Showing posts with label In Their Shoes Challenge. Show all posts
Showing posts with label In Their Shoes Challenge. Show all posts

Thursday, April 17, 2008

I Have Lived A Thousand Years


Bitton-Jackson, Livia. 1997. I Have Lived A Thousand Years.

I Have Lived A Thousand Years: Growing Up in the Holocaust is the memoir of Elli L. Friedmann. Born in Czechoslovakia, Elli along with her family were taken to Auschwitz when the ghettos were liquidated in 1944. The book covers the years 1944-1945, although it hints at what came before and what comes after. The book concludes with Elli and her remaining family members arriving in America in 1951.

Her prose is concise and powerful. As a child, she loved to write poems. And this is evident in her memoir. The imagery is strong; there is power in her words. The emotions resonate. When our story opens she is around the age of 13. Here is her description of when the Nazis came and her school was closed, "I weep and weep. I weep for my classroom, which is no longer my classroom. For the school that will never be my school again. I weep for my life, which will never be the same." A bit further on we read her description of what it was like to be shown where the family's treasure was buried. The unspoken words being that she may be the only one to survive. "I don't want to know the spot! I don't want to be the one to survive! I don't want to survive alone! Alone, I don't want to live. Oh God, I don't want to live if you don't! I don't want to know about anything! I don't want to know!"

Her descriptions are so powerful, so real. The way they are written, so straight-forward, so concise, instantly put me in her shoes. The people aren't just numbers, aren't just statistics, aren't just nameless, faceless strangers. They're real; they matter; their stories, their lives count.

This was a very powerful book for me. Elli's determination to survive, to ensure her mother's survival is so courageous, so incredible. The fact that hope and strength and courage and dignity can survive in the midst of such horror is amazing to me. Wonderfully amazing to me.

This book is definitely a must read.

The title of the book comes from the liberation scene. Elli and her brother and mother are all together. They are trying to survive until they can be liberated. Freedom is within their grasp, yet there is still danger and fear on the prowl. When they are liberated, Elli is taken for an old woman. They think she is a woman who is in her sixties, they're flabbergasted to learn that she is just fourteen years old. She says, "I am fourteen years old, and I have lived a thousand years." What great imagery.


© Becky Laney of Becky's Book Reviews

Sunday, April 06, 2008

Diary of A Young Girl


Frank, Anne. 1952. The Diary of A Young Girl.

"You're reading that again?" That's what my mother said as she caught me reading Anne Frank. Like I haven't read anything but this one book in all these years. She's right. I have read Anne Frank's Diary of A Young Girl before. But some things are worth repeating. Diary of A Young Girl is one of them. The first time I read this book, I would have been in high school. Close enough to Anne's age to feel it--the drama of adolescence on top of extreme political and social upheaval. The Diary of A Young Girl captures both. The war. The threat of death. The threat of captivity. The threat of starvation and disease. But it also captures youth. What it means to be young, to be at that ever-awkward stage in life, in development. Always a me-in-the-making, never quite done finding out who you are and what you believe and what you want out of life. Anne could be any girl in any place and time. But because she was born a Jew. Because Hitler came to power. Her life--her perfectly ordinary life--was cut short.

The book begins in June of 1942. The last entry is in August of 1944. In these two years, these two turbulent years, Anne and her family and several other people as well all go into hiding in the Secret Annexe. Mr. and Mrs. Frank. Margot, the older sister. Mr. and Mrs. Van Daan. Their son Peter. And Mr. Dussel. Eight people. Cramped living conditions. This isn't reality tv. This is life and death. Yes, every person gets super-cranky and super-sensitive. But wouldn't you?

The reader gets a glimpse into the lives of real people through the eyes of one very young sometimes-mature, sometimes-immature girl. Anne Frank. Very famous now because of her diary. But just then--at the moment--one very ordinary girl with a natural desire to write a diary. I think most kids (or teens) at one time or another try their hand at keeping journals. Though perhaps now, blogging has replaced all that. Diaries are intimate, personal, private. Each entry is a snapshot into that one day, that one hour, that one moment. When you're young, (and even when you're older and supposedly all grown up) your mood, your outlook changes moment by moment, day by day. Happy one minute, miserable the next. Such is the case with Anne. Personally, I'm surprised that Anne had as many happy moments, contented moments, grateful moment in the Annexe as she did. I think it would only be natural to be unhappy, scared, miserable, depressed. Living in cramped quarters with people you dislike, people you disagree with, not being able to go outside, to go anywhere you want. Not having the freedom to move, to make noise when you want. To always be on alert. To always worry about the threat of discovery, the threat of capture, the threat of bombs blowing you to bits. High stress. Very high stress.

But this isn't just a book about war, about being Jewish, about being a victim. This book is so much more than that. It's a book about growing up. A book about changing from a girl into a young woman with hopes and dreams and fears and desires. It's a book about being that age. That extremely awkward stage of life. My mom thought all people of that age should be shipped off to junior high island until they grew out of it. That moody, I-hate-you, you-don't-understand-me stage. Anne was a work-in-progress. There's no doubt about it. When we first meet her, she's entering that phase of life. She doesn't get along with her mother. At all. She feels completely disconnected from her. Misunderstood. Unloved. Unwanted. Unappreciated. And her relationship with her father is better, but not perfect. Sometimes she feels the disconnect with him too. And her sister. She feels that her parents love her sister more. That her sister gets all the praise, the love, the positive attention. And she feels that she gets attacked, bombarded with negative attention--lectures, lectures, more lectures. Everyone is always out-to-get-her. But though this does seem to be Anne's story, Anne's predicament, by the second half of the book, Anne is growing, changing, maturing. She looks back over past entries and realizes that things are different, things have changed. And she realizes that most of the changes were in her. She is beginning to build, to establish a better relationship with her family. She is beginning to get comfortable in her own skin.

Anne is someone I think we all can relate to in a way. Anne was just a girl. A girl with interests and hobbies. Likes and dislikes. She could be anybody.

The Diary of A Young Girl was originally published in Holland in 1947. It was soon translated into other languages, including English, and printed in the United States. 1952 is the first publication date for the United States. Almost from the very beginning, it was recognized as a good book, a powerful book, a book worthy of time and attention and respect. But it's not without its enemies.

Though I'll never in a million years understand the mindset of those that challenge books, I'll never ever ever understand why Diary of A Young Girl is one of their targets. I just don't understand it. Can't understand it. One challenge brought against the book stated that it was pornographic. How??? Why??? Fortunately, the challenge failed, and the book stayed on the shelves. I suppose pornography is subjective. But a young girl writing about her period is so not pornographic! A young girl writing about her breasts developing? Not pornographic. A young girl writing about her first kiss? Not pornographic. There is no talk, no hint of sex in the book. Though Anne spends the last part of the book making out with Peter, the son of the Van Daans. But it's not pornographic in the slightest. Not unless it's the mention of Anne reading a book where there is mention of a woman selling her body. Or perhaps it is the conversation about the cat's male organs that is so offensive to folks? Whether the cat is a tom cat.

I could go on for hours about all the suffering the war has brought, but then I would only make myself more dejected. There is nothing we can do but wait as calmly as we can till the misery comes to an end. Jews and Christians wait, the whole earth waits, and there are many who wait for death. (64)

I see the eight of us with our "Secret Annexe" as if we were a little piece of blue heaven, surrounded by heavy black rain clouds. The round, clearly defined spot where we stand is still safe, but the clouds gather more closely about us and the circle which separates us from the approaching danger closes more and more tightly. (115)

But seriously, it would seem quite funny ten years after the war if we Jews were to tell how we lived and what we ate and talked about here. Although I tell you [the diary] a lot, still even so, you only know very little of our lives. (192)

And if I haven't any talent for writing books or newspaper articles, well, then I can always write for myself. . . I want to go on living after my death! And therefore I am grateful to God for giving me this gift, this possibility of developing myself and of writing, of expressing all that is in me. I can shake off everything if I write; my sorrows disappear, my courage is reborn. But, and that is the great question, will I ever be able to write anything great, will I ever become a journalist or a writer? I hope so, oh, I hope so very much. (197)

© Becky Laney of Becky's Book Reviews

Monday, March 10, 2008

Nonfiction Monday: The Cage


Sender, Ruth Minsky. 1986. The Cage.

The Cage by Ruth Minsky Sender is one of the most outstanding Holocaust memoirs I've ever read. The narrative is told loosely through a framework. That is in the first chapter, Ruth Minsky Sender begins her narrative by setting it in the present day (or what would have been the present day when it was being written). She frames her story around questions her children asked about why they had no grandparents, no cousins, no extended family, etc. This, I believe, is quite effective in drawing you into the story. Of making you see the big picture.

Nancy looks at me, bewildered. "Why did they let them do it? Why didn't people stop them?"
Why did they let them do it? Why did they let them do it? It echoes in my ears. Many voices ring in my ears. Voices I have heard before. They are all calling, Why? Why? Why did they let them do it?
I hear Mama's voice, filled with hope. A world full of people will not be silent. We will not perish in vain. She was so sure. But she perished, and the world was silent.
Tears fall down my face. Nancy's soft hands wipe them away. "But, Mommy, it could not happen here. Our neighbors, our friends, they would help."
Suddenly it is 1939 again. (4)
In simple but haunting prose, the narrative tells the story of one girl's survival. Riva, our narrator, is a child-soon-to-be-a-woman growing up in Lodz, Poland. Her world changes, her future changes when the Nazis invade Poland. Friends? Neighbors? Vanish overnight it seems. You see, it's not safe to be 'Polish' anymore...better to be German. To blend in with the oppressors. To take up their mantras. To join with them side by side. To pursue the destruction of the Jewish race. There is no one to stand up for the Polish Jews. (Or should I say there are few if any that are willing to make such a stand.) The story of Riva and her family--her mother, her brothers, her sisters, is powerful.

Riva finds her strength in poetry. You might could even say that poetry saves her life in more ways than one. This is her story.

Camp Mittelsteine, Germany
September 23, 1944
Riva Minska, Number 55082.

When my tormented heart can't take any more
The grief within rips it apart;
My tears flow freely--they can't be restrained
I reach for my notebook--my friend.
I speak to my friend of my sorrow
I share my anger, my pain.
I speak to my friend of tomorrow
Of a future we'll build once again!
The pillars I build for the future to come,
I knock down and build once again.
I share all my dreams, share my hopes with my friend
Share the pain that is filling my heart. (178)
First sentence: Warm rays of sunshine fill the house, mixed with the sweet smell of lilac in full bloom.
Last sentence: As long as there is life, there is hope.
245 pages
Nonfiction Monday roundup.

Monday, February 25, 2008

Nonfiction Monday: I Will Plant You A Lilac Tree


Hillman, Laura. 2005. I Will Plant You A Lilac Tree.

"We are going to Brunnlitz, to Oskar Schindler's camp!" I recall the shouts of joy that filled the barrack at Plaszow. But the terrible place where I now stand is not that hoped-for refuge. It is Auschwitz. (1)

I Will Plant You A Lilac Tree is a memoir of one of the women saved by Oskar Schindler. Hannelore Wolff. Except for the two-page prologue, the book is a chronological account of Hannelore's life in Nazi Germany. The book opens with her attending a Jewish boarding school in Berlin. Since Hitler had come to power, it was dangerous for Jews to walk on public streets. In spite of the risk we walked along a tree-lined avenue in a suburb of Berlin, the ever-present yellow Stars of David sewn to our jackets. (3) One day she receives a letter from her mother with the news that her father has been taken by the Nazis and has died. Weeks later she receives another letter. A letter saying that her mother and two brothers will be deported to the East on May 8, 1942. In what could only be perceived as foolish-yet-brave behavior, Hannelore writes a letter to the Nazis saying that she wishes to be deported along with her family. They grant it. Now this family of four is facing the great unknown as they board a train that could lead them--probably will lead them--to their deaths.

Hannelore's story isn't always easy to read. Let's see if I can phrase this better. Those readers who aren't well-versed in Holocaust memoirs may find it difficult to read. The way the Jews are treated is despicable. It is callous. Hannelore's story is an account of some of the wrongs she faced, some of the wrongs she witnessed. But it is also a story of courage, of hope, of strength in a time of great despair. While sometimes surviving was a matter of luck--of chance--part of it had to do with will as well. Those that lost the will to live, those that gave up hope, those that gave in to despair... Starvation. Disease. Nazis. The Nazis were responsible either directly or indirectly for so many deaths. Hannelore's story of how she survived the various camps and came to be one of the lucky few saved by Schindler is amazing and fascinating and in places quite heartbreaking.

But this memoir isn't just a testament of survival, and it isn't just an account of the wrongs against the Jewish people. It is a love story as well, a story of how love can be found even in the darkest places, the most despairing times. A story of how one young man and one young woman found hope and love in each other. A story of how that love helped them endure.

I definitely recommend this one.

243 pages.

To read other Nonfiction Monday posts, visit the roundup.

Wednesday, September 12, 2007

In Their Shoes Reading Challenge

Want to join this challenge, click here! (You can also read reviews and progress reports). The challenge is January 1, 2008 - December 31, 2008.

Here are the books I'll try to get to for this challenge. I'd be happy to finish 8 of these.

The Diary of A Young Girl by Anne Frank
I Have Lived A Thousand Years by Livia Bitton Jackson
(My Bridges of Hope by Livia Bitton Jackson)
(Hello, America by Livia Bitton Jackson)
No Pretty Pictures by Anita Lobel
Night by Elie Wiesel
Until We Meet Again by Michael Korenblit and Kathleen Janger
Alicia My Story by Alicia Appleman-Jurman
The Cage by Ruth Minsky Sender
To Life by Ruth Minsky Sender
Isabella From Auschwitz to Freedom by Isabella Leitner
The Tale of The Ring: A Kaddish by Frank Stiffel
Dry Tears: The Story of A Lost Childhood by Nechama Tec
A Special Fate Chiune Sugihara: Hero of the Holocaust by Alison Leslie Gold
In My Hands: Memories of A Holocaust Rescuer by Irene Gut Opdyke
I Will Plant You A Lilac Tree by Laura Hillman