Saturday, October 06, 2007

Picture Book Parade


Hill, Tad. 2007. Duck, Duck, Goose.

What happens when your best friend makes a new friend? What if that 'new' friend is super-annoying? What if that new friend doesn't know how to stop boasting? What if that new friend never stops talking at all? What is a poor goose to do? Find out in Duck, Duck, Goose. Duck and Goose have always been best friends. Always. They like to do everything together. But one day all that changes. Duck brings someone new to meet Goose, Thistle. Thistle is a bit of a braggart. She never knows when to stop. She's a bit on the bossy side too. Can Duck and Goose's friendship withhold the strain of Thistle's domineering presence? It is a cute book. I think it's a book that almost everyone can relate to. [I bet we've all encountered a Thistle somewhere--whether at school, in the neighborhood, or at the workplace.] And maybe just maybe it will show kids how to interact with each other in a better way. How to NOT be a Thistle. Is Thistle a hopeless case? I hope not. She just needs someone to tell her that she's not the center of the universe.


Jenkins, Emily. 2007. What Happens On Wednesdays. Illustrated by Lauren Castillo.

While I loved the illustrations on What Happens on Wednesdays, I wasn't blown away by the text. The book is about a girl's sense of patterns or rituals. She doesn't keep track of time by looking at a clock. She makes sense of her world by sorting out how things fit into her daily routine--"what happens after lunch, after nap, after swimming, after the library" etc. While I can understand the concept, it was a bit confusing for me as well. The part that confused me was that the child kept referring over and over to the fact that "today was not a kissing day" and I just didn't know why. Does the child not like to be affectionate with her parents at all? If every day is "no kissing day" why make a big deal about it. And if the "no kissing day" is only one day a week, why have it? It's not like the parents stop hugging or kissing their daughter on 'no kissing day.' It just seemed silly. The overall concept is that a child is creating a "sensory" map of their neighborhood, of their life. What do they see, hear, smell, taste, touch in the process of a normal day. The book was fine in my opinion. It wasn't outstandingly great, but it wasn't bad. Just average. What I enjoyed most of all were the illustrations. I thought those were great.

Yaccarino, Dan. 2007. Every Friday.

I loved this book. Absolutely loved it. It is about family rituals. In particular it is about a father-son weekly ritual of having breakfast together at a local diner. Rituals are important in life. I think they are always important, but routine can be a great thing for a kid. This ritual starts with getting up extra-early, walking through the neighborhood to the diner, and eating pancakes. The text is simple. It doesn't need to be complex or wordy. Friday is my favorite day. Every friday, Dad and I leave the house early. Even if it is cold, snowing, sunny, or raining. There is beauty in simplicity. I loved the text. Loved it. But I loved the illustrations as well.


Donnio, Sylviane. 2007. I'd Really Like To Eat A Child. Illustrated by Dorothee de Monfreid.

Achilles is a moody yet charming baby crocodile who is tired of eating bananas for breakfast every day. His mama was always telling him how big and handsome he was. And noticing what beautiful teeth he had. So one day, he decides that he is READY to eat a child. No more of this banana nonsense for him.

But one morning, Achilles refused to eat. This worried Mama Crocodile.
"Don't you want a tasty banana for breakfast?" she asked.
"No thanks, Mom," Achilles answered. "Today I'd really like to ead a child."
"What an idea, my little Achilles!" his mother cried. "Well, children don't grow on banana trees, only bananas do, and that's what I have for breakfast!"
"I know, but I'd really like to eat a child!"
The accompanying picture of Achilles making a sulking pouty (disgruntled) face is priceless! (I love the artwork by the way). And I had no idea there was a way to draw crocodiles where they would look genuinely worried or concerned.

This new idea takes hold and holds fast. No matter what his parents say, Achilles is insistent that a human child is the only thing he'll eat. There's no bribing him to eat chocolate cake or anything else...his parents are distraught. What will they do with their poor baby who won't eat anything?

The answer comes in a strange way. A girl. A child. On her own near the river. Who is more in danger? The child or the crocodile? Is Achilles as big and fierce as he thinks he is? Is he really ready to match wits with a child?

I'd Really Like to Eat A Child is a fun picture book. The illustrations and text are both fabulous.


Elliott, David. 2007. One Little Chicken: A Counting Book. Illustrated by Ethan Long.

I have mixed opinions on One Little Chicken. On one hand, it is a fun, rhyming counting book. It is a concept book with a fun premise: a counting book with dancing poultry. The book features chickens doing all sorts of dances and having lots of crazy fun as the numbers get higher and higher. On the other hand, one thing that is slightly disappointing is the fact that while it rhymes it isn't really very rhythmical. Some books are so rythmical, so right, that the text seems to sing. This one doesn't. That's not a crime necessarily. It's not an unpardonable sin. But I think it would have more appeal if the words flowed a bit more smoothly. What this book really needs is insight from a kid. I am curious what kind of reaction this book gets from children. Do they laugh? Do they giggle? Do they count along? Do they do the dances? Do they wiggle and move and shake about while someone is reading it aloud? Do they interact with the text? If they do, then this book would be a success. Sometimes adults are more harsh with a book than they need to be. They notice things that wouldn't bother any kid. I'm wondering if that is the case in this situation. The second half of the book invites audience participation.
But one little chicken
will not bugaloo.
Who is that little chicken?
Oh my gosh! It's you!
The text then implores you to get up and boogie and shake.
Make your own music
with wax paper and a comb
and dance! dance! dance!
till the cows come home.
The last rhyme, the last little bit, seems forced to me. It doesn't seem natural for some reason. I don't know if it's the excessive use of exclamation points after each dance when commas would suffice. Or if it's the fact that instructing kids on wax paper and comb music skills seems out of place with the rest of the text...or what. I think if it had ended any other way, I would have enjoyed it better. What do I like about the text? I like the fact that it's chickens dancing. Yes, chickens are big this year. But I think there is a bit of a hidden, "clever" meaning. Those on the sidelines too scared to dance and have a little fun are being chickens. The text is saying stop being a chicken and get out there and have fun.

One for Sorrow


Barzak, Christopher. 2007. One for Sorrow.

An honest and uncanny ride through the shadows between grief and acceptance. This is how real magic works. --Scott Westerfeld, author of Uglies and Extras

The Westerfeld blurb is one of the reasons I picked up One For Sorrow. I trust Westerfeld. I trust that when he says a book is good, it delivers. I wasn't disappointed with his recommendation this time either. Barzak's story is an odd one I'll admit. It's part ghost-story. The average teenage boy doesn't interrupt his life to become best friends with a ghost and relegate that relationship above all others--even the relationship with his girlfriend/lover. But the story is well-written. Adam McCormick is from a dysfunctional family. His grandmother tried and tried to warn the family that trouble was heading their way, but the only one who paid her any attention was Adam. Then she died. Adam was the one to discover her body in bed. His parents fight ALL the time. His mother and father just don't get it or don't care how their fighting is affecting the rest of the family. There is no respect, no love, no compassion in that household holding this family together. The brother, Andy, is just as bad. All four members of the McCormick family have issues--issues with respect, with anger, with courtesy. The book begins with the murder of one of Adam's classmates, Jamie Marks. The day that his body is discovered by yet another classmate, Gracie Highsmith, is a day that will change his life--his family's life forever. After an argument, his mother in a fit of rage gets behind the wheel to head to the local bar...little knowing that Lucy Hall a drunk who had escaped her own marital problems earlier in the morning was barreling towards her on a collision course. The accident left Mrs. McCormick paralyzed. Talk about adjustments for the family! Within a matter of weeks: Adam is discovered naked in the grave of the murdered student, Jamie; his mother becomes best friends with Lucy; Adam drops out of school completely and gets a lover/girlfriend practically overnight. About the time that he discovers these "sunflower" moments of intimacy he begins to see Jamie on a regular basis. Adam balances his time between hanging out with the living and the dead. Playing video games with a ghost versus making out with his girlfriend while her parents are gone. But then as if it wasn't odd enough already, the ghost starts planning to runaway with Adam. He encourages him to leave the insanity of his home and begin a new adventure with him. Something that sounds all too tempting to Adam who can barely stand to be in the same room with his family. What Adam is searching for is someone who loves him and accepts him and understands him.

Life and death and everything in between. That is what this novel is about. Life is full of choices, and day by day Adam is reaching the point where he'll have to make the big decision--whether he wants to live or die.

What the characters all reveal in one way or another is that while life is far from perfect--in fact it is very messy and raw and ugly--it is WORTH living. Troubles may weigh you down, sorrow may have a hold on you, but it's good to be alive to feel even the pain and sorrow and confusion of life.

Another review of One for Sorrow
More information on One for Sorrow and Christopher Barzak

Friday, October 05, 2007

By the Decades 2008 Edition


Michele (3M) is hosting a By The Decades reading challenge for 2008. I didn't participate in the 2007 challenge, but I was hoping that there'd be another opportunity this upcoming year.

The rules are simple:

1. Read a minimum of 8 books in 8 consecutive decades in ‘08.

2. Books published in the 2000’s do not count.

3. Titles may be cross-posted with any other challenge.

4. You may change your list at any time.

Here is my tentative list. I know many of the books I'll be reading, I just don't know how many more I'll be tempted to add or change. And I am by no means saying I'll get to all of these books.

1860s--Alice in Wonderland by Lewis Carroll
1870s--Through the Looking Glass by Lewis Carroll
1880s--A Connecticut Yankee in King Arthur's Court by Mark Twain OR Pinocchio by Carlo Collodi OR Heidi by Johanna Spyri
1890s--The Jungle Book by Rudyard Kipling
1900s--Anne of Green Gables by L.M. Montgomery and Anne of Avonlea by L.M. Montgomery
and possibly also A Little Princess by Frances Hodgson Burnett
1910s--Peter Pan by J.M. Barrie, The Secret Garden by Frances Hodgson Burnett, Anne of the Island by L.M. Montgomery, Anne's House of Dreams by L.M. Montgomery, Rainbow Valley by L.M. Montgomery
1920s--The Story of Doctor Doolittle by Hugh Lofting, Rilla of Ingleside by L.M. Montgomery, Emily of New Moon by L.M. Montgomery, Emily Climbs by L.M. Montgomery, Emily's Quest by L.M. Montgomery, Winnie the Pooh by A.A. Milne, House at Pooh Corner by A.A. Milne
1930s--Anne of Wind Poplars by L.M. Montgomery, Anne of Ingleside by L.M. Montgomery, Tangled Web by L.M. Montgomery, Hitty Her First Hundred Years by Rachel Field, Little House in the Big Woods by Laura Ingalls Wilder, Farmer Boy by Laura Ingalls Wilder, Little House on the Prairie by Laura Ingalls Wilder, On the Banks of Plum Creek by Laura Ingalls Wilder, By the Shores of Silver Lake by Laura Ingalls Wilder, The Hobbit by J.R.R. Tolkien
1940s--The Long Winter by Laura Ingalls Wilder, Little Town on the Prairie by Laura Ingalls Wilder, These Happy Golden Years by Laura Ingalls Wilder, Pippi Longstocking by Astrid Lindgren, Miss Hickory by Carolyn Sherwin Bailey, Strawberry Girl by Lois Lensky
1950s--The Chronicles of Narnia (7 books) by C.S. Lewis, Lord of the Rings trilogy by J.R.R. Tolkien, Beezus and Ramona by Beverly Cleary
1960s--Ramona the Pest by Beverly Cleary, Island of the Blue Dolphins by Scott O'Dell, James and the Giant Peach by Roald Dahl, Christy by Catherine Marshall
1970s--Trumpet of the Swan by E.B. White, Ramona the Brave by Beverly Cleary, Ramona and Her Father by Beverly Cleary, Ramona and Her Mother by Beverly Cleary, Roll of Thunder Hear My Cry by Mildred D. Taylor
1980s--Ramona Quimby, Age 8 by Beverly Cleary, Ramona Forever by Beverly Cleary
1990s--Ramona's World by Beverly Cleary

Poetry Friday: I Want To Be Six Again

83 by John Mayer

I've these dreams I'm
Walking home
Home when it used to be
And everything is
As it was
Frozen in front of me

Here I stand
6 feet small
romanticizing years ago
it's a bitter sweet feeling hearing "Wrapped Around Your Finger" on the
radio

and these days
I wish I was 6 again
Oh make me a red cape
I wanna be Superman

Oh, if only my life was more like
1983
all these things would be more like they were at the
start of me

had it made in 83

thinking bout my brother Ben
I miss him every day
He looks just like his brother John
But on an 18 month delay

Here I stand
6 feet small
and smiling cause I'm scared as hell
kind of like my life is like a sequel to a movie
where the actor's names have changed
oh well

well these days
I wish I was 6 again
Oh make me a red cape
I wanna be Superman

Oh, if only my life was more like
1983
all these things would be more like they were at the
start of me
If my life was more like
1983
I'd plot a course to the source of the purest little part of me

and most my memories
have escaped me
or confused themselves with dreams
if heaven's all we want it to be
send your prayers to me
care of 1983

you can paint that house a rainbow of colors
rip out the floorboards
replace the shutters but
that's my plastic in the dirt

whatever happened to my
whatever happened to my
whatever happened to my lunchbox
when came the day that it got
thrown away and don't you think I should have had some say
in that decision


Poetry roundup is at Whimsybooks.

Thursday, October 04, 2007

To Kill A Mockingbird


Harper Lee's To Kill A Mockingbird.

Until I feared I would lose it, I never loved to read. One does not love breathing. (18)
It's when you know you're licked before you begin but you begin anyway and you see it through no matter what. You rarely win, but sometimes you do. (112)
"How could they do it, how could they?"
"I don't know, but they did it. They've done it before and they did it tonight and they'll do it again and when they do it--seems that only children weep. Good night."
(213)

To Kill A Mockingbird is the story of innocence confronting the harsh realities of injustice during the Depression in the American South. Set in Alabama, the novel follows the lives of the Finch family--Atticus, Jem, and Scout (Jean Louise). At first the book seems the simple story of kids learning about life and having adventures all their own in the heat of the summer. Jem and Scout are an unforgettable brother and sister duo. Dill is their visiting friend during the summers. There is much to love about their lazy days and crazy games. The three seemed fascinated with their eccentric neighbors....especially the recluse Boo Radley who never leaves the house. But things rarely stay the same for very long, and all three begin growing and changing and learning. Scout starts school and realizes what a mess the world of civilized folks can be. The heart of the novel, however, is when Atticus Finch, a lawyer, takes the Tom Robinson case. He defends him against some serious charges--rape. The novel is about big issues: justice and injustice, innocence and guilt, love and hate, shame and pride, fear and courage. It's a beautifully told novel about the harsher side of life--the ugly, the raw, the messy. The things that no one wants to talk about or acknowledge.

My favorite thing about To Kill a Mockingbird is our heroine, our narrator, Scout. I absolutely love Scout. I think she's an unforgettable character and her perspective of the world is just priceless.

I read this one for the Book Awards Challenge and in honor of Banned Books week. It also fits in quite well with the Book-to-Movie challenge.