Showing posts with label eating disorders. Show all posts
Showing posts with label eating disorders. Show all posts

Wednesday, July 14, 2010

Hunger (YA)


Hunger. Jackie Morse Kessler. 2010. October 2010. Houghton Mifflin Harcourt. 180 pages.

Lisabeth Lewis didn't mean to become Famine. She had a love affair with food, and she'd never liked horses (never mind the time she asked for a pony when she was eight; that was just a girl thing). If she'd been asked which Horseman of the Apocalypse she would most likely be, she would have probably replied, "War." And if you'd heard her and her boyfriend, James, fighting, you would have agreed. Lisa wasn't a Famine person, despite the eating disorder.

Hunger has an interesting premise. Lisa, our heroine, has an eating disorder. One night her suicide attempt is interrupted by a strange delivery man knocking on the door. He has a gift and a message: "Thou art Famine." The gift this pale man brings? Scales. Lisa thinks this is all one very strange dream. She even tries to laugh about it with her friends. But. It's not a dream. And Lisa must face her new reality.

Lisa's life was complicated before she met Death, War, and Pestilence. For Lisa is haunted by a voice in her head telling her she's fat. All day, every day, Lisa hears a negative message about herself, about her body. The people in her life are beginning to notice that Lisa is not well. Her boyfriend, James, and her former best friend, Suzanne, are terribly concerned. But Lisa just clings to her new best friend, Tammy. She thinks that Tammy understands everything, for Tammy has her own battles with food. And, of course, her relationship with her parents is a bit strained. So, yes, Lisa's life was complicated enough for any teen BEFORE she became one of the four riders of the Apocalypse.

Can Lisa simplify her life?

I thought the premise was intriguing. I liked the idea of this one. It adds some supernatural/fantasy elements to a serious 'problem' novel about eating disorders. Our heroine is a troubled teen who doesn't quite realize just how much trouble she is in. And Death is able to give her a unique wake-up call in a way.

*Reviewed from an ARC.

© Becky Laney of Becky's Book Reviews

Wednesday, March 18, 2009

Travel the World: England: How I Live Now


Rosoff, Meg. 2004. How I Live Now. 194 pages.

My name is Elizabeth but no one's ever called me that.

When Elizabeth (a.k.a. "Daisy") comes to England to visit her British cousins (and aunt), little does she know that life as she knows it--as everyone knows it--is about to change forever. Suffering from an eating disorder, Daisy has been sent far from home--just as much to 'help' her out as to help the evil step-mother who's expecting. She meets her cousins--Osbert, Edmond, Isaac, and Piper--and they seem to be off to a great start. Good thing too, as they'll be spending loads of time together. Daisy's aunt is off on a business trip. A trip from which she'll never return. Why? Long story short, terrorists. An enemy has invaded England--and other countries as well; bombs having gone off in at least the U.S. and England, and probably other places as well though I'm not exactly sure on that. England is now occupied by the enemy. (And the British soldiers have to regroup to try to invade and reconquer their own country.) At first, these changes don't effect the kids (Piper's the youngest; the rest are teenagers). Food rationing here. No electricity. Inconvenient, yes. Life-and-death altering? Not really. You can live without TV and the telephone. But soon the threat comes closer...and closer. Impacting some more than others. But unsettling, disrupting all. Now this war, this invasion means fight for survival. And Daisy has to grow up quickly. And now that food is a scarcity, Daisy realizes just how sick she was to choose to starve.

Daisy's voice is unique: full of snark but not without heart.

It would be much easier to tell this story if it were all about a chaste and perfect love between Two Children Against the World at an Extreme Time in History but let's face it that would be a load of crap. The real truth is that the war didn't have much to do with it except that it provided a perfect limbo in which two people who were too young and too related could start kissing without anything or anyone making us stop. There were no parents, no teachers, no schedules. There was nowhere to go and nothing to do that would remind us that this sort of thing didn't happen in the Real World. There no longer was a Real World. (46)

Every war has turning points, and every person too. (68)


What I liked about this one? I liked the snark for the most part. Daisy's voice is original. You'll either love her or hate her. You'll either think the snark is funny, or you'll be annoyed. I liked the pacing of this one. It is short, yes, but a lot happens. It doesn't drag at any point. Rosoff knows how to tell a story.

© Becky Laney of Becky's Book Reviews
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Monday, March 09, 2009

Wintergirls


Anderson, Laurie Halse. 2009. (March 2009) Wintergirls. Viking. 288 pages.

So she tells me, the words dribbling out with the cranberry muffin crumbs, commas dunked in her coffee.
She tells me in four sentences. No, five.
I can't let me hear this, but it's too late. The facts sneak in and stab me. When she gets to the worst part

...body found in a motel room, alone....

...my walls go up and my doors lock. I nod like I'm listening, like we're communicating, and she never knows the difference.

It's not nice when girls die.


Wintergirls is Laurie Halse Anderson's latest book. And it doesn't disappoint. (Or should I amend that to say it didn't disappoint me?!) I would never say that it was better than her previous books--Speak; Fever, 1793; Catalyst; Prom; Twisted; Chains, because each of her books are so different. And it's not really fair to compare. How is this one unique? Well, it's just as powerful as Speak. But I think it is even more haunting. The prose packs a lot. In a strange way, we learn quite a bit by what isn't said.

Meet Lia. She's anorexic. Her problem--through her eyes--is that adults keep interfering in her life. Keep forcing her to get treatment. Keep forcing her to eat. There are plenty of people who care about her: her mom, whom she calls Dr. Marrigan, her dad, her stepmom, Jennifer, her half-sister, Emma. But she doesn't have ears to listen or eyes to see what she is doing to herself, her body, her family.

When we first meet Lia, she is learning the news that her former best friend, Cassie, has died. Alone. In a motel room. What we learn soon after is just the beginning of the haunting story: on the night Cassie died, she called Lia's cell phone thirty-three times. But Lia never picked up. Would picking up have made a difference? Could she have prevented this death? Lia doesn't know. But the thought that her friend died a horrible death--a painful death--alone and scared...doesn't sit well with her. How could it? The book traces Lia's reaction to this death and follows her journey down the same path...

Here is Lia's story in her own words:

Girl is born, girl learns to talk and walk, girl mispronounces words and falls down. Over and over again. Girl forgets to eat, fails adolescence, mother washes her hand of Girl, scrubbing with surgical soap and a brush for three full minutes, then gloving up before handing her over to specialists and telling them to experiment at will. When they let her out, Girl rebels. (68)


Wintergirls is a painful book to read. No doubt about it. Lia is a scary narrator--an unreliable one. Here is a narrator that just doesn't get it. She's incapable of getting it, comprehending just how close she is to meeting Cassie's fate. In many ways it is an ugly book because eating disorders are ugly. There's nothing glamorous about skeletons and starvation and bodies shutting down. Painful as it may be, I think it is a good read. I loved that Laurie Halse Anderson so thoroughly develops these characters. Not just Lia, but her family as well. I got a real sense that her family loved her, worried about her, struggled with her. It didn't feel like an after-school special to me. It didn't feel fake and phony. It felt hauntingly real.

© Becky Laney of Becky's Book Reviews
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Saturday, December 02, 2006

Adrienne Maria Vrettos


Vrettos, Adrienne Maria. 2006. Skin: A Novel.

Narrated by fourteen-year-old Donnie, SKIN is a heart-breaking story of a family in crisis. The first chapter opens with his sister's tragic though not unexpected death due to an eating disorder. The rest of the book tells the before and after effects of that disorder and her death.

I'm telling you this because you didn't ask. I've got it all here, growing like a tumor in my throat. I'm telling you because if I don't, I will choke on it. Everybody knows what happened, but nobody asks. And Elvis the EMT doesn't count because when he asked, he didn't even listen to me answer because he was listening to my sister's heart not beat with his stethoscope. I want to tell. It's time to tell. Even if you didn't ask, you have to hear it (4).


Karen, his sister, wasn't always like this. There was a time when she was normal. When she liked to have fun. When she liked to laugh. When she liked to eat. Donnie shares the good and bad times of his sometimes dysfunctional family. Beginning with his parent's turbulent marriage--arguments that go on for days, screaming matches, etc., and describing how through all of the chaos his sister was his anchor. His safe place to fall. But as the months progress even Karen begins to disappoint him. First she abandons him (his perspective) to be with her new best friend, the neighbor across the street, Amanda. Then as if that wasn't bad enough his own friends abandon him as well suddenly becoming 'too cool' to hang out with such a loser.

I wish they'd just sat down at the beginning of the school year and said, 'You're out,' instead of deciding together to drop me and waiting to see when I'd notice. If they'd done that, sat me down and told me, I would have laughed in their faces. I would have gotten up and walked away and left them sitting there to realize what they'd just done. It's not like there's a whole line of kids waiting to be friends with us, clamoring to take my place. We're the end of the line. We're the ones that people look at and think 'at least I'm not them.' Kids get a death grip on their friends when it looks like they might be slipping down to where we are. It's like a kick in the balls, when people use you as a threat, when you hear someone say, 'Stop being such a douche bag or we'll make you go sit with LePlant and the other freaks.' . . . Nothing about us is right. We're the wrongest kids you've ever seen. Our faces are wrong with zits, we have the wrong hair, the wrong clothes, and I think we might be ugly. Our families are wrong because none of us are rich, our bodies are wrong because we suck at sports, and there's something really wrong with all of our personalities, because nobody likes us, not even the teachers. Teachers make fun of us too, and think we don't notice. (21-22)


As his sister begins to push everyone away, even her best friend Amanda, Donnie feels like he is becoming invisible. His parents don't notice him. His sister is too busy not eating and busy pushing everyone away to notice him. And that's when she's not in the hospital being treated for her disorder. His teachers don't notice him. And he has no friends to notice him either.

I'm becoming invisible. Every day more and more light shines through me. I think about writing Karen at the hospital and telling her. If I wrote her and told her I was becoming invisible, I think she'd tell me to stop being so dramatic, and she'd say that she understood. Once I realized that I was becoming invisible, once I realized that no one really noticed me anymore, I stopped fighting it. I stopped taking the tiny bit of room they left for me on the bench at the lunch table and sat by myself at the end of the teacher's table, which is pretty much the worst place any kid can sit, ever. Unless that kid's invisible, and then it doesn't matter. Every day since Karen's been gone, I practice floating through the school halls like a ghost. I don't touch anyone and I imagine that the times I do brush up against their arms it feels like a clammy, cold breath on their skin. I sit in the back of the class and I don't raise my hand. I ignore everyone, even the teachers. Not the kind of ignoring where you jut out your chin and hope that everyone notices you ignoring them. I ignore them like we're not even in the same universe. I ignore them because it's easy: I'm not even here. My goal is to get through the whole school day without anyone talking to me. I decide once I do that, I'll become a superhero. I'll become Donnie Disappeared. (119-120)


Even after Karen's death, Donnie remains invisible. His parents trapped in ever-going arguments about whose fault everything is continue to ignore him until one day he snaps.

You never see me! You only see her, even when she's gone, you only see her. I disappeared so she could get better! I never asked you for anything! I disappeared and you didn't even notice! And she's gone and I'm here! I'm here!


Skin is an emotional novel, a powerful one, a story with ups and downs, hopes and fears, losses and gains.

Other fiction books about eating disorders include Just Listen by Sarah Dessen and Mercy, Unbound by Kim Antieau.

Another fiction book about young teens feeling invisible is Neal Shusterman's The Schwa Was Here.

Other fiction books about grief include: Maybe by Brent Runyon, Looking for Alaska by John Green, Saving Grace by Katherine Spencer, Kira-Kira by Cynthia Kadohata, and What is Goodbye by Nikki Grimes.

http://www.adriennemariavrettos.com/index1.html

Thursday, August 31, 2006

Mercy, Unbound

Antieau, Kim. 2006. Mercy Unbound

Mercy is a fifteen year old girl with an eating disorder; she's on the verge of starvation when her parents send her to a treatment facility in New Mexico. But these facts, clearly evident to the reader, allude the patient in question.

Kim Antieau has created an incredible novel narrated by Mercy. Seen through her eyes, her warped, diseased perspective, Mercy is not sick. She doesn't need treatment. Her problem? No one believes what she holds to be true. Mercy is an angel-in-disguise whose wings are always days away from sprouting on her back. She feels the wings itching beneath the surface. She sees the world differently. She feels that once she is an angel she can help people...she could help ease some of the world's pain. As a human, she's useless...but as an angel there's endless possibilities for her to change the world. Food just stands in the way of her destiny. Angels don't eat. And she is almost there. If only people wouldn't pressure her, they would see the truth...

Mercy's breakthrough from almost-insanity to recovery leads the reader on an exciting, realistic journey of the psychological impact of eating disorders.

http://kimantieau.com/