I have been meaning to reread Patrick Ness' The Knife of Never Letting Go for a couple of years now. It is the first book in the Chaos Walking series. I really did EXPERIENCE the next two books in the trilogy. (I was going to say enjoy, but, can you ENJOY a book that is so dark and suspenseful and emotional.)
Here are a few things you should know before picking it up.
1) It is science fiction. It is set on another planet, aka "New World." The planet has a handful of small settlements, including Prentisstown, the hometown of our narrator/hero. The planet's biggest settlement is Haven.
2) Todd is our narrator. He is a few weeks away from his thirteenth birthday. He "becomes a Man" on his thirteenth birthday. He is an orphan being raised by two men, Cillian and Ben.
3) There are NO WOMEN in Prentisstown. Todd has been taught all his life that there was a plague or virus that killed all the women of the settlement.
4) A virus (perhaps the same virus that allegedly killed all the women?) has made it so that all the men can hear one another's thoughts all the time. This is called NOISE. It isn't just men, though, they can hear thoughts of animals too. Manchee is Todd's dog. And he's a bit too forthright to say the least!
5) The book is thriller-esque. It's essentially one big action-sequence from cover to cover. Well, perhaps it takes three or four chapters to get him on his way. But once he gets started...he stays going. It's an intense, action-packed book.
6) He doesn't go alone. Manchee, his faithful dog that he once didn't even want, is with him....but more importantly he meets Viola.
7) Viola basically "dropped from the sky" and right into his path. Viola is the sole survivor of the settler's scout ship. Her parents died in the crash. The ships with thousands of more settlers is about seven or so months behind the scout ship. Todd cannot hear Viola's noise. Viola is the first female he can remember seeing--apart from reading the memories of the men in his settlement--which is not the same thing I think you'll agree.
8) Both Viola and Todd are in GREAT DANGER. Why?????? Well, it has to do with SECRETS and SCHEMES and PLOTS. The mayor of Prentisstown is ambitious and manipulative....to pick two of his tamer qualities.
9) Todd has some internal conflict going on inside....he cannot bring himself to kill. So while I might have spent a good deal of time emphasizing the ACTION, ACTION, ACTION aspect of this one, that doesn't mean it is without characterization and complexity.
10) Be warned it doesn't really have an ending.
11) It has profanity. A good deal of profanity. For some people it may be off-putting enough to pass on the book. For others that might be a big non-issue.
12) Poor grammar is part of the world-building. This may or may not bother readers!
Men lie, and they lie to theirselves worst of all. (22)
But a knife ain't just a thing, is it? It's a choice, it's something you do. A knife says yes or no, cut or not, die or don't. A knife takes a decision out of your hand and puts it in the world and it never goes back again. (84)
The knife is alive. As long as I hold it, as long as I use it, the knife lives, lives in order to take life, but it has to be commanded, it has to have me to tell it to kill, and it wants to, it wants to plunge and thrust and cut and stab and gouge, but I have to want it to as well, my will has to join with its will. I'm the one who allows it and I'm the one responsible. But the knife wanting it makes it easier. If it comes to it, will I fail? (341)
"War is a monster. War is the devil. It starts and it consumes and it grows and grows and grows. And otherwise normal men become monsters too." (392)
I can read her. Cuz she's thinking about her own parents also came here with hope like my ma. She's wondering if the hope at the end of our road is just as false as the one that was at the end of my ma's. And she's talking the words of my ma and putting them into the mouths of her own ma and pa and hearing them say that they love her and they miss her and they wish her the world. And she's taking the song of my ma and she's weaving it into everything else till it becomes a sad thing all her own. And it hurts her, but it's an okay hurt, but it hurts still, but it's good, but it hurts. She hurts. I know all this. I know it's true. Cuz I can read her. I can read her Noise even tho she ain't got none. I know who she is. I know Viola Eade. I raise my hands to the side of my head to hold it all in. "Viola," I whisper, my voice shaking. "I know," she says quietly, pulling her arms tight around her, still facing away from me. And I look at her sitting there and she looks across the river and we wait as the dawn fully arrives, each of us knowing. Each of us knowing the other. (420)
© 2016 Becky Laney of Becky's Book Reviews