Showing posts with label Pearl Buck. Show all posts
Showing posts with label Pearl Buck. Show all posts

Wednesday, October 28, 2020

130. Christmas Day in the Morning


Christmas Day in the Morning. Pearl S. Buck. Adapted by David T. Warner. 2020. 48 pages. [Source: Review copy]

First sentence: Robert woke suddenly and completely. It was four o'clock, the hour when his father had always called him to get up and help with the milking. That was fifty years ago.

Premise/plot: Christmas Day in the Morning is a short story written by Pearl Buck originally published in 1955 for a magazine. Robert, the narrator, is reflecting back on the true meaning of Christmas. In remembering one particular Christmas of his childhood--he is inspired anew to celebrate the true meaning of Christmas.

My thoughts: I liked this one. I haven't read any of Pearl S. Buck's shorter works so this was nice. I did like the theme of this one--that Christmas is all about giving and receiving love. I would recommend it to adults (or to readers of any age) that enjoy sentimental, feel-good, Christmas-themed books. 

This one includes several blank pages in case readers are inspired to write a message to a loved one and pass it along. 

 

© 2020 Becky Laney of Becky's Book Reviews

Saturday, May 28, 2011

Peony

Peony. Pearl S. Buck. 1948/2006. Moyer Bell. 352 pages.

It was spring in the city of K'aifeng, a late spring in the northern Chinese province of Honan. Behind the high city walls the peach trees, planted in courtyards, bloomed earlier than they did upon the farms spreading over the level plains around the moat. Yet even in such shelter the peach blossoms were still only rosy buds at Passover.

Is it possible to be fascinated by a book that you don't quite like? I think so for I found Peony by Pearl S. Buck to be completely fascinating and compelling and yet not quite to my liking. Narrated by a bondmaid, Peony, readers learn about a Jewish community living within the Chinese city of K'aifeng in the early 19th century. Peony, a Chinese servant who was "bought" as a young child to be a companion to the couple's young son, David, a woman who comes to fall in love with him. It is an all-consuming, sometimes quite manipulative love, a forbidden love, but a forever kind of love nonetheless.

Ezra and Madame Ezra could never accept this servant as a daughter-in-law. But both are fond of her in their own way. As for David, he couldn't imagine life without Peony nearby. He promises that as long as he lives, she'll always always have a place in his home. But does he love her? At the beginning? Not really. Does he even know what love is?!

It is Madame Ezra's greatest desire for her son, David, to marry Leah, the daughter of the rabbi. It is her greatest desire that her son will come to embrace the Jewish faith, study under the rabbi, and maybe just maybe take his place since the rabbi's son, Aaron, is no good. She even invites Leah to live with them in their home. Hoping that Leah will be able to persuade David that he is more Jewish than Chinese. (David's father, Ezra, had a Chinese mother and a Jewish father.)

But. David is more like his father, Ezra, than his mother. David tries to learn about Judaism from the rabbi. He reads what he is supposed to read. He studies what he is supposed to study. But he has a hard time believing that God is real, that his people are chosen, that a wrathful God--a jealous God--could be a good God, a holy God, a just God. Instead, David comes to believe that religions are mostly the same--all man-made and essentially nonsense. He's closer to "accepting" the teachings of Confucius than the teachings of the Torah. He brings the rabbi to despair and breaks his mother's heart--for a time at least.

So his mother is pushing him to marry Leah. And Peony is pushing him to marry a pretty (but mindless) Chinese girl, Kueilan. For she believes that she could get along better with her than Leah. That if he chooses Leah--and the faith--that she'll be pushed out of his life. She even goes so far as to write both sides of their love letters! Peony has flaws--plenty of flaws! And it wasn't easy for me to stay on good terms with her.  

So Peony chronicles the lives of this Jewish family. It examines the tension between being Jewish and being Chinese. It examines how living in China for several centuries--at least--has had an impact on their faith, their culture, their teachings. It explores the decay of this community. How almost each generation weakens the faith, weakens the community. Each generation coming to compromise more and more of their faith.

So I liked elements of this one. I found the story itself to be fascinating. The novel covers several decades--at least--of this Jewish community from the point of view of one prominent family. And the afterword by Wendy R. Abraham was equally fascinating. I learned how much was fact, how much was fiction. How Pearl Buck played with the chronology a bit, but was true enough in some ways to do this community justice. But. I can't say that I "liked" the characters themselves--David and Peony especially. I found my heart breaking--along with his mother's heart--when David rejected faith in the one true God. I found it sad--very sad--to see the decay of the faith. How when the rabbi died there was no one within the community to take his place, there was no one left to carry on his work, his teachings. And Peony? Well. I found her to be selfish and manipulative and deceitful. So I liked some things; didn't like other things.

I did find it to be well-written. I think I liked this one more than the Good Earth trilogy, but I still think Kinfolk is my favorite.

© 2011 Becky Laney of Becky's Book Reviews

Friday, May 27, 2011

A House Divided

A House Divided. Pearl S. Buck. 1935/2006. Moyer Bell. 348 pages.  

In this way Wang Yuan, son of Wang the Tiger, entered for the first time in his life the earthen house of his grandfather, Wang Lung.

The third book in Pearl S. Buck's The Good Earth trilogy. (The first two books are The Good Earth and Sons.) Is A House Divided the best of the three? Perhaps if you prefer books where characters actually have names (and some character development).

At the end of Sons, Wang Yuan had returned home to face his father. He'd been sent away to school--to learn how to become a soldier--and now he's returned. In Sons, I didn't quite grasp why he had come home. I knew he was angry--very angry. And I knew his father was shocked--very shocked--by his son's new beliefs, new philosophies. But I didn't know at the time exactly WHAT that meant for them both.

Within a few paragraphs of A House Divided, however, it all became clear. When Yuan came home it was because if he stayed at the school, if he stayed in this new army, this new revolution, it would just be a matter of time before he'd be marching against his father and his father's way of life--against the scattered war lords that dominated the country. And so when it came down to it--he chose his father. Not because he agreed with his father. Not because he wanted to step into his father's place. No, he still rejects almost everything his father stands for. But he's choosing to remove himself from both extremes, he's choosing not to do battle or choose sides at all.

So Yuan cannot--or should I say will not--stay in his father's home. So where can Yuan go? Well, after a very brief stay in his grandfather's hut in the country--Wang Lung--he decides to go to the city to see his half-sister, Ai-lan, and his stepmother. (Is stepmother the right word? His father had two wives. One wife chosen by Wang the Merchant, one wife chosen by Wang the Landlord. I believe he calls her mother but she's not his biological mother.) He remains with them--in the city--for quite a while! In the city, he goes to school--not to learn the art of war, of soldiering--but to pursue his own interests. And he has many interests. He wants to know everything, to learn everything. He wants more, more, more. Part of him is interested in beauty and nature and poetry. And another part of him is interested in agriculture, in farming. He wants to know THE BEST way to work the land. There is a part of him that would love to return to the land and be a farmer, an educated farmer, a farmer who can read and write and philosophize, but a farmer nonetheless. But his life with his half-sister and two cousins Meng and Sheng, leads him into a little trouble. For new ideas abound in the city. And some of these ideas are a little dangerous. There comes a time when his new home is no longer safe...

So Yuan goes to the United States. What will he learn there? Will he be happy? Will he be miserable? Will he hate himself for loving it? Or love himself for hating it? When he returns--how will he see his country? Will he be able to find a place to really belong in China? Will Yuan ever stop over-thinking everything in his life?  

Wang Yuan is SO different from his father, Wang the Tiger. And it was nice to see that change, that contrast. But Yuan's periods of self-doubt and self-loathing--which we see cover to cover--became tiresome. I'm not saying that he wasn't believable as a character, that he wasn't developed enough. It's just that it kept me from liking him as much as I'd hoped at the start. The first third of the book, I thought, held great promise. I was liking Yuan--pleasantly surprised that I was liking him since I hadn't really "liked" Wang Lung or Wang the Tiger--but in the end I didn't really grow to love him.

However, I can say that while I didn't *love* him as a character, I can see how Yuan's inner turmoil matches that of China, that of his generation, those torn between loyalties to the older generation and these new ideas of revolution and freedom. Yuan is not alone in his angst. 

Yuan on his "father's love."

He has never loved me all his life long! He thinks he loves me and that he holds me the only dear thing he has, and yet never once has he asked me what I really want to do, or if he did, it was to refuse me if what I aid was not his wish, so that I always must take thought to say what he wanted and I have had no freedom! (5)

Yuan on why he can't be a soldier:

I cannot kill--I am not brave, I know. The truth is I cannot hate wholly enough to kill a man. I always know how he feels, too. (44)

Yuan on the poor:

At this time of his life Yuan loved pleasure, and he was unwilling to see the poor, and yet he was so shaped within that he saw them all even while he wished he did not. (68)

Yuan on having sons of his own:

Yes, one day he would have sons. But those sons--they should be free--free of any shaping from him who was their father! They should not be made for soldiers, nor shaped for any destiny, nor bound to any family cause. (266)

© 2011 Becky Laney of Becky's Book Reviews

Saturday, May 14, 2011

Kinfolk

Kinfolk. Pearl S. Buck. 1945/2004. Moyer Bell. 408 pages. 

The theater in Chinatown was crowded to the doors. Every night actors brought from Canton played and sang the old Chinese operas. If Billy Pan, the manager, announced a deficit at the end of the lunar year, businessmen contributed money to cover it. The theater was a bulwark of home for them. Their children went to American schools, spoke the American language, acted like American children. The fathers and mothers were not highly educated people and they could not express to the children what China was, except that it was their own country, which must not be forgotten. But in the theater the children could see for themselves what China was. Here history was played again and ancient heroes came to life before their eyes. It was the only place in Chinatown which could compete with the movies. Parents brought their children early and stayed late. They talked with friends and neighbors, exchanged sweetmeats and gossip, and sat spellbound and dreaming when the curtain went up to show the figures who were contemporary with their ancestors.

As much as I just loved and adored East Wind: West Wind--my very first Pearl S. Buck novel--I just LOVED, LOVED, LOVED Kinfolk. It is so very different from The Good Earth and Sons. While I struggled to find anyone sympathetic in The Good Earth and Sons, I could name half a dozen characters (if not more) that I liked, loved, respected, or admired in Kinfolk. And here's the thing, even the characters that I didn't necessarily "like", I found them to be well-developed, complex. Unlike the often nameless one-dimensional characters in The Good Earth and Sons. And the language, the style. It wowed me. It really did! So much to love and appreciate.

Kinfolk is about the Liang family. Dr. Liang, the father, is a scholar who fled China because it was getting to be too harsh, too ugly, too dangerous, too uncertain. He's a scholar, a teacher, a thinker, a philosopher. He needs peace and quiet and rest. He needs to be surrounded by people who appreciate his intellect, his superiority. (And does he ever think he's superior to just about anyone who's ever lived.) His wife, well, she "appreciates" him as best she can. Knowing that he can be oh-so-difficult to live with. But knowing that it is her place to bring out the best in him. To calm him when he gets furious or frustrated. But this isn't always easy since he doesn't respect her or see her as someone worthy of love and respect. She's the mother of his children. But. That's about it. He doesn't feel like she's intellectually or emotionally his soul mate. And he doesn't see any need to treat her as if she was the love of his life. It's her job to appreciate him, not the other way round.

So the Liangs have four children--two of the children were born in China, two of the children were born in America--James and Mary are the oldest, Peter and Louise are the youngest. James and Mary have a deep longing to return to China, to make their home, their future in China. They know it won't be easy. They know it will require sacrifice and hard work. But neither James or Mary would want to live anywhere else. They wouldn't trade the hardships, the uncertainties for anything because they feel like China is where they belong. James is already having to sacrifice his first love, Lili, because she doesn't share his dream, his vision. She wants to be American, a rich American. James, a doctor, is the first to make the trip. He'll be working in Peking in a hospital. While James knew that Mary was planning on coming to China herself--at some point. He never expected to be joined by Mary and Peter and Louise. But Louise, unfortunately, has a love affair with an American. A love affair which her father found out about. (Louise and Peter are--at least in their parents' opinion--too American.) So Mary, Louise, and Peter are sent away--Louise in disgrace, Mary because that is where she most wants to be, and Peter because his father is afraid of any of his children becoming too American that they begin to lose who they are or who they are supposed to be. Their morals, their values. (It's fine for Americans to act that way, they're American, what do you expect? But you--you shouldn't be acting like that.)

Each responds differently to their new lives in China. Mary loves it but wants even more--she wants to return to their family's ancestral village, she wants to be among the people--the commoners, the peasants, the people that live on the land, work the land, depend on the land for life itself. She wants to bring change, she wants to bring education, she wants to teach them to read and write. Louise is absolutely miserable. Doesn't see any reason why she should have to be in China when she could be living the good life in America if her parents weren't so unreasonable and old-fashioned. But she becomes hopeful when she meets an American man! Could this be her big chance? Peter. Well. Peter sees China and is shocked. The real China is so very far-removed from anything his father has ever told him, taught him, he can only see his father as a big liar, a man out of touch with reality, a man living in his own little dream world. So the real China makes him angry at his father, angry at himself, angry with the whole world. Nothing is as it should be. And he's going to be angry about it for a long, long, long time.

And James, our hero, the man who may just be the most important in Kinfolk, well, he loves China. He shares his sister's dream of returning to their ancestral village, and living with their Uncle Tao and his family. He knows it won't be easy to convince these villagers, these peasants, these farmers that Western medicine is good. That he can heal them, cure them, give them a chance to live life well and healthy. And Uncle Tao may be the one that needs the most convincing. Since James knows that his uncle needs surgery to remove a tumor. But. He knows that China is where he belongs. That China is his destiny, his future. For better or worse. For richer or poorer. James is going to be with the people of China.

We also meet Chen, a fellow doctor, a man who becomes very close with the Liang family. (He's a character that I found so easy to love!) And then there's Young Wang, another man James meets when he's new-to-China. A man that becomes a servant but so much more than a servant. A true friend and guardian to the family. 

Much of Kinfolk is set in China. But. We never quite lose touch with the parents in New York. Even separated by all those miles, there's tension between the parents and children.

I absolutely loved James and Mary and Chen and Young Wang. I just LOVED them. And even the characters that I didn't love, I found them to be well-developed and human. I think they could even be studied perhaps. (Kinfolk was one of the novels that I read it and found myself thinking, I could write a dozen papers about this one. It's just that good, that rich, that well-written, that interesting.) It was compelling. It was thought-provoking. It was a marvelous book.

So if the only Pearl S. Buck you've ever read was The Good Earth, I'd urge you to please pick up one of her other books. A book like Kinfolk or East Wind: West Wind. Because you need to give her another try.

Favorite quotes:

James on why he needs to return to China now:

He had never said even to Mary that in some deeply repressed corner of his being he grieved that his own father had chosen to live in exile during the years of the their country's hardship. He knew all the arguments, that a scholar could not work in the midst of turmoil and war. He believed these arguments were true. He knew that his father's delicately balanced mind needed safety and quiet and security in order to do its work. But he had long ago determined that he would work where he was most needed, in the midst of turmoil, even in war. He would not allow his mind to be delicate nor his heart remote. (40)

James trying to convince Lili to join him in China:

"Try to understand how I feel. Our people are good--our people are wonderful. China is great. She is not really weak. She is only in distress. All the great strength is simply waiting until we come to her help. She has lived in an old, old world and she needs to be born into the new one. I am a doctor and I think naturally in terms of birth--of bringing forth life--" (44)

James trying to decide if he's ready to make the leap:

The city was full of such brawls. There were too many starving people, and policemen treated them as criminals. Perhaps they were. There was no line between starvation and crime. He felt himself torn in the division of reality. The world, the whole world, was divided into two parts, the island of the rich and the ocean of the poor. Where would he live? He still had his feet on the island, but he was facing the rough dark waters. He must go back--or else he must leap. (65)

James speaking to Louise about her disappointing love affair:

"All this," he said after a moment, "is because you have let yourself fall in love with an American. At your age love shapes the universe."
She continued to sob, and he went on gently. "I know, too, what it is to love someone. I think I loved Lili with all my heart. Even now when I know we shall never marry, when I think of her, or someone speaks her name, the world trembles. But it does not crash about me. I know there is a life that must be lived happily without Lili. (166)
On differences between the generations, the 'war' between old and new:
There was a world of difference between themselves and these kinfolk, centuries of difference, space and time crowded into a single generation. (209)

Dr. Liang (the father) on the necessity of having peasants:

People, he reflected, must live at these different levels. Some must work with the hands, some with the mind. The peasants should not be lifted from their places as workers with the hands, or the higher ones would starve. He himself would, if he lived in China, be quite helpless without the peasants. Even here, he supposed, there were the workers with hands, men on American farms who had to do the crude work of producing food. Such persons must not be taught falsely that they could or should do other work. (228)

And this is just one of the reasons why he can't understand his children, and why his children can't understand him.

One of the reasons why I loved Chen:

"It takes a certain kind of person to live in China now," Chen mused.
"What kind of person?" Mary asked.
"Someone who can see true meanings, someone who does not only want the world better but believes it can be made better, and gets angry because it is not done, someone who is not willing to hide himself in one of the few good places left in the world--someone who is tough!" (251)

Dr. Liang reflecting on the past:

But he had wanted the children to understand the glory of China, the honor, the dignity of an ancient race and country. He himself purposefully dwelled upon these things. It was necessary to do this in order to have a perspective upon the disagreeable present. The present was always transient. It faded away. Only the past and future were eternal. Therefore he had done well to teach his children of their people's greatness. It was what Confucius himself had taught. Confucius too had lived in troubled and divided times, and he had not allowed himself to be troubled or divided. Instead he had gathered together all the greatness of the ancients and he had put this greatness into a book which had lived through the ages. (303)

James and Mary and Chen reflecting together:

The weight of their country, vast and old, lay heavy upon them all, and they were of such conscience that they could not escape.
"What Peter could not see," James said at last, "was that destruction does not heal. For what can be destroyed except people? Yet the people are the treasure store of the nation."
"And our people are good," Chen said.
"I tell you ours are the best people in the world..." (315)




© 2011 Becky Laney of Becky's Book Reviews

Friday, May 13, 2011

Sons

Sons. Pearl S. Buck. 1932/2005. Moyer Bell. 320 pages.

Wang Lung lay dying. He lay dying in his small, dark, old earthen house in the midst of his fields, in the room where he had slept as a young man, upon the very bed where he had lain on his marriage night. 

Sons is the second novel in Pearl S. Buck's Good Earth Trilogy. While the first novel chronicled the life of the farmer, Wang Lung, the second book chronicles the lives of Wang Lung's three sons: Wang the Eldest (also known as, Wang the Landlord), Wang the Second, (also known as, Wang the Merchant), and Wang the Third (also known as, Wang the Tiger). These are the same three sons that were nameless in The Good Earth.

If Sons has a main character, it is the youngest of Wang Lung's sons, Wang the Tiger. This is the 'rebellious' son that left home when his father took his third woman, Pear Blossom, in old age. The son that left home to become a soldier. If his father's ambition was to buy good land, to create a lasting legacy for his sons, Wang the Tiger's ambition is to be a great war lord, to collect an army--a well-trained, trustworthy army--and to make a name for himself. The book follows his life over several decades. We follow him on his ambitious journey. We witness his crimes in the name of justice--murdering robbers and bandits, murdering traitors in his own army, murdering the opposition. Wang the Tiger being just one of many war lords who choose to go to battle in the spring of each year. (And it really did seem that random. Who are we going to go fight this year? Okay! Let's go!) If there was logic involved in the warring, I missed it. I mean it was "I want more power, more land, more glory, more people paying taxes TO ME" which turned into who do I kill to get what I want. (Or at the very least who would I be willing to kill if he doesn't feel like surrendering to me.)

For the first two-thirds of the novel, Wang the Tiger believes that he will never get married, that he'll never have sons of his own. But. As he gets a little older, he begins to see things differently. He begins to want a son of his own. A son to be a great soldier, a great leader, a great war lord. His ambitions turn from himself to his son. So he asks his two brothers for help. Each brother selects a wife for him. And Wang the Tiger does not have a favorite wife--he barely recognizes that they have faces and are capable of speech. (Yes, it really is that bad.) One wife gives birth to a daughter, another gives birth to a son. (I don't believe the wives or the sons have names. Though I could be wrong about the son. Chances are he'll have a name in the next novel, A House Divided.)

So do you think that this son will grow up to please his father in every way? Or will this rebellious son have a rebellious son of his own?

This novel doesn't exclusively focus on Wang the Tiger. We also learn about Wang the Landlord, his two wives (still nameless), his sons and daughters (also nameless) and Wang the Merchant, his wife (still nameless), and their children (also nameless). We see their strengths and weaknesses. We see how these brothers relate to one another--on the rare occasions they come together. It's interesting to see how the brothers treat Wang the Tiger. When his future is still uncertain, when his army is unproved, the two are very reluctant to ally themselves with him. But when things change, then they definitely change the way they treat him!

I'm not sure that I "liked" any of the characters in this one. Wang the Tiger can be fierce and cruel when angry. And sometimes his anger is justifiable. But not always. And Wang the Tiger sees himself as being too soft--not hard enough, not cruel enough. He feels that he should be able to kill on a whim without having to be good and angry first. He wishes that he didn't feel what (little) he feels. He's definitely VERY different from Wang Lung. As for Wang the Merchant and Wang the Landlord, I feel what we get are mostly one-dimensional portraits. Wang the Landlord is given to pleasure--selfish pleasure. He doesn't know how to say no--when it comes to himself, when it comes to his eldest son, when it comes to pleasing his two wives and keeping peace in the house. He spends money freely, recklessly. And he has no great ambition in life other than to feel pleasure at every opportunity. Wang the Merchant, on the other hand, is greedy--but in a different way. He's a shrewd business man. He wants to make as much money as possible. He's not above using guile if it helps him make a bit more money with each transaction. He does not want money so he can spend it. He does not believe in needlessly spending money--just because you have it, just because you can, just to show other people how much you've got. He's practical. He's got a plan. Wang the Tiger definitely has thoughts about each of his brothers!

I'm not sure I'd recommend The Good Earth and Sons. But if you've read The Good Earth, I would recommend--unless you ABSOLUTELY hated it--continuing on with the series. It is interesting to see how these two books contrast one another, and to see the family drama continue through a second generation.

© 2011 Becky Laney of Becky's Book Reviews

Tuesday, May 10, 2011

The Good Earth

The Good Earth. Pearl S. Buck. 1931/2004. Simon & Schuster. 368 pages.

It was Wang Lung's marriage day. At first, opening his eyes in the blackness of the curtains about his bed, he could not think why the dawn seemed different from any other. The house was still except for the faint, gasping cough of his old father, whose room was opposite to his own across the middle middle room. Every morning the old man's cough was the first sound to be heard. Wang Lung usually lay listening to it and moved only when he heard it approaching nearer and when he heard the door of his father's room squeak upon its wooden hinges. But this morning he did not wait.

The Good Earth was Pearl S. Buck's second novel. (Her first novel was East Wind: West Wind, a novel that I just LOVED AND ADORED!)

The Good Earth is very different from East Wind: West Wind. Though both books are, of course, set in China. East Wind: West Wind focused on a changing China and the tension between the East and West and how that change impacted family life and added drama and stress to family dynamics. How the new way of life threatened centuries-old traditions. The Good Earth is more about the haves and have-nots. It's a novel about poverty and riches.

Wang Lung, our hero, is a humble farmer. He works the land. Slaves on it really. Has barely enough food to feed himself and his father. Most days they can't even afford to have tea leaves in their hot water. Yet he's managed to arrange himself a marriage with a hand-me-down woman, a slave from a rich household--one of the richest households in the village, the House of Hwang. O-lan, his wife, is ugly but hardworking. (For example, she joins her husband in the fields just hours after giving birth to their son.)

The early years of their marriage--the first three to four years of their marriage--are happy. Wang Lung is able to save up money to buy some land--land formerly owned by the House of Hwang. He's working harder than ever. He's got his wife by his side--most of the time. And she's given birth to two sons and one daughter. Things seem to be going well for them. Wang Lung is hopeful that things will keep looking up, that the land will keep producing, etc.

But then drought and famine come and devastate the region. And because he's done better than his neighbors in the past, they don't feel bad for robbing what little he has now in this distress. Things begin to look very bleak indeed. How will Wang-Lung support his father, his wife, his three children, himself, and the new little one on the way?! He can't. Not if he stays where he is.

So the family travels and begins to beg. It's a tough, tough life. A life that calls for HORRIBLE decisions to be made.

Through chance--through morally ambiguous opportunities you might say--their fortunes are reversed. The family goes from being a day away from starvation to being rich enough to return to their former home, rich enough to buy more land, to plant more seed, to hire workers for the land. But does money buy happiness? Does money buy contentment? Does money buy security?

Wang Lung is still a man from humble beginnings. A man who prefers to work his lands himself, a man who prefers to smell of the earth, the land. But he's wealthy enough that he's now beginning to think that his sons could have a different life, a different lifestyle. A lifestyle that begins with education. A lifestyle enhanced by *good* arranged marriages.

If Wang Lung had come to love and appreciate his ugly self-sacrificing wife. (I mean more besides feeling regret or remorse that he doesn't love her as he should. Which is something at least. But not quite the same thing.) If Wang Lung had been a better father to all his children, all the time. (But then again is any father that perfect?) If Wang Lung hadn't had a midlife crisis and become involved with Lotus, a younger woman, a prostitute, whom Wang Lung "buys" to be his own special concubine. Then I'd have an easier time "liking" Wang Lung. Did I hate him? No. Not really. I didn't respect him on each and every page. There were times I wanted to yell at him. But then there were moments where he showed gratitude and loyalty and affection. In particular his relationship with Ching, a neighboring farmer, and Pear Blossom, a young slave girl "raised" in part by Lotus.

The Good Earth is a good novel. But it's a bit uneven at times. It's complex in that it addresses many issues. The tension between fathers and sons. How misunderstandings occur between the generations. How fathers frustrate and/or disappoint their children. How children frustrate/disappoint their parents. Wang Lung is ALL about the land. It is his first and last love. When it comes to his three sons, well, the land means practically nothing. It's just something to be sold after their father dies. Class issues. How the rich get richer--unless they become addicted to opium--how the poor get poorer--unless they starve to death. Why are the rich so wealthy? Why are the poor so poor? Circumstance has just as much to do with it as wisdom and hard work. Society and culture. But in particular gender roles for women. Wives, concubines, slaves. How women are property to be bought, sold, used, discarded. Fortune. Good or bad. Many events in this book appear to depend on chance or luck or circumstance. There are also hints of political unrest--rumors of war and revolution--in this one. But that issue isn't fully explored--though there is a cousin-soldier that comes bringing chaos to the family for a chapter or two.

But while the novel is complex in many ways. It's uneven in its characterization. Besides Wang Lung very few, if any, are well-developed. Some characters remain nameless--including his three sons and daughter, and his two daughters-in-law--others are given names, but we really see very little development beyond "she's ugly" or "she's pretty" or "she's fat" or "she's thrifty." We get a little bit of insight into his three sons and into his wives/concubines. But I'd not really say that they are completely well-developed.

Still. Even though I wouldn't say I loved this one--or even especially liked it--I can't say that it's poorly written. The style is simple and straightforward. Perhaps not quite as beautiful (to me) as East Wind: West Wind. But compelling nonetheless. I'm not exactly sure why but this one reminds me of some of the John Steinbeck I've read. (Not all of them mind you.)

© 2011 Becky Laney of Becky's Book Reviews

Wednesday, May 04, 2011

East Wind: West Wind

 East Wind: West Wind. Pearl S. Buck. 1930/1995. Moyer Bell. 288 pages.

These things I may tell you, My Sister. I could not speak thus even to one of my own people, for she could not understand the far countries where my husband lived for twelve years. Neither could I talk freely to one of the alien women who do not know my people and the manner of life we have had since the time of the ancient empire. But you? You have lived among us all your years. Although you belong to those other lands where my husband studied his western books, you will understand. I speak the truth. I have named you My Sister. I will tell you everything.

I loved this one. I just LOVED, LOVED, LOVED it. As in I think I may have found (another) author to become obsessed with.

East Wind: West Wind was Pearl S. Buck's first novel. It's set in China. Our selfless heroine, Kwei-lan, finds herself in a troubling position. She's been raised in a very traditional home. She's been raised--some might even say trained--from a very, very young age to please her future family--her future mother-in-law, her future husband. As a daughter, her mother has always, always kept in mind that she is not truly of their family. Kwei-lan's marriage has been arranged--set in place--since the time she was a baby. The first few chapters chronicle her childhood, her bringing up. Readers get a glimpse of the culture. How women lead very separate lives from the men. How women are to be silent and obedient and always willing to please their husbands, their masters. Readers get a glimpse of this culture. Of what made a woman beautiful, attractive, desirable. And one of the things that made a woman beautiful are incredibly tiny feet which led of course to the practice of binding feet. (Being able to cook well also helped a woman please her husband. And you HAVE to know how to pour tea for your elders.)

But our heroine, our narrator, is in for quite a shock. For her husband has spent time in the West. He has become educated; he's a doctor. He prefers to break with some of the traditions, to live a more modern life. He wants his wife to be more of an equal and less of a slave. He wants his wife to be his companion. He wants to share his life with someone. He doesn't want a silent shadow, an obedient slave. He wants more. The first step may just be the hardest--for he is asking his wife to unbind her feet.

East Wind: West Wind is all about tension and drama. For though our heroine wants to please her husband, although she is fascinated by some of these new ideas, she finds it difficult to forget everything she's grown up believing. It's not something that can be done in one week, one month, or one year.

But. This isn't her story alone. No. Some of the most dramatic scenes in the novel focus on her brother. Like her husband, her brother has been educated in the West, he has spent time in foreign countries. He's learned to adapt to new ways of life. And he does NOT want to return to China to marry the woman he's been betrothed to since he was a young child. He wants to marry for love. He wants to marry an American girl, Mary. He wants to live life on his terms--not having to obey every decree of his father and mother. He does marry the girl of his dreams. He does bring her back to China. But can he make anyone in his family accept her? love her? Will he regret marrying for love? Will she? Can they find a place for themselves in China? 

East Wind: West Wind is an intense family drama. It's simple yet emotional. I loved the style of this one. How it's told in story format. She's telling her story directly to "My Sister." It's a beautiful, beautiful novel. Bittersweet, in a way, yet very compelling.

I would definitely recommend this one!!!

Have you read Pearl S. Buck? Do you have a favorite novel? Which would you recommend?!

Other reviews: Hot Cup of Coffee. The Wu Way.


© 2011 Becky Laney of Becky's Book Reviews