Friday, September 12, 2014

Reread #37 Fahrenheit 451

Fahrenheit 451. Ray Bradbury. 1953/1991. Del Rey. 179 pages. [Source: Bought]

It was a pleasure to burn. 

I've written about Fahrenheit 451 quite a bit. Once in May 2007, which was the first time I read it. Twice in 2010; one was a graphic novel. I've read A Pleasure To Burn: Fahrenheit 451 Stories, a book of short stories and novellas that show the thematic evolution of Fahrenheit 451. I've reviewed the movie. I reread it in June 2012 and September 2013.

Obviously this is a book that I absolutely love.

Fahrenheit 451 is a novel set in a world where thinking is a crime. I exaggerate perhaps. Thinking deeply is dangerous. Thinking for yourself is dangerous. Thinking superficial thoughts that everyone-else-in-society is thinking--like about what to watch, what to listen to, what to buy, where to go to have a good time--that is okay, more than okay. It is to be encouraged. It is individuality and contemplation and reflection that is dangerous. Every minute of every hour of every day is to be packed full of distractions making it impossible to think, to consider, to reflect, to observe, to question, to feel anything truly and deeply. It's a more, more, faster, faster world. And it's a world that our hero, Guy Montag realizes he loathes. He is a fireman. He burns books, houses, and sometimes people. But Guy Montag is living a secret life: he doesn't like burning books; in fact, he wishes he could save them and read them. He does manage to "save" a handful here and there. But taking them home and hiding them, well, there's a risk involved. He's willing to take it because he's so miserable, and he feels that society is so unreal and pointless. He wants answers, not ads. He wants to learn, to know, to feel.

Quotes:
"People don't talk about anything."
"Oh, they must!"
"No, not anything. They name a lot of cars or clothes or swimming pools mostly and say how swell! But they all say the same things and nobody says anything different from anyone else..." (31)
"We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?" (52)
Who knows who might be the target of the well-read man? Me? I won't stomach them for a minute. (58)
Ask yourself, What do we want in this country, above all? People want to be happy, isn't that right right? Haven't you heart it all your life? I want to be happy, people say. Well, aren't they? Don't we keep them moving, don't we give them fun? That's all we live for, isn't it? For pleasure, for titillation? And you must admit our culture provides plenty of these. (59)
Did you listen to him? He knows all the answers. He's right. Happiness is important. Fun is everything. (65)
"We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over; so in a series of kindnesses there is at last one which makes the heart run over." (71)
Every hour so many damn things in the sky! How in hell did those bombers get up there every single second of our lives! Why doesn't someone want to talk about it! We've started and won two atomic wars since 1990! Is it because we're having so much fun at home we've forgotten the world? Is it because we're so rich and the rest of the world's so poor and we just don't care if they are? Is that why we're hated so much? Do you know why? I don't, that's sure! Maybe the books can get us half out of the cave. God, Millie, don't you see? An hour a day, two hours, with these books, and maybe. (73-4)
It’s been a long time. I’m not a religious man. But it’s been a long time.’ Faber turned the pages, stopping here and there to read. ‘It’s as good as I remember. Lord, how they’ve changed it in our parlors these days. Christ is one of the family now. I often wonder if God recognizes His own son the way we’ve dressed him up, or is it dressed him down? He’s a regular peppermint stick now, all sugar-crystal and saccharine when he isn’t making veiled references to certain commercial products that every worshiper absolutely needs.’ (81)
"You're a hopeless romantic," said Faber. "It would be funny if it were not serious. It's not books you need, it's some of the things that once were in books. The same things could be in the 'parlor families' today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. (82)
 Do you know why books such as this are so important? Because they have quality. And what does the word quality mean? To me it means texture. This book has pores. It has features. This book can go under the microscope. You'd find life under the glass, streaming past in infinite profusion. The more pores, the more truthfully recorded details of life per square inch you can get on a sheet of paper, the more 'literary' you are. That's my definition, anyway. Telling detail. Fresh detail. The good writers touch life often. the mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies. So now do you see why books are hated and feared? They show the pores in the face of life. The comfortable people want only wax moon faces, poreless, hairless, expressionless. we are living in a time when flowers are trying to live on flowers, instead of growing on good rain and black loam. (83)
"Caesarians or not, children are ruinous; you're out of your mind," said Mrs. Phelps.
"I plunk the children in school nine days out of ten. I put up with them when they come home three days a month; it's not bad at all. You heave them into the 'parlor' and turn the switch. It's like washing clothes: stuff laundry in and slam the lid." Mrs. Bowles tittered. "They'd just as soon kick as kiss me. Thank God, I can kick back!" (96)
© 2014 Becky Laney of Becky's Book Reviews

1 comments:

hopeinbrazil 4:25 AM  

Such a powerful story for book lovers. I really love the end scene where people "are" the books they have memorized.

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I am interested in reviewing books and audio books. This blog focuses on books written for middle grade on up (essentially 10 to a 110). I review middle grade fiction and young adult fiction (aka tween and teen).

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