Showing posts with label 1864. Show all posts
Showing posts with label 1864. Show all posts

Saturday, November 03, 2018

Small House at Allington

Small House at Allington. Anthony Trollope. 1864. 695 pages. [Source: Bought]
First sentence: Of course there was a Great House at Allington. How otherwise should there have been a Small House?

Premise/plot: The Small House at Allington is the fifth novel in the Barsetshire series by Anthony Trollope. It primarily focuses on the Dale family. Lily and Bell Dale are sisters--both worthy of being heroines. Mrs. Dale has done quite a good job raising them on her own since her husband's death. Of course they are not all alone in the world, the girls have an uncle--Christopher Dale--who is a squire. Also, one mustn't forget cousin Bernard.

Bernard and Bell would make quite a match of it--at least that's what the squire thinks. He'd LOVE to see these two marry and have children. (Bernard is his heir.) But Bell has different plans for her future--and marrying to please an uncle is decidedly not in her plans. Bell hasn't said NO NEVER to the idea of marriage in general, but she wants LOVE.

Lily. John Eames (aka JOHNNY) loves, loves, loves Lily with all his heart and soul. He has wanted to declare his love for her for years. But before he can speak to her from the depths of his heart, Bernard brings home a showy friend, Mr. Adolphus Crosbie. Crosbie makes a first great impression on a young and naive Lily. Soon the two are ENGAGED. Johnny is disappointed--broken-hearted.

When Crosbie realizes that Lily's dear old uncle has absolutely no intentions of blessing his niece financially--either now or at his passing--he reveals his true colors. CAN HE REALLY TRULY COMMIT TO MARRYING LILY KNOWING THAT SUCH A MARRIAGE WON'T MAKE HIM A DIME RICHER?!?! He is self-aware enough to know it's doubtful. But it's a doubt--not a certainty--so when she asks him if he wants out, if he wants his freedom, he doesn't speak honestly. He doesn't admit his doubts. He leaves her believing that the two will marry.

Within a week or two Crosbie finds himself with a choice to make. He has the opportunity to marry up--to marry a somebody. Or the daughter of a somebody. Though his engagement to Lily is known in some circles, he decides to propose to Alexandrina anyway. If she says yes, he can break it off with Lily. If she says no, well, there's always Lily.

When his engagement to Alexandrina is known or made known, it upsets a lot of people. (Including BERNARD and JOHNNY and the SQUIRE.) Lily is not without friends and family. She is beloved by all because she is an absolute angel of a girl. And like an angel, Lily, when she hears of his inconstancy, decides to forgive him wholeheartedly. She doesn't feel angry, lied to, betrayed. He is simply doing what will make him happy. And isn't his happiness more important than her own?! As long as he is being true to himself isn't that all that matters?! No. She loves, loves, loves him still. He is the husband of her heart; the vows may never have been spoken in church but she's keeping them all the same.

Meanwhile, life goes on. Bell is being courted by a local doctor...will she say yes?! Lily certainly hopes so! Johnny is moving up in the world and making new friends. But some of his old friends and acquaintances are getting into messes. (For that matter he gets into a few messes of his own.) Crosbie finds himself not moving up in the world but taking a few steps back. He wanted his marriage to bring him up and take him places...but it's having the opposite effect. (Do we pity him?! NO. This reader does not.)

This novel also--for whatever reason--introduces Plantagenet Palliser. I love him but he doesn't quite seem to belong in this novel.

My thoughts: I love Anthony Trollope. I do. He's a great author. He doesn't always stay "on task" in his writing. He rambles a bit. He has dozens of characters and perhaps not all of them "matter" in a particular novel. But his characters tend to be fully fleshed. He's peopled a community--a village or two--in this series. There are some characters that you want to boo, hiss. But other characters you absolutely want to spend time with because they are your friends.

Quotes:
  • I would have women, and men also, young as long as they can be young. It is not that a woman should call herself in years younger than her father’s family Bible will have her to be. Let her who is forty call herself forty; but if she can be young in spirit at forty, let her show that she is so.
  • “Ten minutes before the time named; and, of course, you must have understood that I meant thirty minutes after it!” That is my interpretation of the words when I am thanked for coming early.
  • Such were his resolutions, and, as he thought of them in bed, he came to the conclusion that few men were less selfish than he was.
  • It is very hard, that necessity of listening to a man who says nothing.
  • When last days are coming, they should be allowed to come and to glide away without special notice or mention. And as for last moments, there should be none such.
  • I have almost more to think of than I know how to manage.
  •  Nothing on earth can I ever love as I have loved you. But I have a God and a Saviour that will be enough for me.
  • I enjoy a snooze after dinner; I do indeed; I like it; but then, when one comes to go to bed, one does it in such a sneaking sort of way, as though one were in disgrace!
  • And my sister, she thinks it a crime — literally a sin, to go to sleep in a chair. Nobody ever caught her napping!
  • There are deeds which will not bear a gloss, — sins as to which the perpetrator cannot speak otherwise than as a reptile; circumstances which change a man and put upon him the worthlessness of vermin.
  • “What are we to do to him?” said Bernard, after a while. “Treat him as you would a rat. Throw your stick at him, if he comes under your feet; but beware, above all things, that he does not get into your house. That is too late for us now.” “There must be more than that, uncle.”
  • A self-imposed trouble will not allow itself to be banished.
  • Love does not follow worth, and is not given to excellence; — nor is it destroyed by ill-usage, nor killed by blows and mutilation.
  • “I don’t know that any good would be got by knocking him over the head. And if we are to be Christians, I suppose we ought to be Christians.” “What sort of a Christian has he been?” “That’s true enough; and if I was Bernard, I should be very apt to forget my Bible lessons about meekness.”
  • There are some things for which a man ought to be beaten black and blue.” “So that he shouldn’t do them again?” “Exactly.”
  •  My belief is that in life people will take you very much at your own reckoning.
  • No one thinks of defending himself to a newspaper except an ass; — unless it be some fellow who wants to have his name puffed.
  • “It was a matter of course,” said Bell. “It always is right in the novels. That’s why I don’t like them. They are too sweet.” “That’s why I do like them, because they are so sweet. A sermon is not to tell you what you are, but what you ought to be, and a novel should tell you not what you are to get, but what you’d like to get.”      
  • But if we are to have real life, let it be real.
  • The speech was respectable, dull, and correct. Men listened to it, or sat with their hats over their eyes, asleep, pretending to do so;
  • “There are circumstances in which what we call Christianity seems to me to be hardly possible.”
  • “All the books have got to be so stupid! I think I’ll read Pilgrim’s Progress again.” “What do you say to Robinson Crusoe?” said Bell. “Or Paul and Virginia?” said Lily. “But I believe I’ll have Pilgrim’s Progress. I never can understand it, but I rather think that makes it nicer.” “I hate books I can’t understand,” said Bell. “I like a book to be clear as running water, so that the whole meaning may be seen at once.” “The quick seeing of the meaning must depend a little on the reader, must it not?” said Mrs Dale. “The reader mustn’t be a fool, of course,” said Bell. “But then so many readers are fools,” said Lily. “And yet they get something out of their reading.
  • All holiday-making is hard work, but holiday-making with nothing to do is the hardest work of all.
  • Who does not know how terrible are those preparations for house-moving; — how infinite in number are the articles which must be packed, how inexpressibly uncomfortable is the period of packing, and how poor and tawdry is the aspect of one’s belongings while they are thus in a state of dislocation? 
  • To have loved truly, even though you shall have loved in vain, will be a consolation when you are as old as I am.
  • Statistics, he thought, might be made as enchanting as ever, if only they could be mingled with love.
  • Ah! how I hate the smile of a woman who smiles by rote! It made Mr Palliser feel very uncomfortable, — but he did not analyse it, and persevered.           



© 2018 Becky Laney of Becky's Book Reviews

Friday, June 08, 2012

The Light Princess

The Light Princess. George MacDonald. 1864. 110 pages.
Once upon a time, so long ago that I have quite forgotten the date, there lived a king and queen who had no children. And the king said to himself, "All the queens of my acquaintance have children, some three, some seven, and some as many as twelve; and my queen has not one. I feel ill-used." So he made up his mind to be cross with his wife about it. But she bore it all like a good patient queen as she was. Then the king grew very cross indeed. But the queen pretended to take it all as a joke, and a very good one too.
"Why don't you have any daughters, at least?" said he. "I don't say sons; that might be too much to expect." 
"I am sure, dear king, I am very sorry," said the queen.
"So you ought to be," retorted the king; "you are not going to make a virtue of that, surely."
But he was not an ill-tempered king, and in any matter of less moment would have let the queen have her own way with all his heart. This, however, was an affair of state. The queen smiled. 
"You must have patience with a lady, you know, dear king," said she.
She was, indeed, a very nice queen, and heartily sorry that she could not oblige the king immediately. (1-2)
While this isn't technically my first completed read for A Literary Odyssey's Victorian Celebration, it is my first completed read by a Victorian author. George MacDonald's The Light Princess is a true must read. For anyone of any age who loves a good story. It reads like a fairy tale. It has all the elements that we've come to associate with fairy tales: a king and queen that struggle to have a child, the birth of a beautiful baby, a christening that does NOT go as planned, a "curse" upon an innocent baby, etc. And that's just the beginning.

This is the second time I've read this short novel. And I think it's a book that begs to be reread again and again because once in a lifetime could never be enough.

The Light Princess is such a DELIGHTFUL book. It seems obvious in a way to call it delightful and charming and oh-so-magical. But it's true. There are no other words that could do it justice. It's the story of what happens when this childless king and queen have a baby girl of their own. It's the story of what happens when one of the princesses (who is also a witch) is NOT invited to the christening.

The king tried to have patience, but he succeeded very badly. It was more than he deserved, therefore, when, at last, the queen gave him a daughter--as lovely a little princess as ever cried.
The day drew near when the infant must be christened. The king wrote all the invitations with his own hand. Of course somebody was forgotten.
Now it does not generally matter if somebody is forgotten, only you must mind who. Unfortunately, the king forgot without intending to forget; and so the chance fell upon the Princess Makemnoit, which was awkward. For the princess was the king's own sister; and he ought not to have forgotten her. But she had made herself so disagreeable to the old king, their father, that he had forgotten her in making his will; and so it was no wonder that her brother forgot her in writing his invitations. But poor relations don't do anything to keep you in mind of them. Why don't they? The king could not see into the garret she lived in, could he?
She was a sour, spiteful creature. The wrinkles of contempt crossed the wrinkles of peevishness, and made her face as full of wrinkles as a pat of butter. If ever a king could be justified in forgetting anybody, this king was justified in forgetting his sister, even at a christening. She looked very odd, too. Her forehead was as large as all the rest of her face, and projected over it like a precipice. When she was angry, her little eyes flashed blue. When she hated anybody, they shone yellow and green. What they looked like when she loved anybody, I do not know; for I never heard of her loving anybody but herself, and I do not think she could have managed that if she had not somehow got used to herself. But what made it highly imprudent in the king to forget her was--that she was awfully clever. In fact, she was a witch; and when she bewitched anybody, he very soon had enough of it; for she beat all the wicked fairies in wickedness, and all the clever ones in cleverness. (3-5)
Of course, the uninvited guest comes, and of course they bring an unwelcome gift. In this case, the princess-witch deprived the baby of gravity. So from the day of the christening on, she floated. The king and queen tried to find some positive aspects to it, but, really what could they do when their apologies failed? Just go on loving their daughter as she was with all their hearts.

But their daughter was different in another way too. She had no gravity in matters of the heart and mind too. She could not take anything seriously. Her reaction to life--to all of life--was laughter. Which is just as serious a curse as the other, in my opinion. For there was an emptiness in all her emotions, her actions.

The Light Princess is the story of what happens when she meets a prince. Will the young woman incapable of falling, be capable of falling in love?

I loved the young man who comes to the kingdom and befriends the princess. I love his conversations with the princess. And I do love seeing the big transformation at the end. It's quite magical.

I just LOVE, LOVE, LOVE this book!

Read The Light Princess
  • If you love fairy tales, 
  • If you love children's fantasy
  • If you love good storytelling
  • If you love 'light' romance
  • If you love happy endings

© 2012 Becky Laney of Becky's Book Reviews

Thursday, July 21, 2011

The Light Princess

The Light Princess. George MacDonald. 1864. 110 pages.

Once upon a time, so long ago that I have quite forgotten the date, there lived a king and queen who had no children. And the king said to himself, "All the queens of my acquaintance have children, some three, some seven, and some as many as twelve; and my queen has not one. I feel ill-used." So he made up his mind to be cross with his wife about it. But she bore it all like a good patient queen as she was. Then the king grew very cross indeed. But the queen pretended to take it all as a joke, and a very good one too.
"Why don't you have any daughters, at least?" said he. "I don't say sons; that might be too much to expect." 
"I am sure, dear king, I am very sorry," said the queen.
"So you ought to be," retorted the king; "you are not going to make a virtue of that, surely."
But he was not an ill-tempered king, and in any matter of less moment would have let the queen have her own way with all his heart. This, however, was an affair of state. The queen smiled. 
"You must have patience with a lady, you know, dear king," said she.
She was, indeed, a very nice queen, and heartily sorry that she could not oblige the king immediately. (1-2)

The Light Princess is such a DELIGHTFUL book. It seems obvious in a way to call it delightful and charming and oh-so-magical. But it's true. There are no other words that could do it justice. It's the story of what happens when this childless king and queen have a baby girl of their own. It's the story of what happens when one of the princesses (who is also a witch) is NOT invited to the christening.
The king tried to have patience, but he succeeded very badly. It was more than he deserved, therefore, when, at last, the queen gave him a daughter--as lovely a little princess as ever cried.
The day drew near when the infant must be christened. The king wrote all the invitations with his own hand. Of course somebody was forgotten.
Now it does not generally matter if somebody is forgotten, only you must mind who. Unfortunately, the king forgot without intending to forget; and so the chance fell upon the Princess Makemnoit, which was awkward. For the princess was the king's own sister; and he ought not to have forgotten her. But she had made herself so disagreeable to the old king, their father, that he had forgotten her in making his will; and so it was no wonder that her brother forgot her in writing his invitations. But poor relations don't do anything to keep you in mind of them. Why don't they? The king could not see into the garret she lived in, could he?
She was a sour, spiteful creature. The wrinkles of contempt crossed the wrinkles of peevishness, and made her face as full of wrinkles as a pat of butter. If ever a king could be justified in forgetting anybody, this king was justified in forgetting his sister, even at a christening. She looked very odd, too. Her forehead was as large as all the rest of her face, and projected over it like a precipice. When she was angry, her little eyes flashed blue. When she hated anybody, they shone yellow and green. What they looked like when she loved anybody, I do not know; for I never heard of her loving anybody but herself, and I do not think she could have managed that if she had not somehow got used to herself. But what made it highly imprudent in the king to forget her was--that she was awfully clever. In fact, she was a witch; and when she bewitched anybody, he very soon had enough of it; for she beat all the wicked fairies in wickedness, and all the clever ones in cleverness. (3-5)
Of course, the uninvited guest comes, and of course they bring an unwelcome gift. In this case, the princess-witch deprived the baby of gravity. So from the day of the christening on, she floated. The king and queen tried to find some positive aspects to it, but, really what could they do when their apologies failed? Just go on loving their daughter as she was with all their hearts.

But their daughter was different in another way too. She had no gravity in matters of the heart and mind too. She could not take anything seriously. Her reaction to life--to all of life--was laughter. Which is just as serious a curse as the other, in my opinion. For there was an emptiness in all her emotions, her actions.

The Light Princess is the story of what happens when she meets a prince. Will the young woman incapable of falling, be capable of falling in love?

I loved this one. I really loved it. It was charming, delightful, and witty. I loved the writing. Some of the descriptions just had me at hello. Like this one, "The wrinkles of contempt crossed the wrinkles of peevishness, and made her face as full of wrinkles as a pat of butter." To any reader who likes fairy tales, this one is a must!!! It's a beautiful, sweet story. And it's such a quick read. You can easily read it in one sitting.


© 2011 Becky Laney of Becky's Book Reviews

Thursday, March 10, 2011

Small House At Allington

The Small House at Allington. Anthony Trollope. 1864. 752 pages.

Of course there was a Great House at Allington. How otherwise should there have been a Small House? Our story will, as its name imports, have its closest relations with those who lived in the less dignified domicile of the two; but it will have close relations also with the more dignified, and it may be well that I should, in the first instance, say a few words as to the Great House and its owner. 

The Small House at Allington is the fifth in the Chronicles of Barsetshire series by Anthony Trollope, my favorite bearded Victorian. It follows The Warden, Barchester Towers, Doctor Thorne, and Framley Parsonage. Did I love it? Yes! I just LOVED it. After my less than enthusiastic reading of Framley Parsonage, I was needing this one to be incredible, and it was! From start to finish, it was love--true love.

The Dales are the stars of this one. We're primarily focused on the two Dale sisters, Lily and Bell, and the men who for better or worse fall in love with them, John Eames, Adolphus Crosbie, Bernard Dale (cousin), and Dr. Crofts. Bernard brings his new acquaintance, Adolphus Crosbie, home one autumn, which changes their lives forever. Soon he's declared himself truly, madly, deeply in love with the young practically penniless girl, Lily. She's his soul mate and nothing will keep them apart. But is he worthy of her love? her respect? Or is he good for nothing? John Eames is also in love with Lily. Though he's never professed it privately or publicly. His love for her is sure and steady. If only she would see him as more than a friend...

As for Bell, there are two men who would have her for a wife. Bernard, her cousin, who has only recently discovered that his feelings are so in line with his uncle's wishes. If she says yes, they'll inherit nicely. But despite the promise of monetary gain, I do believe that Bernard is sincere in his devotion to Bell. Her other would-be suitor is Dr. Crofts, Trollope spends less time (at least as far as I can remember) with him, but Bell, unlike readers, is able to know him much better...

I loved this one. I loved the characters, the storytelling, the writing. It was charming. It was satisfying. It was entertaining. It was just a great, great read! There were characters that I just loved and adored. And there were characters that I loved to hate!
If the question was ever asked plainly, Bernard Dale had asked it plainly. Shall we be man and wife? Few men, I fancy, dare to put it all at once in so abrupt a way, and yet I do not know that the English language affords any better terms for the question. (75)

'Don't you like the moon?' she said, as she took his arm, to which she was now so accustomed that she hardly thought of it as she took it.
'Like the moon--well; I fancy I like the sun better. I don't quite believe in moonlight. I think it does best to talk about when one wants to be sentimental.'
'Ah; that is just what I fear. That is what I say to Bell when I tell her that her romance will fade as the roses do. And then I shall have to learn that prose is more serviceable than poetry, and that the mind is better than love. It's all coming, I know; and yet I do like the moonlight.'
'And the poetry--and the love?'
'Yes. The poetry much, and the love more. To be loved by you is sweeter even than any of my dreams--is better than all the poetry I have read.'
'Dearest Lily,' and his unchecked arm stole round her waist.
'It is the meaning of the moonlight, and the essence of the poetry,' continued the impassioned girl. 'I did not know then why I liked such things, but now I know. It was because I longed to be loved.'
'And to love.'
'Oh, yes. I would be nothing without that. But that, you know, is your delight--or should be. The other is mine. And yet it is a delight to love you; to know that I may love you.'
'You mean that this is the realization of your romance.'
'Yes; but it must not be the end of it, Adolphus. You must like the soft twilight, and the long evenings when we shall be alone; and you must read to me the books I love, and you must not teach me to think that the world is hard, and dry, and cruel--not yet. I tell Bell so very often; but you must not say so to me.'
'It shall not be dry and cruel, if I can prevent it.'
'You understand what I mean, dearest. I will not think it dry and cruel, even though sorrow should come upon us, if you--I think you know what I mean.'
'If I am good to you.'
'I am not afraid of that--I am not the least afraid of that. You do not think that I could ever distrust you? But you must not be ashamed to look at the moonlight, and to read poetry, and to--'
'To talk nonsense, you mean.'
But as he said it, he pressed her closer to his side, and his tone was pleasant to her.
'I suppose I'm talking nonsense now?' she said pouting. 'You liked me better when I was talking about the pigs, didn't you?'
'No; I like you best now.' (87-8)


'We all try, my dear, but many of us fail to try with sufficient energy of purpose. It is only by doing our duty that we can hope to be happy, whether in single life or in married.' (119)

We constantly talk of the thoughtlessness of youth. I do not know whether we might not more appropriately speak of its thoughtfulness. It is, however, no doubt, true that thought will not at once produce wisdom. It may almost be a question whether such wisdom as many of us have in our mature years has not come from the dying out of the power of temptation, rather than as the results of thought and resolution. (133)

Love does not follow worth, and is not given to excellence;--nor is it destroyed by ill-usage, nor killed by blows and mutilation. (306)

A sermon is not to tell you what you are, but what you ought to be, and a novel should tell you not what you are to get, but what you'd like to get. (422)

'I hate books I can't understand,' said Bell. 'I like a book to be clear as running water, so that the whole meaning may be seen at once.'
'The quick seeing of the meaning must depend a little on the reader, must it not?' said Mrs. Dale.
'The reader mustn't be a fool, of course,' said Bell.
'But then so many readers are fools,' said Lily. 'And yet they get something out of their reading.' (445)




© 2011 Becky Laney of Becky's Book Reviews

Saturday, February 19, 2011

Our Mutual Friend

Our Mutual Friend. Charles Dickens. 1864/1865. 880 pages.

First sentence: In these times of ours, though concerning the exact year there is no need to be precise, a boat of dirty and disreputable appearance, with two figures in it, floated on the Thames, between Southwark Bridge which is of iron, and London Bridge which is of stone, as an autumn evening was closing in.

Oh how I loved Our Mutual Friend! I just loved, loved, loved it! I think reading Bleak House last fall helped prepare me to love it. Because it gave me a good taste for Dickens' style, his narrative techniques, his characterization. It showed me that all would be worth it in the end. Did I struggle with Our Mutual Friend? No. Not like I did with Bleak House. I happened to be in just the right mood, perhaps. But I found nothing dull, nothing lifeless about Our Mutual Friend. Nothing lifeless but the dead corpse discovered in chapter one that is!

How does one begin to describe a novel that is 800 pages long?! A novel that doesn't have one or two main characters--but many. A novel that doesn't have one or two main stories--but many. If you're not familiar with Charles Dickens, you should know that he has his own way of storytelling. His stories and characters unfold slowly but surely. Don't expect to meet all the main characters in the first hundred pages. Or even the first two hundred pages. Dickens won't be rushed. This is something that I have come to appreciate--though other readers may struggle with his pacing. I found it delightful; something to be savored.

Since I have to start somewhere, perhaps I should start with the corpse. Lizzie Hexam and her father, Jesse "Gaffer" Hexam discover a dead body during their night's work on the Thames. Her father's former business partner, Roger Riderhood, witnesses this discovery and later has some unflattering stories to spread to any willing to listen. (Stories that threaten Lizzie Hexam and her brother, Charley.) The body was soon identified as John Harmon--there were clothes and papers identifying him, I think. His death brings changes to several households. For his intended, Miss Bella Wilfer, it ushers in pitifully insincere mourning. She mourns--but for the riches she would have had if they'd married and he'd inherited his father's estate. But the household that changes the most is that of the Boffins. For Mr. and Mrs. Boffin will inherit the Harmon estate now that the heir is dead. Will money prove friend or foe to this lovely couple? One thing we learn early on, is that Mr. Boffin has a heart of gold--for he opens his heart and home to Miss Bella Wilfer. He also hires two men--two very different men--after he comes into his money: Silas Wegg, a man he hired to read to him, and John Rokesmith, a man he hired as his secretary. Is either man who he appears to be?

What did I love best about this one? The characters? I loved Bella Wilfer, John Rokesmith, Mr. and Mrs. Boffin, Melvin Tremlow, Jenny Wren, Mr. Riah, and Lizzie Hexam. And there were characters that I didn't exactly love--they weren't that lovable, after all--but their scenes were enjoyable nevertheless. The Podsnaps. The Veneerings. The Lammles. The Wilfers. Mr. Fledgeby. Mr. Lightwood and Mr. Wrayburn. Some characters added drama; some characters added humor!

This is what I said in my Bleak House review, but it proves equally true in the case of Our Mutual Friend:
Dickens did a great job with his characters. You'll find characters that you'll absolutely love and adore. You'll find characters that are so enjoyable, so fun, to spend time with. You'll find characters that make you laugh--or at least smirk. You might find a few characters that you love to hate, or hate to love. You'll find characters that are just so despicable, so nasty, so horrid that you hate them--with a passion. There might even be a few that drive you crazy! But I hope that you'll find a few characters that genuinely surprise you! I know a few surprised me! There are so many characters. Some are very important to the plot. Others are very minor. But just because they're minor doesn't mean they're pointless.
I loved the romances of Bella and Lizzie. The scenes with Bella and her true love made me giddy! And while Lizzie's scenes were a different nature--a bit more melancholy--they were so heartfelt. But it isn't just a romance. There is action, drama, mystery. There are secrets and lies and malicious plotting.

I loved this one. I loved the writing, the descriptions, the characterizations, the storytelling. It's a great, great book.
"Never was an obstinate person yet, who would own to the word!" remarked Miss Potterson, rubbing her vexed nose; "I'm sure I would if I was obstinate; but I am a pepperer, which is different." (74)
"No one is useless in this world," retorted the Secretary, "who lightens the burden of it for any one else."
"But I assure you I don't, Mr. Rokesmith," said Bella, half-crying.
"Not for your father?"
"Dear, loving, self-forgetting, easily-satisfied Pa! Oh, yes! He thinks so."
"It is enough if he only thinks so," said the Secretary. (511-12)
© 2011 Becky Laney of Becky's Book Reviews