down in their first home together near Four Winds Harbor and Glen St. Mary. 

Anne's House of Dreams introduces many new characters--some of my favorites I admit--Captain Jim, Miss Cornelia, Leslie Moore, Owen Ford. Marshall Elliot. Susan Baker. Who would ever want to forget their stories? Captain Jim's life-book. Leslie Moore's tragic past but enduring spirit. Miss Cornelia. She's got to be one-of-a-kind. Just a truly spirited character with so much heart and full of gumption. Practically everything out of her mouth is quotable. She sure is great at banter!

My thoughts: I love and adore this one!!! I love how emotionally satisfying it is. The Anne books may have sweet moments, but they pack in reality as well. No one can make me cry like L.M. Montgomery.

Quotes: 

“Stoutness and slimness seem to be matters of predestination,” said Anne.

Jane was not brilliant, and had probably never made a remark worth listening to in her life; but she never said anything that would hurt anyone’s feelings — which may be a negative talent but is likewise a rare and enviable one.

“I’ve heard you criticise ministers pretty sharply yourself,” teased Anne. “Yes, but I do it reverently,” protested Mrs. Lynde. “You never heard me NICKNAME a minister.” Anne smothered a smile.

Their happiness was in each other’s keeping and both were unafraid. 

“Miss Cornelia Bryant. She’ll likely be over to see you soon, seeing you’re Presbyterians. If you were Methodists she wouldn’t come at all. Cornelia has a holy horror of Methodists.”

“I know we are going to be friends,” said Anne, with the smile that only they of the household of faith ever saw. “Yes, we are, dearie. Thank goodness, we can choose our friends. We have to take our relatives as they are, and be thankful if there are no penitentiary birds among them. Not that I’ve many — none nearer than second cousins. I’m a kind of lonely soul, Mrs. Blythe.” There was a wistful note in Miss Cornelia’s voice.

“Were you able to eat enough pie to please her?” “I wasn’t. Gilbert won her heart by eating — I won’t tell you how much. She said she never knew a man who didn’t like pie better than his Bible. Do you know, I love Miss Cornelia.”

“Our library isn’t very extensive,” said Anne, “but every book in it is a FRIEND. We’ve picked our books up through the years, here and there, never buying one until we had first read it and knew that it belonged to the race of Joseph.”

A woman cannot ever be sure of not being married till she is buried, Mrs. Doctor, dear, and meanwhile I will make a batch of cherry pies.

“I wonder why people so commonly suppose that if two individuals are both writers they must therefore be hugely congenial,” said Anne, rather scornfully. “Nobody would expect two blacksmiths to be violently attracted toward each other merely because they were both blacksmiths.”

The p’int of good writing is to know when to stop.

There’s only the one safe compass and we’ve got to set our course by that — what it’s right to do.

Logic is a sort of hard, merciless thing, I reckon.

“Since you are determined to be married, Miss Cornelia,” said Gilbert solemnly, “I shall give you the excellent rules for the management of a husband which my grandmother gave my mother when she married my father.” “Well, I reckon I can manage Marshall Elliott,” said Miss Cornelia placidly. “But let us hear your rules.” “The first one is, catch him.” “He’s caught. Go on.” “The second one is, feed him well.” “With enough pie. What next?” “The third and fourth are — keep your eye on him.” “I believe you,” said Miss Cornelia emphatically.

Cats is cats, and take my word for it, they will never be anything else.

 

 

 

© 2023 Becky Laney of Becky's Book Reviews

138. Zanna's Gift

Zanna's Gift. Orson Scott Card. 2020. [November] Originally published in 2004? 250 pages. [Source: Review copy]

First sentence: There are many ways to lose a child, and none of them is merciful. But like all unbearable things it can be borne, and in the weeks before Christmas 1938, the Pullmans were learning how.

Premise/plot: Zanna's Gift is a LOVELY Christmas novel. Zanna, the youngest of the Pullman family, has a special way to memorialize her older brother, Ernest, after his unexpected death at fifteen.

The best way to read Zanna's Gift is without knowing a thing about it. I promise you. I'm doing you a favor by NOT summarizing the plot and sharing what Zanna's GIFT was and how it was a gift that kept giving and giving. 

My thoughts: LOVE. I loved this one absolutely and completely from start to finish. It was one of those perfectly perfect EXPERIENCES. It feels like more than just a book, a story, a fictional work. THESE CHARACTERS ARE REAL. How it hasn't been adapted into a movie if it was truly published originally in 2004 is beyond me. It would make an excellent movie. 

I would recommend this one to people who aren't necessarily readers. Of course I recommend it to readers who read anything and everything. But for those who are reluctant to pick up books, please consider reading this wonderful amazing book. 

If you LOVE Christmas, this is an absolute must. I could easily see it becoming a book that you feel you HAVE to read each and every year.

© 2020 Becky Laney of Becky's Book Reviews

115. Jane Eyre

Jane Eyre. Charlotte Bronte. 1847. 532 pages. [Source: Bought]

First sentence: There was no possibility of taking a walk that day.

Premise/plot: Jane Eyre, our heroine, is an orphan who never in her wildest dreams imagines living happily ever after. Raised by a cruel aunt and taunted by mean-spirited and selfish cousins, she only hopes to escape misery and find contentment--albeit humble. Her adventure--or misadventure--begins after graduating Loward School as she takes the position of governess at Thornfield Hall. There she meets her charming and precocious pupil, Adele, and the brooding Mr. Rochester. The two enjoy each other's company--perhaps because no one else quite understands them. But the two aren't courting--at least not at first. Jane falls for him. But is he falling for her? Could he fall for her? Does she want him to reciprocate her feelings? Could the master of the house and a governess ever marry and live happily ever after?! But it isn't just social class dividing these two--Mr. Rochester has a dark secret from his past that might prove a dangerous obstacle for our loving couple.

My thoughts: I love this book. I do. I absolutely love it. It is one of my favorite books to reread every other year or so.


Quotes:

How all my brain was in tumult, and all my heart in insurrection! Yet in what darkness, what dense ignorance, was the mental battle fought!

Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies;

A new chapter in a novel is something like a new scene in a play;

“Jane, you offered me your shoulder once before; let me have it now.” “Yes, sir, yes; and my arm.”

“Thank you, Mr. Rochester, for your great kindness. I am strangely glad to get back again to you: and wherever you are is my home—my only home.”

“I ask you to pass through life at my side—to be my second self, and best earthly companion.”

“My bride is here,” he said, again drawing me to him, “because my equal is here, and my likeness. Jane, will you marry me?”

Human beings never enjoy complete happiness in this world. I was not born for a different destiny to the rest of my species: to imagine such a lot befalling me is a fairy tale—a day-dream.

Prejudices, it is well known, are most difficult to eradicate from the heart whose soil has never been loosened or fertilised by education: they grow there, firm as weeds among stones.

Reader, I married him.

© 2020 Becky Laney of Becky's Book Reviews

Much Ado About Nothing

Much Ado About Nothing. William Shakespeare. 1599/2004. SparkNotes. 256 pages. [Source: Bought]

Much Ado About Nothing is without a doubt my favorite, favorite, FAVORITE, FAVORITE William Shakespeare play. To put it into perspective, I enjoy a handful of his comedies, and, even now and then a tragedy--though not Romeo and Juliet.

So what do I love about Much Ado About Nothing?

I love the movie. Even if you have no intention of ever reading the play, you SHOULD see the movie adaptation starring Kenneth Branagh and Emma Thompson.

I love the soundtrack, the score, by Patrick Doyle. It is probably one of my favorite scores ever. (Perhaps I should do a top ten list sometime!)

I love the characters of Benedick and Beatrice. I do. I love, love, love them both as individuals and as a couple.

I love the humor and the romance.

I love how quotable it is. Down below, I'll be sharing my top ten quotes from the play!

Now, I don't necessarily, love, love, love the "romance" between Hero and Claudio. Hero is perfectly fine as a character--not fiery, not memorable, not delightful--but fine. Claudio, on the other hand, deserves to be yelled at more than a couple of times.

My top ten quotes from Much Ado About Nothing. The first three are my favorites. The rest are in the order of the play itself.

***

BENEDICK

[Coming forward] This can be no trick: the
conference was sadly borne. They have the truth of
this from Hero. They seem to pity the lady: it
seems her affections have their full bent. Love me!
why, it must be requited. I hear how I am censured:
they say I will bear myself proudly, if I perceive
the love come from her; they say too that she will
rather die than give any sign of affection. I did
never think to marry: I must not seem proud: happy
are they that hear their detractions and can put
them to mending. They say the lady is fair; 'tis a
truth, I can bear them witness; and virtuous; 'tis
so, I cannot reprove it; and wise, but for loving
me; by my troth, it is no addition to her wit, nor
no great argument of her folly, for I will be
horribly in love with her. I may chance have some
odd quirks and remnants of wit broken on me,
because I have railed so long against marriage: but
doth not the appetite alter? a man loves the meat
in his youth that he cannot endure in his age.
Shall quips and sentences and these paper bullets of
the brain awe a man from the career of his humour?
No, the world must be peopled. When I said I would
die a bachelor, I did not think I should live till I
were married. Here comes Beatrice. By this day!
she's a fair lady: I do spy some marks of love in
her.

***

BEATRICE

[Coming forward]
What fire is in mine ears? Can this be true?
Stand I condemn'd for pride and scorn so much?
Contempt, farewell! and maiden pride, adieu!
No glory lives behind the back of such.
And, Benedick, love on; I will requite thee,
Taming my wild heart to thy loving hand:
If thou dost love, my kindness shall incite thee
To bind our loves up in a holy band;
For others say thou dost deserve, and I
Believe it better than reportingly.

***

BALTHASAR (singing)

Sigh no more, ladies, sigh no more,
Men were deceivers ever,
One foot in sea and one on shore,
To one thing constant never:
Then sigh not so, but let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.
Sing no more ditties, sing no moe,
Of dumps so dull and heavy;
The fraud of men was ever so,
Since summer first was leafy:
Then sigh not so, & c.

***

BENEDICK
That a woman conceived me, I thank her; that she
brought me up, I likewise give her most humble
thanks: but that I will have a recheat winded in my
forehead, or hang my bugle in an invisible baldrick,
all women shall pardon me. Because I will not do
them the wrong to mistrust any, I will do myself the
right to trust none; and the fine is, for the which
I may go the finer, I will live a bachelor.

***

CLAUDIO
Thus answer I in the name of Benedick,
But hear these ill news with the ears of Claudio.
'Tis certain so; the prince wooes for himself.
Friendship is constant in all other things
Save in the office and affairs of love:
Therefore, all hearts in love use their own tongues;
Let every eye negotiate for itself
And trust no agent; for beauty is a witch
Against whose charms faith melteth into blood.
This is an accident of hourly proof,
Which I mistrusted not. Farewell, therefore, Hero!

***

DON PEDRO

Come, lady, come; you have lost the heart of
Signior Benedick.

BEATRICE

Indeed, my lord, he lent it me awhile; and I gave
him use for it, a double heart for his single one:
marry, once before he won it of me with false dice,
therefore your grace may well say I have lost it.

DON PEDRO

You have put him down, lady, you have put him down.

***

BEATRICE

Speak, count, 'tis your cue.

CLAUDIO

Silence is the perfectest herald of joy: I were
but little happy, if I could say how much. Lady, as
you are mine, I am yours: I give away myself for
you and dote upon the exchange.

BEATRICE

Speak, cousin; or, if you cannot, stop his mouth
with a kiss, and let not him speak neither.

DON PEDRO

In faith, lady, you have a merry heart.

BEATRICE

Yea, my lord; I thank it, poor fool, it keeps on
the windy side of care. My cousin tells him in his
ear that he is in her heart.

CLAUDIO

And so she doth, cousin.

BEATRICE

Good Lord, for alliance! Thus goes every one to the
world but I, and I am sunburnt; I may sit in a
corner and cry heigh-ho for a husband!

DON PEDRO

Lady Beatrice, I will get you one.

BEATRICE

I would rather have one of your father's getting.
Hath your grace ne'er a brother like you? Your
father got excellent husbands, if a maid could come by them.

DON PEDRO

Will you have me, lady?

BEATRICE

No, my lord, unless I might have another for
working-days: your grace is too costly to wear
every day. But, I beseech your grace, pardon me: I
was born to speak all mirth and no matter.

DON PEDRO

Your silence most offends me, and to be merry best
becomes you; for, out of question, you were born in
a merry hour.

BEATRICE

No, sure, my lord, my mother cried; but then there
was a star danced, and under that was I born.
Cousins, God give you joy!

***

DON PEDRO

By my troth, a pleasant-spirited lady.

LEONATO

There's little of the melancholy element in her, my
lord: she is never sad but when she sleeps, and
not ever sad then; for I have heard my daughter say,
she hath often dreamed of unhappiness and waked
herself with laughing.

DON PEDRO

She cannot endure to hear tell of a husband.

LEONATO

O, by no means: she mocks all her wooers out of suit.

DON PEDRO

She were an excellent wife for Benedict.

LEONATO

O Lord, my lord, if they were but a week married,
they would talk themselves mad.

***

BENEDICK

Lady Beatrice, have you wept all this while?

BEATRICE

Yea, and I will weep a while longer.

BENEDICK

I will not desire that.

BEATRICE

You have no reason; I do it freely.

BENEDICK

Surely I do believe your fair cousin is wronged.

BEATRICE

Ah, how much might the man deserve of me that would right her!

BENEDICK

Is there any way to show such friendship?

BEATRICE

A very even way, but no such friend.

BENEDICK

May a man do it?

BEATRICE

It is a man's office, but not yours.

BENEDICK

I do love nothing in the world so well as you: is
not that strange?

BEATRICE

As strange as the thing I know not. It were as
possible for me to say I loved nothing so well as
you: but believe me not; and yet I lie not; I
confess nothing, nor I deny nothing. I am sorry for my cousin.

BENEDICK

By my sword, Beatrice, thou lovest me.

BEATRICE

Do not swear, and eat it.

BENEDICK

I will swear by it that you love me; and I will make
him eat it that says I love not you.

BEATRICE

Will you not eat your word?

BENEDICK

With no sauce that can be devised to it. I protest
I love thee.

BEATRICE

Why, then, God forgive me!

BENEDICK

What offence, sweet Beatrice?

BEATRICE

You have stayed me in a happy hour: I was about to
protest I loved you.

BENEDICK

And do it with all thy heart.

BEATRICE

I love you with so much of my heart that none is
left to protest.

BENEDICK

Come, bid me do any thing for thee.

BEATRICE

Kill Claudio.

BENEDICK

Ha! not for the wide world.

BEATRICE

You kill me to deny it. Farewell.

BENEDICK

Tarry, sweet Beatrice.

BEATRICE

I am gone, though I am here: there is no love in
you: nay, I pray you, let me go.

BENEDICK

Beatrice,--

BEATRICE

In faith, I will go.

BENEDICK

We'll be friends first.

BEATRICE

You dare easier be friends with me than fight with mine enemy.

BENEDICK

Is Claudio thine enemy?

BEATRICE

Is he not approved in the height a villain, that
hath slandered, scorned, dishonoured my kinswoman? O
that I were a man! What, bear her in hand until they
come to take hands; and then, with public
accusation, uncovered slander, unmitigated rancour,
--O God, that I were a man! I would eat his heart
in the market-place.

BENEDICK

Hear me, Beatrice,--

BEATRICE

Talk with a man out at a window! A proper saying!

BENEDICK

Nay, but, Beatrice,--

BEATRICE

Sweet Hero! She is wronged, she is slandered, she is undone.

BENEDICK

Beat--

BEATRICE

Princes and counties! Surely, a princely testimony,
a goodly count, Count Comfect; a sweet gallant,
surely! O that I were a man for his sake! or that I
had any friend would be a man for my sake! But
manhood is melted into courtesies, valour into
compliment, and men are only turned into tongue, and
trim ones too: he is now as valiant as Hercules
that only tells a lie and swears it. I cannot be a
man with wishing, therefore I will die a woman with grieving.

BENEDICK

Tarry, good Beatrice. By this hand, I love thee.

BEATRICE

Use it for my love some other way than swearing by it.

BENEDICK

Think you in your soul the Count Claudio hath wronged Hero?

BEATRICE

Yea, as sure as I have a thought or a soul.

BENEDICK

Enough, I am engaged; I will challenge him. I will
kiss your hand, and so I leave you. By this hand,
Claudio shall render me a dear account. As you
hear of me, so think of me. Go, comfort your
cousin: I must say she is dead: and so, farewell.

***

BENEDICK

Do not you love me?

BEATRICE

Why, no; no more than reason.

BENEDICK

Why, then your uncle and the prince and Claudio
Have been deceived; they swore you did.

BEATRICE

Do not you love me?

BENEDICK

Troth, no; no more than reason.

BEATRICE

Why, then my cousin Margaret and Ursula
Are much deceived; for they did swear you did.

BENEDICK

They swore that you were almost sick for me.

BEATRICE

They swore that you were well-nigh dead for me.

BENEDICK

'Tis no such matter. Then you do not love me?

BEATRICE

No, truly, but in friendly recompense.

LEONATO

Come, cousin, I am sure you love the gentleman.

CLAUDIO

And I'll be sworn upon't that he loves her;
For here's a paper written in his hand,
A halting sonnet of his own pure brain,
Fashion'd to Beatrice.

HERO

And here's another
Writ in my cousin's hand, stolen from her pocket,
Containing her affection unto Benedick.

BENEDICK

A miracle! here's our own hands against our hearts.
Come, I will have thee; but, by this light, I take
thee for pity.

BEATRICE

I would not deny you; but, by this good day, I yield
upon great persuasion; and partly to save your life,
for I was told you were in a consumption.

BENEDICK

Peace! I will stop your mouth.

Kissing her

DON PEDRO

How dost thou, Benedick, the married man?

© 2016 Becky Laney of Becky's Book Reviews

Anne of Green Gables (1908)

Anne of Green Gables. L.M. Montgomery. 1908. 448 pages. [Source: Bought]

I plan on rereading all the Anne books this year. I definitely wanted Anne of Green Gables to be one of the first books I read--or reread this year. It is such a dear favorite of mine. I couldn't begin to give an accurate accounting of just how many times I've read it. Out of all the Anne books, I think I love the first and last best of all. I think it only right that you begin and end the series in tears.

Anne of Green Gables introduces readers to Anne Shirley, Marilla and Matthew Cuthbert, Rachel Lynde, Diana Barry, and Gilbert Blythe. And that's just naming a few. By the time you've read and reread this one a couple of times, the whole community seems to come alive.

The absolute basics: Anne Shirley is an eleven year old orphan who arrives in Avonlea on Prince Edward Island. Marilla and Matthew are a brother-and-sister looking to adopt...a boy. Earlier miscommunication ultimately leads our heroine, young Ann-with-an-e, to the depths of despair. But Matthew, even before he arrives back at Green Gables with Anne, has decided HE WANTS TO KEEP HER FOREVER AND EVER. Marilla is not ready to say "yes" that quickly. Though as you might predict, she does end up keeping her...and loving her dearly.

The book relates to readers her adventures and misadventures. There is never a dull moment because our heroine never makes the same mistake twice. Here are a few additional characters you should know:
  
Diana Barry is Anne's bosom friend. These two are inseparable from their first meeting on. The two are not all that alike, but, they get along so splendidly. Anne forgives Diana her lack of imagination as I would imagine most readers do as well.

Gilbert Blythe is swoon-worthy. Wait, that's me talking. Gilbert is technically the cutest boy in Avonlea. When he first sees Anne, he calls her "Carrots." He desperately wants her attention. But he ends up making an enemy. Anne may forgive Diana her lack of imagination, but, she won't forgive the oh-so-cute boy who called her CARROTS. For most of the book, these two are academic rivals.

Rachel Lynde is Marilla's best friend, for better or worse, and without a doubt the town's biggest gossip. Her first impression of Anne is quickly replaced with a much nicer one after Anne apologizes beautifully. Rachel has a 'soft spot' for Anne, and is, in fact, the one who sews up Anne's first dress with puffed sleeves.

The book is written from multiple points of view. Readers get to know Anne, of course, but also Matthew and Marilla. (The first chapter is told from Rachel Lynde's point of view.) I didn't really pay much attention to how much Marilla we get in this first book in the series until I was an adult. But in many ways, this is Marilla's "coming of age" story just as much as it is Anne's.

Quotes:

The long platform was almost deserted; the only living creature in sight being a girl who was sitting on a pile of shingles at the extreme end. Matthew, barely noting that it WAS a girl, sidled past her as quickly as possible without looking at her. Had he looked he could hardly have failed to notice the tense rigidity and expectation of her attitude and expression. She was sitting there waiting for something or somebody and, since sitting and waiting was the only thing to do just then, she sat and waited with all her might and main.

A child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish-gray wincey. She wore a faded brown sailor hat and beneath the hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled; her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others. 

"Would you rather I didn’t talk? If you say so I’ll stop. I can STOP when I make up my mind to it, although it’s difficult.” 

But if you call me Anne please call me Anne spelled with an E.” “What difference does it make how it’s spelled?” asked Marilla with another rusty smile as she picked up the teapot. “Oh, it makes SUCH a difference. It LOOKS so much nicer. When you hear a name pronounced can’t you always see it in your mind, just as if it was printed out? I can; and A-n-n looks dreadful, but A-n-n-e looks so much more distinguished. 

It’s all very well to read about sorrows and imagine yourself living through them heroically, but it’s not so nice when you really come to have them, is it?

“Do you never imagine things different from what they really are?” asked Anne wide-eyed. “No.” “Oh!” Anne drew a long breath. “Oh, Miss — Marilla, how much you miss!”

Somehow, things never are so good when they’re thought out a second time.

“Saying one’s prayers isn’t exactly the same thing as praying,” said Anne meditatively. 

Boiled pork and greens are so unromantic when one is in affliction. 

Isn’t it good just to be alive on a day like this? I pity the people who aren’t born yet for missing it. They may have good days, of course, but they can never have this one. 

“I think your Gilbert Blythe IS handsome,” confided Anne to Diana, “but I think he’s very bold. It isn’t good manners to wink at a strange girl.” But it was not until the afternoon that things really began to happen. 

Gilbert Blythe wasn’t used to putting himself out to make a girl look at him and meeting with failure. She SHOULD look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren’t like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne’s long red braid, held it out at arm’s length and said in a piercing whisper: “Carrots! Carrots!” Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. “You mean, hateful boy!” she exclaimed passionately. “How dare you!” 

“I’m so glad I live in a world where there are Octobers. It would be terrible if we just skipped from September to November, wouldn’t it? Look at these maple branches. Don’t they give you a thrill — several thrills? I’m going to decorate my room with them.” 

I love bright red drinks, don’t you? They taste twice as good as any other color. 

Well, I suppose I must finish up my lessons. I won’t allow myself to open that new book Jane lent me until I’m through. But it’s a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I’ll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must NOT give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It’s all very well to say resist temptation, but it’s ever so much easier to resist it if you can’t get the key. 

You didn’t know just how I felt about it, but you see Matthew did. Matthew understands me, and it’s so nice to be understood, Marilla. 

“It’s because you’re too heedless and impulsive, child, that’s what. You never stop to think — whatever comes into your head to say or do you say or do it without a moment’s reflection.” “Oh, but that’s the best of it,” protested Anne. “Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven’t you never felt that yourself, Mrs. Lynde?”

When Miss Barry went away she said: “Remember, you Anne-girl, when you come to town you’re to visit me and I’ll put you in my very sparest spare-room bed to sleep.” “Miss Barry was a kindred spirit, after all,” Anne confided to Marilla. “You wouldn’t think so to look at her, but she is. You don’t find it right out at first, as in Matthew’s case, but after a while you come to see it. Kindred spirits are not so scarce as I used to think. It’s splendid to find out there are so many of them in the world.”

There’s such a lot of different Annes in me. I sometimes think that is why I’m such a troublesome person. If I was just the one Anne it would be ever so much more comfortable, but then it wouldn’t be half so interesting.

“Yes; but cakes have such a terrible habit of turning out bad just when you especially want them to be good,” sighed Anne.

“Marilla, isn’t it nice to think that tomorrow is a new day with no mistakes in it yet?” “I’ll warrant you’ll make plenty in it,” said Marilla.

Mrs. Lynde says I’m full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It’s a good deal like geometry, I expect. But don’t you think the trying so hard ought to count for something?

It isn’t very pleasant to be laid up; but there is a bright side to it, Marilla. You find out how many friends you have.

Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don’t they? I simply can’t talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I’m trying to be as much like Mrs. Allan as I possibly can, for I think she’s perfect.

“Isn’t this evening just like a purple dream, Diana? It makes me so glad to be alive. In the mornings I always think the mornings are best; but when evening comes I think it’s lovelier still.”

Mr. Allan says everybody should have a purpose in life and pursue it faithfully. Only he says we must first make sure that it is a worthy purpose. I would call it a worthy purpose to want to be a teacher like Miss Stacy, wouldn’t you, Marilla? I think it’s a very noble profession.

Why can’t women be ministers, Marilla? I asked Mrs. Lynde that and she was shocked and said it would be a scandalous thing. She said there might be female ministers in the States and she believed there was, but thank goodness we hadn’t got to that stage in Canada yet and she hoped we never would. But I don’t see why. I think women would make splendid ministers. When there is a social to be got up or a church tea or anything else to raise money the women have to turn to and do the work. I’m sure Mrs. Lynde can pray every bit as well as Superintendent Bell and I’ve no doubt she could preach too with a little practice.” “Yes, I believe she could,” said Marilla dryly. “She does plenty of unofficial preaching as it is. Nobody has much of a chance to go wrong in Avonlea with Rachel to oversee them.”

There are so many things to be thought over and decided when you’re beginning to grow up. It keeps me busy all the time thinking them over and deciding what is right. It’s a serious thing to grow up, isn’t it, Marilla? But when I have such good friends as you and Matthew and Mrs. Allan and Miss Stacy I ought to grow up successfully, and I’m sure it will be my own fault if I don’t.

As Mrs. Lynde says, ‘If you can’t be cheerful, be as cheerful as you can.’

It’s good advice, but I expect it will be hard to follow; good advice is apt to be, I think.

“No, I wasn’t crying over your piece,” said Marilla, who would have scorned to be betrayed into such weakness by any poetry stuff. “I just couldn’t help thinking of the little girl you used to be, Anne. And I was wishing you could have stayed a little girl, even with all your queer ways. You’ve grown up now and you’re going away; and you look so tall and stylish and so — so — different altogether in that dress — as if you didn’t belong in Avonlea at all — and I just got lonesome thinking it all over.”

It won’t make a bit of difference where I go or how much I change outwardly; at heart I shall always be your little Anne, who will love you and Matthew and dear Green Gables more and better every day of her life.

“Wouldn’t Matthew be proud if I got to be a B.A.? Oh, it’s delightful to have ambitions. I’m so glad I have such a lot. And there never seems to be any end to them — that’s the best of it. Just as soon as you attain to one ambition you see another one glittering higher up still. It does make life so interesting.”

“That Anne-girl improves all the time,” she said. “I get tired of other girls — there is such a provoking and eternal sameness about them. Anne has as many shades as a rainbow and every shade is the prettiest while it lasts. I don’t know that she is as amusing as she was when she was a child, but she makes me love her and I like people who make me love them. It saves me so much trouble in making myself love them.”

For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. 

“Well now, I’d rather have you than a dozen boys, Anne,” said Matthew patting her hand. “Just mind you that — rather than a dozen boys. Well now, I guess it wasn’t a boy that took the Avery scholarship, was it? It was a girl — my girl — my girl that I’m proud of.” He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. 

It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. 

Marilla, I’ve almost decided to give up trying to like Josie Pye. I’ve made what I would once have called a heroic effort to like her, but Josie Pye won’t BE liked. 

When I left Queen’s my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don’t know what lies around the bend, but I’m going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes — what there is of green glory and soft, checkered light and shadows — what new landscapes — what new beauties — what curves and hills and valleys further on. 

“Dear old world,” she murmured, “you are very lovely, and I am glad to be alive in you.” 

“‘God’s in his heaven, all’s right with the world,’” whispered Anne softly. softly. 

© 2016 Becky Laney of Becky's Book Reviews

Rachel Ray (1863)

Rachel Ray by Anthony Trollope. 1863. 403 pages. [Source: Bought]

There are women who cannot grow alone as standard trees;—for whom the support and warmth of some wall, some paling, some post, is absolutely necessary;—who, in their growth, will bend and incline themselves towards some such prop for their life, creeping with their tendrils along the ground till they reach it when the circumstances of life have brought no such prop within their natural and immediate reach. Of most women it may be said that it would be well for them that they should marry,—as indeed of most men also, seeing that man and wife will each lend the other strength, and yet in lending lose none; but to the women of whom I now speak some kind of marriage is quite indispensable, and by them some kind of marriage is always made, though the union is often unnatural. A woman in want of a wall against which to nail herself will swear conjugal obedience sometimes to her cook, sometimes to her grandchild, sometimes to her lawyer. Any standing corner, post, or stump, strong enough to bear her weight will suffice; but to some standing corner, post, or stump, she will find her way and attach herself, and there will she be married.

Mrs. Ray is one of the "weak" women described in the opening chapter. She is a widow with two grown (or nearly grown) daughters. Mrs. Prime (Dorothea) is a widow herself. She tends to take her opinions--in this case, religious or moral opinions--to the extreme. She is severe and critical. (Honestly, I hated her.) Miss Rachel Ray is the other daughter. She is the joy of her mother's life, really. While the daughter is off doing her duty, Rachel and her mother enjoy life's little luxuries and actually relax a bit with each other, relieved to have Dorothea out of the way even if it's just for an hour or two. When the novel opens, Mrs. Prime is on the attack--or close to it. She has ammunition to use against her sister. Her sister was SEEN talking to a man, talking to a man--a stranger--in the churchyard, and at sunset. Mrs. Prime doesn't need to be persuaded to think the worst, to think that Rachel is now somehow a fallen woman. Mrs. Ray (the mother), however, is both weak and loyal. Being weak, she will listen to Mrs. Prime going on and on about how wrong and scandalous it is for Rachel to walk and talk with a young man. Being loyal, she will believe the best about Rachel and hold out hope that there is a way to reconcile things nicely for everyone. Mrs. Ray will talk to Rachel, and, more importantly she will listen to Rachel. (Mrs. Prime LOVES to talk, but rarely listens or takes the time to understand and consider what the other person is saying.)

So who is the young man? Well, he's Luke Rowan. He's due to inherit a brewery, or at least half a brewery. At the time the novel opens, he's staying with the Tappits. Rachel is acquainted with the daughters of the family. Through these young women, she's introduced to Luke. Good news: Luke really takes a liking to Rachel. Bad news: The Tappits see Luke's interest in Rachel, and turn on them both. Plus, Mrs. Tappit and Mr. Tappit both are slanderers in their own way. As silly as it may seem,  soon the whole community is forced to take sides and have an opinion about Luke Rowan. It's also election time. It gets plenty messy. To sum it up: Luke proposes to Rachel. She says yes. He leaves town after a big falling out with the Tappits. Everyone takes sides. Everyone starts talking. Will he come back? Is he gone for good? Would it be a good thing for everyone if that was the last of him? Is he worthy of Rachel? Is she worthy of him? Was their attachment sincere? Should she consider herself actually engaged? Or was he using her?

Further complicating matters, Mrs. Ray insists that Rachel should NOT correspond with him, and that she should tell him that she releases him from their engagement. Why should Rachel end things because of hearsay? Mr. Comfort heard something from somebody who heard it from somebody else, etc. And Mr. Comfort passes along "good advice" to Mrs. Ray. What's an obedient girl to do?!

Luke wants two things from life: to brew GOOD beer, to make a success of his brewery, and to marry Rachel and live happily ever after...

I liked Rachel Ray. I did. I can't say that I like or respect all the characters. Mrs. Prime is very annoying, for example!!! I hated how judgmental she was, how cruel and selfish. Not to mention proud. I thought it was sad that Mrs. Ray was so dependent on others, how she relied so much upon Mrs. Prime and Mr. Comfort. She loved, loved, loved Rachel. But she was always more concerned with what do other people say is right?! I loved Mrs. Butler Cornbury (Patty Comfort). Her husband was in the election for parliament. She escorts Rachel to a party/dance. She "sides" with Luke and Rachel. She was just a great "minor" character. I almost wish we'd had more of her and less of Mrs. Prime and Mr. Prong.

Is Rachel Ray my new favorite by Anthony Trollope? Probably not. I think Belton Estate is a better fit for me. But I am glad I read it!!! I rarely--if ever--regret spending time with Trollope!!!

© 2015 Becky Laney of Becky's Book Reviews

Reread #37 Fahrenheit 451

Fahrenheit 451. Ray Bradbury. 1953/1991. Del Rey. 179 pages. [Source: Bought]

It was a pleasure to burn. 

I've written about Fahrenheit 451 quite a bit. Once in May 2007, which was the first time I read it. Twice in 2010; one was a graphic novel. I've read A Pleasure To Burn: Fahrenheit 451 Stories, a book of short stories and novellas that show the thematic evolution of Fahrenheit 451. I've reviewed the movie. I reread it in June 2012 and September 2013.

Obviously this is a book that I absolutely love.

Fahrenheit 451 is a novel set in a world where thinking is a crime. I exaggerate perhaps. Thinking deeply is dangerous. Thinking for yourself is dangerous. Thinking superficial thoughts that everyone-else-in-society is thinking--like about what to watch, what to listen to, what to buy, where to go to have a good time--that is okay, more than okay. It is to be encouraged. It is individuality and contemplation and reflection that is dangerous. Every minute of every hour of every day is to be packed full of distractions making it impossible to think, to consider, to reflect, to observe, to question, to feel anything truly and deeply. It's a more, more, faster, faster world. And it's a world that our hero, Guy Montag realizes he loathes. He is a fireman. He burns books, houses, and sometimes people. But Guy Montag is living a secret life: he doesn't like burning books; in fact, he wishes he could save them and read them. He does manage to "save" a handful here and there. But taking them home and hiding them, well, there's a risk involved. He's willing to take it because he's so miserable, and he feels that society is so unreal and pointless. He wants answers, not ads. He wants to learn, to know, to feel.

Quotes:

"People don't talk about anything."
"Oh, they must!"
"No, not anything. They name a lot of cars or clothes or swimming pools mostly and say how swell! But they all say the same things and nobody says anything different from anyone else..." (31)

"We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?" (52)

Who knows who might be the target of the well-read man? Me? I won't stomach them for a minute. (58)

Ask yourself, What do we want in this country, above all? People want to be happy, isn't that right right? Haven't you heart it all your life? I want to be happy, people say. Well, aren't they? Don't we keep them moving, don't we give them fun? That's all we live for, isn't it? For pleasure, for titillation? And you must admit our culture provides plenty of these. (59)

Did you listen to him? He knows all the answers. He's right. Happiness is important. Fun is everything. (65)

"We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over; so in a series of kindnesses there is at last one which makes the heart run over." (71)

Every hour so many damn things in the sky! How in hell did those bombers get up there every single second of our lives! Why doesn't someone want to talk about it! We've started and won two atomic wars since 1990! Is it because we're having so much fun at home we've forgotten the world? Is it because we're so rich and the rest of the world's so poor and we just don't care if they are? Is that why we're hated so much? Do you know why? I don't, that's sure! Maybe the books can get us half out of the cave. God, Millie, don't you see? An hour a day, two hours, with these books, and maybe. (73-4)

It’s been a long time. I’m not a religious man. But it’s been a long time.’ Faber turned the pages, stopping here and there to read. ‘It’s as good as I remember. Lord, how they’ve changed it in our parlors these days. Christ is one of the family now. I often wonder if God recognizes His own son the way we’ve dressed him up, or is it dressed him down? He’s a regular peppermint stick now, all sugar-crystal and saccharine when he isn’t making veiled references to certain commercial products that every worshiper absolutely needs.’ (81)

"You're a hopeless romantic," said Faber. "It would be funny if it were not serious. It's not books you need, it's some of the things that once were in books. The same things could be in the 'parlor families' today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. (82)

 Do you know why books such as this are so important? Because they have quality. And what does the word quality mean? To me it means texture. This book has pores. It has features. This book can go under the microscope. You'd find life under the glass, streaming past in infinite profusion. The more pores, the more truthfully recorded details of life per square inch you can get on a sheet of paper, the more 'literary' you are. That's my definition, anyway. Telling detail. Fresh detail. The good writers touch life often. the mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies. So now do you see why books are hated and feared? They show the pores in the face of life. The comfortable people want only wax moon faces, poreless, hairless, expressionless. we are living in a time when flowers are trying to live on flowers, instead of growing on good rain and black loam. (83)

"Caesarians or not, children are ruinous; you're out of your mind," said Mrs. Phelps.
"I plunk the children in school nine days out of ten. I put up with them when they come home three days a month; it's not bad at all. You heave them into the 'parlor' and turn the switch. It's like washing clothes: stuff laundry in and slam the lid." Mrs. Bowles tittered. "They'd just as soon kick as kiss me. Thank God, I can kick back!" (96)

© 2014 Becky Laney of Becky's Book Reviews

The Law and the Lady (1875)

The Law and the Lady. Wilkie Collins. 1875. 430 pages. [Source: Book I Bought]

The Law and the Lady may not be my favorite Wilkie Collins novel, but, I am glad I finally read this "first" female detective novel. Valeria is our heroine, our amateur detective. Readers meet her on her wedding day. Foreshadowing is abundant. All is not well. Things may never be well for this couple. Within days, Valeria is noticing inconsistencies and becoming super suspicious of her husband. She snoops in his things; she goes to his friends to ask questions, etc. She makes a DISCOVERY.

Her husband was married before. His first wife died. He was tried for murder--suspected of poisoning her by arsenic. The Scottish Verdict was "Not Proven" which essentially means that people, that society, could still choose to look upon him with suspicion as a murderer. He may not be "guilty" but he's not been deemed "innocent."

Once he knows that she knows his past, he leaves her. Valeria while seeming to be full of doubt and hesitation and fear BEFORE she discovered his past, is suddenly completely confident in her husband's innocence AND more in love with him than ever before. It seems her love for her husband has tripled since she read her husband's trial. She is now fiercely determined to prove that her husband is innocent, to take her proof to court.

Over half the novel is focused on Valeria's efforts to prove her husband's innocence. Valeria only has to talk to one or two people to know what's what. Getting proof that her intuition is right may prove slightly more challenging, but Valeria with a little help from others is stubborn enough to see the job through to the end.

Or is she? The Law and the Lady has a not-quite-satisfying ending. For her husband to "receive" justice, it means that someone else will be assigned blame. (That seemed obvious from the beginning.) And in the end, both husband and wife prove reluctant and hesitant to act.

The Law and the Lady is a strange novel with a strong heroine. As a romance, it was extremely weak. Valeria, readers are told, loves, loves, loves her husband. He is her EVERYTHING. But readers never see the husband at his supposed best. Readers just see Valeria in various dramatic scenes supposedly acting on her husband's behalf and with his best interests in mind. Because readers don't necessarily share faith in Valeria's husband or in Valeria's judgment, it could have easily gone the other way. Collins could have written this as a dark, dramatic piece with a less than happy ending. 

© 2014 Becky Laney of Becky's Book Reviews

A Child's History of England (1854)

A Child's History of England. Charles Dickens. 1851-1853.  390 pages. [Source: Book I Bought]

What a treat to discover Charles Dickens' A Child's History of England. I enjoyed Dickens style. I liked the action and characterization. It was also rich in description. Here's the first sentence,

"In the old days, a long, long while ago, before Our Saviour was born on earth and lay asleep in a manger, these Islands were in the same place, and the stormy sea roared round them, just as it roars now. But the sea was not alive, then, with great ships and brave sailors, sailing to and from all parts of the world. It was very lonely. The Islands lay solitary, in the great expanse of water. The foaming waves dashed against their cliffs, and the bleak winds blew over their forests; but the winds and waves brought no adventurers to land upon the Islands, and the savage Islanders knew nothing of the rest of the world, and the rest of the world knew nothing of them."

Not that every sentence is that scripted or forced. The book itself is very readable. The chapters are rarely--if ever--boring. That being said, some chapters are more exciting than others.

I recently read Jane Austen's History of England. Dickens is definitely partial and prejudiced in his historical approach as well, even, if his book tries (with varying success) to carry more authority and substance. While I think Austen approached her work in fun with a good amount of playfulness, Dickens takes his subject much more seriously. While one can entertain doubts that Austen truly means every word she wrote in A History of England, Dickens opinions, which are even harsher in some ways, sound genuine enough. For better or worse. I don't have a problem with historians having opinions, and being passionate about the subject. But it's always nice to know that they know it's all so very subjective. Dickens and I would definitely disagree in places!!! Especially when he includes women in his history. And especially about Richard III!

Strengths:

• Begins around the time of the Romans, ends around 1688 Revolution
• Covers centuries of stories and legends and facts
• Mainly focuses on royalty
• Seeks to explain big subjects simply
• Written with emphasis on characters and personalities
• Shows the subjectivity of history

Quotes:

Hengist and Horsa drove out the Picts and Scots; and Vortigern, being grateful to them for that service, made no opposition to their settling themselves in that part of England which is called the Isle of Thanet, or to their inviting over more of their countrymen to join them. But Hengist had a beautiful daughter named Rowena; and when, at a feast, she filled a golden goblet to the brim with wine, and gave it to Vortigern, saying in a sweet voice, ‘Dear King, thy health!’ the King fell in love with her. My opinion is, that the cunning Hengist meant him to do so, in order that the Saxons might have greater influence with him; and that the fair Rowena came to that feast, golden goblet and all, on purpose.

But the Duke showed so little inclination to do so now, that he proposed to Canute to marry his sister, the widow of The Unready; who, being but a showy flower, and caring for nothing so much as becoming a queen again, left her children and was wedded to him.

The King’s brother, Robert of Normandy, seeming quite content to be only Duke of that country; and the King’s other brother, Fine-Scholar, being quiet enough with his five thousand pounds in a chest; the King flattered himself, we may suppose, with the hope of an easy reign. But easy reigns were difficult to have in those days. [The King was William II]

Although King Stephen was, for the time in which he lived, a humane and moderate man, with many excellent qualities; and although nothing worse is known of him than his usurpation of the Crown, which he probably excused to himself by the consideration that King Henry the First was a usurper too — which was no excuse at all; the people of England suffered more in these dread nineteen years, than at any former period even of their suffering history. In the division of the nobility between the two rival claimants of the Crown, and in the growth of what is called the Feudal System (which made the peasants the born vassals and mere slaves of the Barons), every Noble had his strong Castle, where he reigned the cruel king of all the neighbouring people. Accordingly, he perpetrated whatever cruelties he chose. And never were worse cruelties committed upon earth than in wretched England in those nineteen years. The writers who were living then describe them fearfully. They say that the castles were filled with devils rather than with men; that the peasants, men and women, were put into dungeons for their gold and silver, were tortured with fire and smoke, were hung up by the thumbs, were hung up by the heels with great weights to their heads, were torn with jagged irons, killed with hunger, broken to death in narrow chests filled with sharp-pointed stones, murdered in countless fiendish ways. In England there was no corn, no meat, no cheese, no butter, there were no tilled lands, no harvests. Ashes of burnt towns, and dreary wastes, were all that the traveller, fearful of the robbers who prowled abroad at all hours, would see in a long day’s journey; and from sunrise until night, he would not come upon a home. The clergy sometimes suffered, and heavily too, from pillage, but many of them had castles of their own, and fought in helmet and armour like the barons, and drew lots with other fighting men for their share of booty. The Pope (or Bishop of Rome), on King Stephen’s resisting his ambition, laid England under an Interdict at one period of this reign; which means that he allowed no service to be performed in the churches, no couples to be married, no bells to be rung, no dead bodies to be buried. Any man having the power to refuse these things, no matter whether he were called a Pope or a Poulterer, would, of course, have the power of afflicting numbers of innocent people. That nothing might be wanting to the miseries of King Stephen’s time, the Pope threw in this contribution to the public store — not very like the widow’s contribution, as I think, when Our Saviour sat in Jerusalem over-against the Treasury, ‘and she threw in two mites, which make a farthing.’

He had four sons. Henry, now aged eighteen — his secret crowning of whom had given such offence to Thomas à Becket. Richard, aged sixteen; Geoffrey, fifteen; and John, his favourite, a young boy whom the courtiers named Lackland, because he had no inheritance, but to whom the King meant to give the Lordship of Ireland. All these misguided boys, in their turn, were unnatural sons to him, and unnatural brothers to each other. Prince Henry, stimulated by the French King, and by his bad mother, Queen Eleanor, began the undutiful history, First, he demanded that his young wife, Margaret, the French King’s daughter, should be crowned as well as he. His father, the King, consented, and it was done. It was no sooner done, than he demanded to have a part of his father’s dominions, during his father’s life. This being refused, he made off from his father in the night, with his bad heart full of bitterness, and took refuge at the French King’s Court. Within a day or two, his brothers Richard and Geoffrey followed. Their mother tried to join them — escaping in man’s clothes — but she was seized by King Henry’s men, and immured in prison, where she lay, deservedly, for sixteen years. [Henry II and his children]

Nothing can make war otherwise than horrible.

Ah! happy had it been for the Maid of Orleans, if she had resumed her rustic dress that day, and had gone home to the little chapel and the wild hills, and had forgotten all these things, and had been a good man’s wife, and had heard no stranger voices than the voices of little children!

Sir Robert Brackenbury was at that time Governor of the Tower. To him, by the hands of a messenger named John Green, did King Richard send a letter, ordering him by some means to put the two young princes to death. But Sir Robert — I hope because he had children of his own, and loved them — sent John Green back again, riding and spurring along the dusty roads, with the answer that he could not do so horrible a piece of work. The King, having frowningly considered a little, called to him Sir James Tyrrel, his master of the horse, and to him gave authority to take command of the Tower, whenever he would, for twenty-four hours, and to keep all the keys of the Tower during that space of time. Tyrrel, well knowing what was wanted, looked about him for two hardened ruffians, and chose John Dighton, one of his own grooms, and Miles Forest, who was a murderer by trade. Having secured these two assistants, he went, upon a day in August, to the Tower, showed his authority from the King, took the command for four-and-twenty hours, and obtained possession of the keys. And when the black night came he went creeping, creeping, like a guilty villain as he was, up the dark, stone winding stairs, and along the dark stone passages, until he came to the door of the room where the two young princes, having said their prayers, lay fast asleep, clasped in each other’s arms. And while he watched and listened at the door, he sent in those evil demons, John Dighton and Miles Forest, who smothered the two princes with the bed and pillows, and carried their bodies down the stairs, and buried them under a great heap of stones at the staircase foot. And when the day came, he gave up the command of the Tower, and restored the keys, and hurried away without once looking behind him; and Sir Robert Brackenbury went with fear and sadness to the princes’ room, and found the princes gone for ever.

We now come to King Henry the Eighth, whom it has been too much the fashion to call ‘Bluff King Hal,’ and ‘Burly King Harry,’ and other fine names; but whom I shall take the liberty to call, plainly, one of the most detestable villains that ever drew breath. You will be able to judge, long before we come to the end of his life, whether he deserves the character.

Her bad marriage with a worse man came to its natural end. Its natural end was not, as we shall too soon see, a natural death for her.

Henry the Eighth has been favoured by some Protestant writers, because the Reformation was achieved in his time. But the mighty merit of it lies with other men and not with him; and it can be rendered none the worse by this monster’s crimes, and none the better by any defence of them. The plain truth is, that he was a most intolerable ruffian, a disgrace to human nature, and a blot of blood and grease upon the History of England.

Mary was now crowned Queen. She was thirty-seven years of age, short and thin, wrinkled in the face, and very unhealthy. But she had a great liking for show and for bright colours, and all the ladies of her Court were magnificently dressed. She had a great liking too for old customs, without much sense in them; and she was oiled in the oldest way, and blessed in the oldest way, and done all manner of things to in the oldest way, at her coronation. I hope they did her good. She soon began to show her desire to put down the Reformed religion, and put up the unreformed one: though it was dangerous work as yet, the people being something wiser than they used to be. They even cast a shower of stones — and among them a dagger — at one of the royal chaplains who attacked the Reformed religion in a public sermon. But the Queen and her priests went steadily on.

It would seem that Philip, the Prince of Spain, was a main cause of this change in Elizabeth’s fortunes. He was not an amiable man, being, on the contrary, proud, overbearing, and gloomy; but he and the Spanish lords who came over with him, assuredly did discountenance the idea of doing any violence to the Princess. It may have been mere prudence, but we will hope it was manhood and honour. The Queen had been expecting her husband with great impatience, and at length he came, to her great joy, though he never cared much for her.

She was clever, but cunning and deceitful, and inherited much of her father’s violent temper. I mention this now, because she has been so over-praised by one party, and so over-abused by another, that it is hardly possible to understand the greater part of her reign without first understanding what kind of woman she really was... The Queen always declared in good set speeches, that she would never be married at all, but would live and die a Maiden Queen. It was a very pleasant and meritorious declaration, I suppose; but it has been puffed and trumpeted so much, that I am rather tired of it myself... It is very difficult to make out, at this distance of time, and between opposite accounts, whether Elizabeth really was a humane woman, or desired to appear so, or was fearful of shedding the blood of people of great name who were popular in the country. [About Queen Elizabeth]

‘Our cousin of Scotland’ was ugly, awkward, and shuffling both in mind and person. His tongue was much too large for his mouth, his legs were much too weak for his body, and his dull goggle-eyes stared and rolled like an idiot’s. He was cunning, covetous, wasteful, idle, drunken, greedy, dirty, cowardly, a great swearer, and the most conceited man on earth... While these events were in progress, and while his Sowship was making such an exhibition of himself, from day to day and from year to year, as is not often seen in any sty... [About King James I]

Baby Charles became King Charles the First, in the twenty-fifth year of his age. Unlike his father, he was usually amiable in his private character, and grave and dignified in his bearing; but, like his father, he had monstrously exaggerated notions of the rights of a king, and was evasive, and not to be trusted. If his word could have been relied upon, his history might have had a different end... With all my sorrow for him, I cannot agree with him that he died ‘the martyr of the people;’ for the people had been martyrs to him, and to his ideas of a King’s rights, long before.

There never were such profligate times in England as under Charles the Second. Whenever you see his portrait, with his swarthy, ill-looking face and great nose, you may fancy him in his Court at Whitehall, surrounded by some of the very worst vagabonds in the kingdom (though they were lords and ladies), drinking, gambling, indulging in vicious conversation, and committing every kind of profligate excess. It has been a fashion to call Charles the Second ‘The Merry Monarch.’ Let me try to give you a general idea of some of the merry things that were done, in the merry days when this merry gentleman sat upon his merry throne, in merry England. The first merry proceeding was — of course — to declare that he was one of the greatest, the wisest, and the noblest kings that ever shone, like the blessed sun itself, on this benighted earth. The next merry and pleasant piece of business was, for the Parliament, in the humblest manner, to give him one million two hundred thousand pounds a year, and to settle upon him for life that old disputed tonnage and poundage which had been so bravely fought for. 

King James the Second was a man so very disagreeable, that even the best of historians has favoured his brother Charles, as becoming, by comparison, quite a pleasant character.

As you can see, Dickens is very, very, very opinionated! A Child's History of England is an interesting and entertaining read for the history lover.
© 2014 Becky Laney of Becky's Book Reviews

My Year With Jane: History of England

History of England. Jane Austen. 1977. 64 pages. [Source: Book I Bought]

Jane Austen's The History of England is a short and worthy read for any lover of Austen OR for any lover of British history. Austen does not seek to cover every single king or queen in her "history." She begins with Henry IV and ends with Charles I. Some monarchs get only one or two paragraphs. Others get much more attention. But more attention does not equal favorable attention. After all, this isn't a history book by a historian. No, never forget that this history is "by a partial, prejudiced, and ignorant" historian.

I would definitely recommend this one! Have you read this one? Do you have a favorite "history of England" book to recommend?

Henry VI: "I cannot say much for this Monarch's sense. Nor would I if I could, for he was a Lancastrian. I suppose you know all about the Wars between him and the Duke of York who was of the right side; if you do not, you had better read some other History, for I shall not be very diffuse in this, meaning by it only to vent my spleen against, and shew my Hatred to all those people whose parties or principles do not suit with mine, and not to give information. This King married Margaret of Anjou, a Woman whose distresses and misfortunes were so great as almost to make me who hate her, pity her. It was in this reign that Joan of Arc lived and made such a row among the English. They should not have burnt her —but they did. There were several Battles between the Yorkists and Lancastrians, in which the former (as they ought) usually conquered. At length they were entirely overcome; The King was murdered—The Queen was sent home—and Edward the 4th ascended the Throne."

Edward IV: "One of Edward's Mistresses was Jane Shore, who has had a play written about her, but it is a tragedy and therefore not worth reading."

Henry VIII: "It would be an affront to my Readers were I to suppose that they were not as well acquainted with the particulars of this King's reign as I am myself. It will therefore be saving them the task of reading again what they have read before, and myself the trouble of writing what I do not perfectly recollect, by giving only a slight sketch of the principal Events which marked his reign." 

 Bloody Mary: "This woman had the good luck of being advanced to the throne of England, in spite of the superior pretensions, Merit, and Beauty of her Cousins Mary Queen of Scotland and Jane Grey. Nor can I pity the Kingdom for the misfortunes they experienced during her Reign, since they fully deserved them, for having allowed her to succeed her Brother—which was a double peice of folly, since they might have foreseen that as she died without children, she would be succeeded by that disgrace to humanity, that pest of society, Elizabeth. Many were the people who fell martyrs to the protestant Religion during her reign; I suppose not fewer than a dozen. She married Philip King of Spain who in her sister's reign was famous for building Armadas. She died without issue, and then the dreadful moment came in which the destroyer of all comfort, the deceitful Betrayer of trust reposed in her, and the Murderess of her Cousin succeeded to the Throne.——" 

© 2014 Becky Laney of Becky's Book Reviews

Reread #21 Because of Winn Dixie

Because of Winn Dixie. Kate DiCamillo. 2000. Candlewick. 182 pages. [Source: Book I bought]

Because of Winn Dixie is one of my favorite, favorite, favorite books. I love, love, love this one! Opal Buloni, our young heroine, has recently moved with her father, a preacher, to a small town in Florida. He is the new preacher at a small church, a church held in an old convenient store building, a church with no pews but lawn chairs. The novel, I believe, is set during the summer. Opal, when the novel opens, is still adjusting. She misses her mother tremendously. Her mother's leaving is not recent, but, as Opal grows up, she is beginning to realize more and more how much she misses her mother. Her curiosity and longing has changed. She feels her father ignores her, not because he doesn't love her, not because he doesn't want her or need her, but simply because he's always busy and quiet. Opal needs friends. Find friends she will and all because of Winn Dixie, the dog she finds at the grocery store. Winn Dixie, the dog with an irresistible smile, needs Opal just as much as she needs him. And with a little love from Opal and her Dad, Winn Dixie sets out to charm EVERYONE in town, even people who don't "like" dogs.

I love, love, love the characters in this one. I love Opal. I do. I love her dad. I love that he listens to his daughter and shares with her ten things about her mother. I love Gloria Dump, Miss Franny, Otis, and Sweetie Pie. And, of course, I love Winn Dixie. I also love Opal coming up with a ten things list for Winn Dixie.

I love the writing. This is one of those novels that is just so easy to quote!!!

Favorite quotes:

“Thinking about her was the same as the hole you keep on feeling with your tongue after you lose a tooth. Time after time, my mind kept going to that empty spot, the spot where I felt like she should be.”

“You can't always judge people by the things they done. You got to judge them by what they are doing now.”

“Do you think everybody misses somebody? Like I miss my mama?” “Mmmm-hmmm,” said Gloria. She closed her eyes. “I believe, sometimes, that the whole world has an aching heart.”

© 2014 Becky Laney of Becky's Book Reviews

My Year with Jane: Mansfield Park

Mansfield Park. Jane Austen. 1814. 464 pages. [Source: Book I Bought]

I have read Mansfield Park three times. The first time I found myself frustrated and bored. Where was the romance? Where was the satisfaction? Who was supposed to be THE HERO?! Was it really supposed to be Edmund?! The second time I read it, I found myself entertained. I also found myself falling for the wrong hero, Henry Crawford and asking plenty of what might have been questions. The third time it was a joy to revisit. This isn't the first time that it has taken multiple readings to enjoy and appreciate and love an Austen novel. I haven't decided what this means exactly. If it is a good thing that Austen's novels are layered and complex and take some time to absorb, or, if it's a weakness. If you don't exactly "enjoy" something the first time, what is there to make you want to go back and read it again and again? I think Pride and Prejudice is the one big exception to the rule. Also perhaps Persuasion.

Fanny Price is the heroine of Mansfield Park. She is intelligent, observant, selfless, and considerate. Part of this is her upbringing, she's been brought up to put everyone else's wants and needs and whims ahead of her own. Part of this is just her nature, in my opinion. She treats everyone with kindness and respect regardless of whether they "deserve" it or not.  

It would be delightful to feel myself of consequence to anybody.

Fanny, being always a very courteous listener, and often the only listener at hand, came in for the complaints and the distresses of most of them.

Edmund Bertram is Fanny's cousin. He will be a minister. He falls madly in love (if it is truly love and not lust) with Mary Crawford. For almost the entire novel, he talks on and on and on and on about Mary to poor Fanny. He can at any given time give you a top ten list on why Mary is completely wrong for him and why it would never work out in the end. But she is the ONLY WOMAN IN THE WORLD HE COULD EVER LOVE. Of course, Fanny is in love with Edmund. Fanny's patience in listening to Edmund alone would make her worthy of being a saint.

I cannot give her up, Fanny. She is the only woman in the world whom I could ever think of as a wife. If I did not believe that she had some regard for me, of course I should not say this, but I do believe it.

Mary Crawford is Fanny's opposite in many, many ways. She doesn't know how to be serious. She talks way too much. She shares way too much. She's rude and inconsiderate. And her first love, her forever love, will always be herself.

Selfishness must always be forgiven, you know, because there is no hope of a cure.

Henry Crawford is Mary's brother. He is Fanny's opposite too. He has a very high opinion of himself. And he finds nothing so satisfying as making women fall in love with him. He loves being loved and adored. He determines at one point that it would be SOMETHING to have Fanny fall in love with him. He knows it will be the most difficult challenge he's faced so far. She's no fool. In the attempting, it is Henry who falls hard. He finds himself for the first time actually caring and loving someone else. Or does he? Austen is a bit ambiguous how far his reform goes.

I never was so long in company with a girl in my life, trying to entertain her, and succeed so ill! Never met with a girl who looked so grave on me! I must try to get the better of this. Her looks say, ‘I will not like you, I am determined not to like you’; and I say she shall.

They will now see what sort of woman it is that can attach me, that can attach a man of sense. I wish the discovery may do them any good. And they will now see their cousin treated as she ought to be, and I wish they may be heartily ashamed of their own abominable neglect and unkindness. They will be angry,” he added, after a moment’s silence, and in a cooler tone; “Mrs. Rushworth will be very angry. It will be a bitter pill to her; that is, like other bitter pills, it will have two moments’ ill flavour, and then be swallowed and forgotten; for I am not such a coxcomb as to suppose her feelings more lasting than other women’s, though I was the object of them. Yes, Mary, my Fanny will feel a difference indeed: a daily, hourly difference, in the behaviour of every being who approaches her; and it will be the completion of my happiness to know that I am the doer of it, that I am the person to give the consequence so justly her due.
Now she is dependent, helpless, friendless, neglected, forgotten.” “Nay, Henry, not by all; not forgotten by all; not friendless or forgotten. Her cousin Edmund never forgets her.” “Edmund! True, I believe he is, generally speaking, kind to her, and so is Sir Thomas in his way; but it is the way of a rich, superior, long-worded, arbitrary uncle. What can Sir Thomas and Edmund together do, what do they do for her happiness, comfort, honour, and dignity in the world, to what I shall do?”   

Mansfield Park is without a doubt one of the messier Austen novels. Messy isn't the perfect word, I know. The characters of Mansfield Park are so messed up, so in need of fixing. Readers never know exactly why Fanny loves Edmund with all her heart and soul. Readers just have to take Fanny's love on faith, believing that she knows best, that she knows her heart better than we do, and, that Edmund BEFORE Mary was worth loving. Austen's ending is far from romantic in that the romance between Fanny and Edmund is not developed on the page.

I can easily imagine Fanny in these words:

You give your hand to me
And then you say, "Hello."
And I can hardly speak,
My heart is beating so.
And anyone can tell
You think you know me well.
Well, you don't know me.

And with a big, big stretch, maybe Edmund in these words:

Are those your eyes
Is that your smile
I've been looking at you forever
Yet I never saw you before
Are these your hands holding mine
Now I wonder how I could have been so blind
And for the first time I am looking in your eyes
For the first time I'm seeing who you are
I can't believe how much I see
When you're looking back at me

 The first is "You Don't Know Me" and the second is "For The First Time."

© 2014 Becky Laney of Becky's Book Reviews

Reread #13 Five Children and It

Five Children and It. E. Nesbit. 1902/2004. Puffin Classics. 240 pages. [Source: Book I bought]

 The house was three miles from the station, but before the dusty hired fly had rattled along for five minutes the children began to put their heads out of the carriage window and to say, 'Aren't we nearly there?' And every time they passed a house, which was not very often, they all said, 'Oh, is this it?' But it never was, till they reached the very top of the hill, just past the chalk-quarry and before you come to the gravel-pit. And then there was a white house with a green garden and an orchard beyond, and mother said, 'Here we are!'

I have now read Five Children and It three times. It's a children's book that I love and adore. It is not the fact that it is absolutely perfect, that it is flawless. It was very much written in 1902. There will be situations and/or sentences that reflect the times in which they were written, and not our times. In Five Children and It, I'm referring to the chapter on the children "playing Indian" and warring with a "Red Indian" tribe who wants to scalp them and eat them. But. In spite of its flaws, in spite of the fact that its dated, I really do enjoy spending time with Robert, Cyril, Anthea, Jane, and Lamb.

Four children 'discover' a Sand Fairy (Psammead) one summer day. They learn that he can begrudgingly grant wishes. They have a wish per day, sometimes if they get into BIG trouble, he'll allow an extra wish or two. Do these children get into big trouble with their wishes?! Of course!!! Their wishes always have HORRIBLE consequences. They try and try to be smart and clever about their wishing, but some things can't be helped!

Favorite quotes:

Grown-up people find it very difficult to believe really wonderful things, unless they have what they call proof. But children will believe almost anything, and grown-ups know this. That is why they tell you that the earth is round like an orange, when you can see perfectly well that it is flat and lumpy; and why they say that the earth goes round the sun, when you can see for yourself any day that the sun gets up in the morning and goes to bed at night like a good sun as it is, and the earth knows its place, and lies as still as a mouse. Yet I daresay you believe all that about the earth and the sun, and if so you will find it quite easy to believe that before Anthea and Cyril and the others had been a week in the country they had found a fairy. At least they called it that, because that was what it called itself; and of course it knew best, but it was not at all like any fairy you ever saw or heard of or read about.

Each of the children carried its own spade, and took it in turns to carry the Lamb. He was the baby, and they called him that because “Baa” was the first thing he ever said. They called Anthea “Panther,” which seems silly when you read it, but when you say it it sounds a little like her name.

“You don’t know?” it said. “Well, I knew the world had changed — but — well, really — Do you mean to tell me seriously you don’t know a Psammead when you see one?” “A Sammyadd? That’s Greek to me.” “So it is to everyone,” said the creature sharply. “Well, in plain English, then, a Sand-fairy. Don’t you know a Sand-fairy when you see one?” It looked so grieved and hurt that Jane hastened to say, “Of course I see you are, now. It’s quite plain now one comes to look at you.” “You came to look at me, several sentences ago,” it said crossly, beginning to curl up again in the sand. “Oh — don’t go away again! Do talk some more,” Robert cried. “I didn’t know you were a Sand-fairy, but I knew directly I saw you that you were much the wonderfullest thing I’d ever seen.” The Sand-fairy seemed a shade less disagreeable after this.

It is wonderful how quickly you get used to things, even the most astonishing. Five minutes before, the children had had no more idea than you had that there was such a thing as a Sand-fairy in the world, and now they were talking to it as though they had known it all their lives.

We Sand-fairies used to live on the seashore, and the children used to come with their little flint-spades and flint-pails and make castles for us to live in. That’s thousands of years ago, but I hear that children still build castles on the sand. It’s difficult to break yourself of a habit.

I daresay you have often thought what you would do if you had three wishes given you, and have despised the old man and his wife in the black-pudding story, and felt certain that if you had the chance you could think of three really useful wishes without a moment’s hesitation. These children had often talked this matter over, but, now the chance had suddenly come to them, they could not make up their minds. “Quick,” said the Sand-fairy crossly. No one could think of anything, only Anthea did manage to remember a private wish of her own and Jane’s which they had never told the boys. She knew the boys would not care about it — but still it was better than nothing. “I wish we were all as beautiful as the day,” she said in a great hurry. The children looked at each other, but each could see that the others were not any better-looking than usual. The Psammead pushed out his long eyes, and seemed to be holding its breath and swelling itself out till it was twice as fat and furry as before. Suddenly it let its breath go in a long sigh. “I’m really afraid I can’t manage it,” it said apologetically; “I must be out of practice.” The children were horribly disappointed. “Oh, do try again!” they said. “Well,” said the Sand-fairy, “the fact is, I was keeping back a little strength to give the rest of you your wishes with. If you’ll be contented with one wish a day among the lot of you I daresay I can screw myself up to it. Do you agree to that?” “Yes, oh yes!” said Jane and Anthea. The boys nodded. They did not believe the Sand-fairy could do it. You can always make girls believe things much easier than you can boys.

“Humph!” said the Sand-fairy. (If you read this story aloud, please pronounce “humph” exactly as it is spelt, for that is how he said it.)

And that, my dear children, is the moral of this chapter. I did not mean it to have a moral, but morals are nasty forward beings, and will keep putting in their oars where they are not wanted. And since the moral has crept in, quite against my wishes, you might as well think of it next time you feel piggy yourself and want to get rid of any of your brothers and sisters. I hope this doesn’t often happen, but I daresay it has happened sometimes, even to you!

It was a long day, and it was not till the afternoon that all the children suddenly decided to write letters to their mother.

“Darling Mother, — I hope you are quite well, and I hope Granny is better. The other day we....” Then came a flood of ink, and at the bottom these words in pencil — “It was not me upset the ink, but it took such a time clearing up, so no more as it is post-time. — From your loving daughter “Anthea.”
Robert’s letter had not even been begun. He had been drawing a ship on the blotting paper while he was trying to think of what to say. And of course after the ink was upset he had to help Anthea to clean out her desk, and he promised to make her another secret drawer, better than the other. And she said, “Well, make it now.” So it was post-time and his letter wasn’t done. And the secret drawer wasn’t done either.
Cyril wrote a long letter, very fast, and then went to set a trap for slugs that he had read about in the Home-made Gardener, and when it was post-time the letter could not be found, and it was never found. Perhaps the slugs ate it.
Jane’s letter was the only one that went. She meant to tell her mother all about the Psammead, — in fact they had all meant to do this, — but she spent so long thinking how to spell the word that there was no time to tell the story properly, and it is useless to tell a story unless you do tell it properly, so she had to be contented with this — “My dear Mother Dear, — We are all as good as we can, like you told us to, and the Lamb has a little cold, but Martha says it is nothing, only he upset the gold-fish into himself yesterday morning. When we were up at the sand-pit the other day we went round by the safe way where carts go, and we found a” — Half an hour went by before Jane felt quite sure that they could none of them spell Psammead. And they could not find it in the dictionary either, though they looked. Then Jane hastily finished her letter — “We found a strange thing, but it is nearly post-time, so no more at present from your little girl, “Jane. “P.S. — If you could have a wish come true what would you have?”

Anthea woke at five. She had made herself wake, and I must tell you how it is done, even if it keeps you waiting for the story to go on. You get into bed at night, and lie down quite flat on your little back, with your hands straight down by your sides. Then you say “I must wake up at five” (or six, or seven, or eight, or nine, or whatever the time is that you want), and as you say it you push your chin down on your chest and then whack your head back on the pillow. And you do this as many times as there are ones in the time you want to wake up at. (It is quite an easy sum.) Of course everything depends on your really wanting to get up at five (or six, or seven, or eight, or nine); if you don’t really want to, it’s all of no use. But if you do — well, try it and see. Of course in this, as in doing Latin proses or getting into mischief, practice makes perfect. Anthea was quite perfect.

“I was always generous from a child,” said the Sand-fairy. “I’ve spent the whole of my waking hours in giving. But one thing I won’t give — that’s advice.” “Child,” said the Sand-fairy sleepily, “I can only advise you to think before you speak” — “But I thought you never gave advice.” “That piece doesn’t count,” it said. “You’ll never take it! Besides, it’s not original. It’s in all the copy-books.”

Anthea was late for breakfast. It was Robert who quietly poured a spoonful of molasses down the Lamb’s frock, so that he had to be taken away and washed thoroughly directly after breakfast. And it was of course a very naughty thing to do; yet it served two purposes — it delighted the Lamb, who loved above all things to be completely sticky, and it engaged Martha’s attention so that the others could slip away to the sand-pit without the Lamb.

First review August 2009.
Second review  August 2011. 
Movie review July 2011
Cover talk July 2011

© 2014 Becky Laney of Becky's Book Reviews