Showing posts with label 2020 classicscommunity. Show all posts
Showing posts with label 2020 classicscommunity. Show all posts

Thursday, June 18, 2020

87. The History of Henry Esmond, Esq

The History of Henry Esmond, Esq. A Colonel in the Service of Her Majesty Queen Anne. William Makepeace Thackery. 1852. 528 pages. [Source: Bought] [dull books; classic; Victorian literature]

First sentence: When Francis, fourth Viscount Castlewood, came to his title, and presently after to take possession of his house of Castlewood, county Hants, in the year 1691, almost the only tenant of the place besides the domestics was a lad of twelve years of age, of whom no one seemed to take any note until my Lady Viscountess lighted upon him, going over the house with the housekeeper on the day of her arrival.


Premise/plot: Henry Esmond is an orphan being raised by his distant cousins, Francis and Rachel Esmond. He is brought up with their two children Beatrix and Frank. He is in that awkward space between servant and adopted son. The moods of this couple vary greatly. He is either greatly beloved or scorned and rejected. For example, when the plague comes--I believe it is the plague--he is REJECTED because he's blamed for the family's exposure to it. The couple's relationship is never quite the same after that--the plague--and the happy marriage becomes miserable. Of course, Henry is to blame. But the two are determined to see him educated--and at Cambridge University. While their moods are completely volatile and unreliable, Henry feels only love, loyalty, and gratitude. Perhaps to the point of being ridiculous?

(Henry comes from a long line of Stuart-supporters and Stuart-defenders. In fact, I believe, his father and grandfather both died in battle because of their allegiance.) 

So when Henry isn't being a soldier--he's a Colonel by the end of the book--he's madly, truly, deeply in love with the unattainable, cold-hearted Beatrix. That is until he isn't. Who's the love of his life? Well, in a surprise twist that comes on the last page or second to last page, it's revealed he marries his FOSTER MOTHER. (Never mind that he's spent probably ten to twelve years at least thinking of her as HIS MOTHER.)

My thoughts: I don't know what's worse being bored to death with all the war talk (though, the fact that he had encounters with famous men of the time like Richard Steele and Jonathan Swift, and others, etc. was slightly interesting) OR being grossed out by the fact that he falls in love with his mother. Yes, she's not technically his mother--biologically. But she is his foster mother, adopted mother, recognized guardian.

Quotes:
  • 'Tis not the dying for a faith that's so hard, Master Harry—every man of every nation has done that—'tis the living up to it that is difficult, as I know to my cost," he added with a sigh.
  • To see a young couple loving each other is no wonder; but to see an old couple loving each other is the best sight of all.
  • 'Tis a hard task for women in life, that mask which the world bids them wear. But there is no greater crime than for a woman who is ill used and unhappy to show that she is so.
  • "I never had a mother, but I love this lady as one. I worship her as a devotee worships a saint. To hear her name spoken lightly seems blasphemy to me. Would you dare think of your own mother so, or suffer any one so to speak of her? It is a horror to me to fancy that any man should think of her impurely. I implore you, I beseech you, to leave her. Danger will come out of it."
  •  "Yes, I did, Harry," said she; "I thought of it; and think of it. I would sooner call you my son than the greatest prince in Europe—yes, than the greatest prince. For who is there so good and so brave, and who would love her as you would? But there are reasons a mother can't tell."
  • "I am your mother, you are my son, and I love you always," she said, holding her hands over him: and he went away comforted and humbled in mind, as he thought of that amazing and constant love and tenderness with which this sweet lady ever blessed and pursued him.
  • I suppose a man's vanity is stronger than any other passion in him;
  • Parting and forgetting! What faithful heart can do these? Our great thoughts, our great affections, the Truths of our life, never leave us.
     

© 2020 Becky Laney of Becky's Book Reviews

Friday, May 01, 2020

62. The Martian Chronicles

Martian Chronicles. Ray Bradbury. HarperCollins. 1958/2006 edition. 268 pages. [Source: Library] [science fiction; short stories; classic]

One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs, along the icy streets.
And then a long wave of warmth crossed the small town. A flooding sea of hart air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.
Rocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground. Rocket summer. People leaned from their dripping porches and watched the reddening sky. (1)
I LOVE, LOVE, LOVE Ray Bradbury's The Martian Chronicles. This is the second or third time (probably fourth) I've read this one. And each time I read it, I end up loving it even more. It's like each time I'm surprised by how much I love it. Like in between readings I forget how engaging and compelling it is. I settle into thinking that it was just me exaggerating things (again). That it couldn't possibly be that good. But no. It is that good.

The edition I read this time had twenty-seven stories; some of these 'stories' are just vignettes, or short preludes, transition pieces of a paragraph or two. But many are full-length stories. There are some great stories in this one.
  • January 2030 Rocket Summer
  • February 2030 Ylla
  • August 2030 The Summer Night
  • August 2030 The Earth Men
  • March 2031 The Taxpayer
  • April 2031 The Third Expedition
  • June 2032 --And the Moon Be Still as Bright
  • August 2032 The Settlers
  • December 2032 The Green Morning
  • February 2033 The Locusts
  • August 2033 Night Meeting
  • October 2033 The Shore
  • November 2033 The Fire Balloons
  • February 2034 Interim
  • April 2034 The Musicians
  • May 2034 The Wilderness
  • 2035-2036 The Naming of Names
  • April 2036 Usher II
  • August 2030 The Old Ones
  • September 2036 The Martian
  • November 2036 The Luggage Store
  • November 2036 The Off Season
  • November 2036 The Watchers
  • December 2036 The Silent Towns
  • April 2057 The Long Years
  • August 2057 There Will Come Soft Rains
  • October 2057 The Million Year Picnic
1950 edition of The Martian Chronicles
I wasn't aware that there were different editions of this one, and that the stories could vary depending on the edition. Also the dates have been modified (by thirty years) in some editions, like the edition I read this time around. The very, very newest edition has the original dates, 1999-2026. This newest edition does not have "The Fire Balloons." Also, instead of "The Wilderness" it has "Way in the Middle of the Air."

My thoughts on individual stories, and, first sentences from the stories

"Ylla"
They had a house of crystal pillars on the planet Mars by the edge of an empty sea, and every morning you could see Mrs. K eating the golden fruits that grew from the crystal walls, or cleaning the house with handfuls of magnetic dust which, taking all dirt with it, blew away on the hot wind.
A story told solely from the perspective of the Martians, in this case, a husband and wife. A husband has a very definite reaction to his wife's strange dreams. She dreams of a man, Nathaniel York, coming in a ship, in a rocket, and landing. The dream even tells her where and when. But her controlling and perhaps jealous husband has a way of dealing--for once and for all--with his wife's dreams.

"The Earth Men"
Whoever was knocking at the door didn't want to stop. Mrs. Ttt threw the door open. "Well?"
The story of the second expedition. Let's just say that the welcoming committee wasn't quite what they expected! First, NO ONE wanted to bother with them, then they were greeted by a strange assortment of Martians all claiming to be from Earth. And then....well, that wouldn't be polite of me to spoil it!


"The Third Expedition" (aka Mars is Heaven)
The ship came down from space. It came from the stars and the black velocities, and the shining movements, and the silent gulfs of space. It was a new ship; it had fire in its body and men in its metal cells, and it moved with a clean silence, fiery and warm. In it were seventeen men, including a captain. 
This one is a classic short story that you may have stumbled across in another context from The Martian Chronicles. (I've heard two radio adaptations, for example.) And the title is self-explanatory. It is the story of what happens when the third expedition lands. It is the story of what they see and  WHO they see. It is a story that stretches you, perhaps. But it's a good one!

"--And the Moon Be Still As Bright"
It was so cold when they first came from the rocket into the night that Spender began to gather the dry Martian wood and build a small fire. He didn't say anything about a celebration; he merely gathered the wood, set fire to it, and watched it burn.
And now we're on to the fourth expedition, the fourth rocket ship to successfully land on Mars. This time they manage to stay alive past the initial day or two or three. This is the story of what happens when one of the crew members, Spender, goes off on his own to learn the Martian culture, to explore the ruins, to explore the cities, to examine the artifacts and remnants of a culture that is gone with the wind. What happens next...well....there are a million reasons why readers shouldn't sympathize with Spender, but, like Captain Wilder, they may feel the pull all the same.

"The Settlers"
The men of Earth came to Mars. They came because they were afraid or unafraid, because they were happy or unhappy, because they felt like Pilgrims or did not feel like Pilgrims. There was a reason for each man. They were leaving bad wives or bad jobs or bad towns; they were coming to find something or leave something or get something, to dig up something or bury something or leave something alone. They were coming with small dreams or large dreams or none at all.
One of my favorite vignettes. For some reason it reminds me of John Steinbeck.

"Night Meeting"
Before going on up into the blue hills, Tomas Gomez stopped for gasoline at the lonely station.
There is something haunting and fantastical about this short story of a human and Martian meeting and not exactly seeing the same reality.

"The Fire Balloons"
Fire exploded over summer night lawns. 
 I first read "The Fire Balloons" in another collection of Ray Bradbury stories. I didn't, at the time, see it as being part of The Martian Chronicles. (And, in fact, it wasn't part of the edition I first read.) But now it is one of my favorite stories! In it two priests go to Mars as missionaries. One at least was expecting, was hoping, to meet Martians, to actually BE a missionary TO Martians, to an alien species. So when given the opportunity of going out into the hills and trying to communicate with blue balloon-like hovering creatures OR ministering to humans who have migrated to Mars, the answer is clear to Father Peregrine. But do the Martians need his church? This story has one of my favorite quotes:
"Father Peregrine, won't you ever be serious?"
"Not until the good Lord is. Oh, don't look so terribly shocked, please. The Lord is not serious. In fact, it is a little hard to know just what else He is except loving. And love has to do with humor, doesn't it? For you cannot love someone unless you put up with him, can you? And you cannot put up with someone constantly unless you can laugh at him. Isn't that true? And certainly we are ridiculous little animals wallowing in the fudge bowl, and God must love us all the more because we appeal to His humor."
 "The Wilderness"
Oh, the Good Time has come at last--
It was twilight and Janice and Leonora packed steadily in their summer house, singing songs, eating little, and holding to each other when necessary. But they never glanced at the window where the night gathered deep and the stars came out bright and cold.
This is another story that I ended up loving. And it was new-to-me too, it not being part of the original. But in this story we meet two women who are about to travel to Mars to get married and settle down. (The men having gone first.) The story likens exploring and settling Mars to exploring and settling the Old West (places like Wyoming, California, Oregon, etc.) It is about how the two handle their last night on Earth.
Is this how it was over a century ago, she wondered, when the women, the night before, lay ready for sleep, or not ready, in the small towns of the East, and heard the sound of horses in the night and the creak of the Conestoga wagons ready to go, and the brooding of oxen under the trees, and the cry of children already lonely before their time?...Is this then how it was so long ago? On the rim of the precipice, on the edge of the cliff of stars. In their time the smell of buffalo, and in our time the smell of the Rocket. Is then then how it was? And she decided, as sleep assumed the dreaming for her, that yes, yes indeed, very much so, irrevocably, this was as it had always been and would forever continue to be. 
"Usher II" (aka Carnival of Madness)
"During the whole of a dull, dark and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher..." Mr. William Stendahl paused in his quotation. There, upon a low black hill, stood the house, its cornerstone bearing the inscription: 2036 A.D.
I remembered this as being one of the stories in A PLEASURE TO BURN, a Ray Bradbury collection celebrating the creative stories leading up to the writing/publishing of Fahrenheit 451. And it was first published as "Carnival of Madness." But it was also part of Ray Bradbury's book, The Martian Chronicles. And it is perhaps one of the most memorable of the collection. It is a true must read for anyone who loves Fahrenheit 451, for it continues on some of the same themes. I don't want to say too much about it really, because it shouldn't be spoiled at all if you want to get the full enjoyment of it!

"The Martian"
The blue mountains lifted into the rain and the rain fell down into the long canals and old LaFarge and his wife came out of their house to watch. 
An elderly couple have come to Mars and one night they are surprised by the appearance of their "son" (who died and was buried back on Earth). Their "son" doesn't want to leave the house, and is enjoying his family too much to risk getting "trapped" by going into the city and interacting with others. This story is creepy.

"The Luggage Store," "The Off Season," "The Watchers," "The Silent Towns," "The Long Years," "There Will Come Soft Rains," and "The Million Year Picnic."

These stories, I feel, work best as a sequence showing what happens both on Earth and Mars when the worst happens--atomic war on Earth. In "The Luggage Store," one speculates that his business will improve greatly if the war happens, if the worst happens. He feels that everyone will want to go back home to Earth to be with their loved ones, to find out if their loved ones are okay, to try to piece their society and civilization back together. In "The Off Season" readers learn that the war has started and the destruction has begun. There is nothing truly comical about it, but, it does happen to be told from the point of view of a man who has just opened a hot dog stand. "The Watchers" shows the people leaving Mars to return to Earth--for better or worse. "The Silent Towns" and "The Long Years" are two stories set on Mars. The first, "The Silent Towns" is told from the point of view of a man who chose to stay behind. He's lonely, but not THAT lonely it turns out. He does meet one woman who stayed behind, but, he decides that his own company is enough after all. "The Long Years" sees the return of Captain Wilder, I believe, who discovers a man and his family. There is a twist, however, which prevents this one from being a happy story. "There Will Come Soft Rains" is a very, very, very lonely story where we get a glimpse--just a small glimpse perhaps--of the desolation and destruction of life as we know it in at least one human city. We see the ending of an era, perhaps. There are no human characters in this one. "The Million Year Picnic" resonates even more when seen back-to-back with "There Will Come Soft Rains." In this story, readers meet a family: parents and sons who have come to Mars on their own private Rocket--a rocket that has been hidden away for many years, a rocket that has been saved for a true emergency. We meet a father who has prepared for THE END in a big, big way.

Read The Martian Chronicles
  • If you love science fiction
  • If you like science fiction
  • If you enjoy short stories; if you don't enjoy short stories
  • If you are a fan of Ray Bradbury
  • If you are a fan of the Twilight Zone


© 2020 Becky Laney of Becky's Book Reviews

Monday, April 27, 2020

60. Howard's End

Howard's End. E.M. Forster. 1910. 246 pages. [Source: Bought] [classic; adult fiction]

First sentence: One may as well begin with Helen’s letters to her sister.

Premise/plot: Howard’s End concerns the Schlegel sisters Margaret and Helen. The novel opens with Helen falling in and out of love with Paul Wilcox at Howard’s End on holiday. She was invited by the Wilcoxes—both sisters had met the Wilcox family at a European hotel previously. In the upcoming years these two families keep colliding.... Margaret becomes friends with Mrs. (Ruth) Wilcox. Mrs. Wilcox even pencils in a dying request: Howard’s End should be left to Margaret. It seems Ruth feels her to be a spiritual heir. This doesn’t come about...not as she planned anyway. But Henry Wilcox (the father) does end up years later marrying Margaret. But will the two suit since they are so very different.

Helen meanwhile adopts Leonard Bast—a grown man with a wife and job—as an ongoing charity project. She feels certain that with her constant meddling and kind advice his life might be worth living after all. But is her help his making or breaking?!

My thoughts: I can’t say that I loved any of the characters wholeheartedly. I am not sure any comes about as believable humans. Each seems to be a Symbol or Ideal for an abstract idea or philosophy. I wanted actual human beings. Though I will say this there are plenty of flaws imbedded in all.

Quotes

The truth is that there is a great outer life that you and I have never touched—a life in which telegrams and anger count. (20)


It will be generally admitted that Beethoven’s Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man. (23)


I do know when I like a thing and when I don’t. (29)


Discussion keeps a house alive. It cannot stand by bricks and mortar alone. (60)


How many of these vacillating shoppers and tired shop assistants realized that it was a divine event that drew them together? (63)


Has the soul offspring? (77)


Actual life is full of false clues and sign posts that lead nowhere. (83)


I quite expect to end my life caring most for a place. (102)


It is odd and sad that our minds should be such seedbeds, and we without power to choose the seed. (219)
I did watch a Masterpiece Theatre adaptation of Howard's End. I found it to be similar to the book in many, many ways. In truth, I watched the movie first. I felt *surely* the movie would have some condensing and that the book would plump up the movie. That the characters would be fuller, deeper, richer. That one could draw more insights about their inner lives and motivations. But NOPE. The movie and the book were truly alike. If the characters felt more flat than realized--that is representing types and symbols--it wasn't the fault of the movie maker.

© 2020 Becky Laney of Becky's Book Reviews

Monday, November 25, 2019

2020 Reading Challenge: #ClassicsCommunity

Name: #ClassicsCommunity
Host: Lucy the Reader (youtube, twitter, goodreads)
Goodreads Group: #ClassicsCommunity 2020 Reading Challenge
Duration: January 1, 2020 - December 31, 2020

My goal: I don't have a set number of books to read throughout the year. But I do have a challenge-y way I want to go about reading classics. My goal is to read one (possibly two or even three) chapters per day. Of course, I will need "grace" days. BUT. If I can manage to read between five to eight chapters per week, I should be able to read a LOT more classics. But perhaps more importantly, I'll stay immersed in a book and enjoy the reading experience more. Despite my "good" intentions, I'm currently reading about three chapters a month in my "current" classic. It's hard to feel I'm currently reading ANY classic when my reading is more accidental than not.

I do want to blend NEW-TO-ME titles with NEW-TO-ME authors all the while not forgetting my absolute favorite and best authors and titles. I am A REREADER. That won't be changing. But I don't want my potential list to JUST be rereading Austen for the seventeenth time.

January
1. Christmas Card Crime and Other Stories. Compiled by Martin Edwards. 2018. The British Library/Poisoned Pen Press. 256 pages. [Source: Review copy] [Genres: Short Stories; Mystery; Classics]
2. The Sobbin' Women. Stephen Vincent Benet. 1937. 26 pages. [Source: Online]
3. Twelfth Night. William Shakespeare. 1601. 272 pages. [Source: Bought] [Play; Shakespeare; Classic]
4. Fahrenheit 451. Ray Bradbury. 1953. 190 pages. [Source: Library] [Classic; Dystopia; Speculative Fiction]
5. Can You Forgive Her? Anthony Trollope. 1865. 847 pages. [Source: Bought] [Classic; Romance; Dysfunctional Families]
6. The Pickwick Papers. Charles Dickens. 1837. 801 pages. [Source: Bought] [Classics; Adult fiction; Travel]

February
7. Persuasion. Jane Austen. 1818. 325 pages. [Source: Bought] [Adult fiction; adult romance; adult classic]

March
8. Vanity Fair. William Makepeace Thackery. 1847. 867 pages. [Source: Bought] [Classic]

April
9. A Journal of the Plague Year. Daniel Defoe. 1722. 336 pages. [Source: Bought] [classic]
10. Howard's End. E.M. Forster. 1910. 246 pages. [Source: Bought] [classic; adult fiction]

May
11. Martian Chronicles. Ray Bradbury. HarperCollins. 1958/2006 edition. 268 pages. [Source: Library] [science fiction; short stories; classic]
12. Miss Pettigrew Lives for a Day. Winifred Watson. 1938. 234 pages. [Source: Library]
13. Miss Mackenzie. Anthony Trollope. 1865. 432 pages. [Source: Bought]

June
14. The History of Henry Esmond, Esq. A Colonel in the Service of Her Majesty Queen Anne. William Makepeace Thackery. 1852. 528 pages. [Source: Bought] [dull books; classic; Victorian literature]

July
15. The Virginian. Owen Wister. 1902. Penguin Classics. 370 pages. [Source: Bought]

August

September

16. Jane Eyre. Charlotte Bronte. 1847. 532 pages. [Source: Bought]

October

17. The Children of the New Forest. Frederick Marryat. 1847. 369 pages. [Source: Bought]

November

December 

18. David Copperfield. Charles Dickens. 1850. 882 pages. [Source: Bought]

19. A Christmas Carol. Charles Dickens. 1843. 96 pages. [Source: Bought]

20. North and South. Elizabeth Gaskell. 1855. 521 pages. [Source: Bought]

Her video about the challenge:


The #ClassicsCommunity is an Internet-based reading group and challenge for anyone who loves classics or wants to read more of them. You can set your own goals -- or take part in the baseline challenge to read at least 12 classics during the year -- such as 'read 3 Victorian classics' or 'read 25 classics during 2020' or 'read 5 Russian classics'. The number one aim is to have fun!

In the first two weeks of January (Wednesday 1st - Wednesday 15th) the #Classicsathon will return to kickstart your classics reading year! Create your own Classics TBR and read as many classics as you can during the first fortnight of the year.



© 2019 Becky Laney of Becky's Book Reviews