Showing posts with label read online. Show all posts
Showing posts with label read online. Show all posts

Thursday, April 01, 2021

31. Ordeal by Hunger


Ordeal by Hunger: The Story of the Donner Party. George R. Stewart. 1936. 392 pages. [Source: Online]

First sentence from the preface: The misadventure of the Donner Party constitutes one of the most amazing stories of that land of amazing stories, the American West. It is worthy of record as a historical document upon what human beings may achieve, endure, and perpetrate, in the final press of circumstance. This account is intended for a full and critical history of that ill-fated band of pioneers, and has been made possible by the remarkable preservation of detailed records. It is strictly factual, based upon the evidence of the sources and upon reasonable deduction from that evidence; it is not fiction.

It almost goes without saying that the Ordeal by Hunger: The Story of the Donner Party won't be for every reader. It is a nonfiction account written in 1936 by George R. Stewart. 

To put the book into a little context, there were two survivors of the Donner Party still living--Naomi Pike and Isabella Breen--when he began his first draft of this nonfiction narrative. Both died before the book's publication--one in the spring of 1934 and the other in the spring of 1935. 

Stewart stresses that this book is nonfiction and not a fictional treatment of the Donner Party. That his narrative is derived from factual accounts. He drew from contemporary letters and journals, works written and published soon after 1847 (including oral testimonies), and works written and published after 1870 (including autobiographies and memoirs). 

The book opens with a decision--a decision to take a shortcut recommended by a fellow named Hastings--that would increasingly prove fatal. It is here with this decision that "the Donner Party" came into existence. These were the wagons that broke away from the main wagon train--who were also going to California but by a different route. 

His narrative provides an overview of the tragic events in 1846/1847. Sometimes his narrative focuses on specific individuals and perhaps may be said to reflect a more personal account of those events. But overall I wouldn't say his narrative style is personal or intimate. His account doesn't so much focus on feelings and emotions--trying to put the reader inside the minds of those who lived and/or died that winter--but on the actions and deeds. 

Contemporary readers may fault Stewart a couple of things. One that his narrative focuses almost exclusively on men (and boys). The narrative doesn't ask if the women were equally heroic, brave, determined, hard-working, and/or strong as the men. Occasionally, he does shift his focus to the women--briefly, very briefly. But honestly the women, for the most part, weren't the decision makers on this trip (or any trip). What choice did a woman have if she disagreed with the decisions? It's not like she could abandon the wagon train, her family, her supplies and set off cross country on her own to try to find a better way to California. 

In the case of the Donner Party, it wouldn't be completely unfair to say it was like the blind leading the blind. They didn't have an actual, physical guide guiding them along the route. They were following some pretty sketchy written guides that didn't exactly prove all that accurate. The decision makers were making best guesses or not-best guesses as the case may be. But they had no way of knowing--after that one big decision coming at the beginning of the book--if their decision would be WISE or FOOLISH. They had no way of knowing/predicting the future.

Another thing that may prove difficult for modern readers in Stewart's text, is his treatment of other races--specifically Native Americans and Mexicans. This mindset when you think about it isn't all that unexpected. He is writing an account of settlers and pioneers traveling in 1846/1847. Manifest Destiny. The West is yours for the taking. It is yours if you want it, if you work for it. COME, COME, COME. That the settlers themselves felt entitled to it, well, it shouldn't be surprising. Many of his sources would have had this perspective or bias. Stewart was also writing in the 1930s. Perhaps western films and shows weren't in their golden era just yet--but if not yet, it was still coming. Now his descriptions of events--the way he phrases things beyond telling the bare facts (which can't be changed, can't be erased, can't be cancelled)--is cringe-worthy and offensive.

Quotes:

If in the story I have told much which is unpleasant and much which the actors themselves would have been glad to let be forgotten, I may at least plead that I have told all in charity. I blame none of the emigrants for their acts during that winter, any more than I should blame a man for his acts during a  delirium. Upon controversial points I have honestly considered  both sides, and have given each a chance to speak, in the notes if not always in the text. 

A microcosm of humanity, to be tested with a severity to which few groups of human beings in recorded history have been subjected, destined to reveal the extremes of which the human body and mind are capable — and yet to the eye of the trapper or wandering Indian merely one more emigrant train going west.  

From the very journey which they made they must indeed be called pioneers, but they cannot be called frontiersmen. They were merely country-folk and townspeople of the middle-west, not mountain-men...By now they had adapted themselves to the routine. To the mere hardships of the life they were inured, used as they were at best to but few of the comforts of civilization. But this was not the life to which they were accustomed. 

Worst of all, they were playing — and they knew it — against Time, and they had lost the first game. 

Hatred and inhumanity walked beside the wagons. 

But in the game which the emigrants were playing against Time, the score could not be evened by a rifle bullet, and it stood heavily against them. During those last days of October snow fell as they moved along. The cattle had to nose through it for grass. On the distant mountains it lay white upon the pine-branches. Winter was in the air; it was bitter cold, and the sky was bleak. 

Sensing the crisis, some of the emigrants urged a bold push forward, but most of them were too exhausted to make a further effort. So they prepared to spend the night as best they could upon the snow. They gathered about the fire, and had something to eat. Then they laid blankets and buffalo-robes on the snow, put the children to bed bundled up as well as possible. The men and women huddled about, some making themselves beds, and some sitting crouched by the fire. They were too weary now; they would cross in the morning. Then it began to snow. 

Back across the lake, as they looked through the darkening atmosphere of the short winter afternoon, they could see the solid rampart of the pass, a mass of snow unbroken except where bare precipices stood darkly out. It was November 4th. The trap which had clicked behind them at Fort Bridget had closed in front. 

Every week now was making a perceptible difference in the emigrants. Beaten upon by blizzards, half starved, they now had more and more difficulty in cutting and dragging firewood through the deep snows. They began to suffer from the cold. About this time they must have begun to notice what afterwards seemed to them so astonishing. The women stood the strain better than the men did. Whether food was apportioned by individuals rather than by size, whether the men did more physical work and therefore expended more energy, whether the constitution of a woman is more enduring than that of a man, whether merely in these individual cases the women were hardier — these questions cannot be surely answered. Most likely several of these factors were at work, but certainly, with some exceptions, the men failed sooner. 

When men abandon a sinking ship, so the stories go, they at first conduct themselves with some degree of steadiness and order. But as the ship lurches more heavily, they feel the tension, and the rhythm quickens until the last moments are a wild running about the decks. Then the boats go down with a run; men leap overboard; and the vessel dips to the final plunge. So the rhythm seems to quicken in the rescue of the Donner Party. Glover’s men had doggedly pushed ahead in a spirit of calculated audacity; Reed’s party had been more hurried; and now Eddy and Foster with their two aids seen by comparison to run, as if they felt the ship settling beneath them.

A little after midday they came to the cabins. They found no one alive. Around them lay a scene of filth and mutilated corpses, even worse than that which earlier relief-parties had been forced to witness. The seven men stood speechless and awestruck, and as the intense silence of the forest seemed to sweep in upon them, even Fallon, the mountain-man, felt the creeping horror. 

Probably the best way to feel the actuality of the story is to travel through its setting. For the country is tangible and solid, now as then. And for this reason, I have in the telling often stressed the scene until the reader has, I hope, come to feel the land itself as one of the chief characters of the tale. 

The very fact that it may be called spectacular should warn us, however, against the fallacy of considering it typical. It is no more typical of the wagon-journey to California than the last voyages of the Titanic and the Lusitania are typical of the trans- Atlantic passage. Emigrants ordinarily suffered hardships along the Humboldt, and had a difficult struggle in getting over the Sierra, but they also had some good times upon the road, and often got through to California in good enough health and spirits.

One turns naturally to the question of what caused the disaster of the Donner Party. It was of course the direct result of their taking the so-called cut-off advocated by Hastings. But who was responsible? I have found widely spread a tendency to blame the emigrants themselves, to consider that they, or at least their leaders, were a pig-headed, ignorant lot who thought they knew more about matters than other people did and who by blundering ahead brought upon themselves pretty much what they deserved. As I have tried to show in the first chapters of this book, such an attitude is not well based.

I do not maintain that the men, or even the women, of the Donner Party were faultless, that they always made the right decisions, or that they were immune from the ordinary human shortcomings, including that of common stupidity. I do not believe, however, that they had more than their share of such weaknesses. And I object strongly to the smug conviction that because they starved to death we of a later day knowing only very different conditions can conclude that it was all their own fault. 

Nevertheless, the cannibalism, although it might almost be called a minor episode, had become in the popular mind the chief fact to be remembered about the Donner Party. For a taboo always allures with as great strength as it repels. 

The story of their ordeal is not pleasant. Few, I fear, will find it always easy reading. But after all, the merely pleasant It is thin and bloodless; a picnic in the park scarcely gives humanity a chance to show of what it is capable. Not of that sort, all will agree, is this adventure in the snow. Here, if anywhere, we see men and women and children put to the final strain of body and spirit. Yet suicide finds no place in the story. And since these too in great part endured, others in evil circumstance may be encouraged to fight boldly. By this, their story may even be said to meet the demands of some that literature should serve an extraneous social purpose. For though despair is often close at hand, it never triumphs, and through all the story runs, a sustaining bond, the primal force which humanity shares with all earthly creatures, the sheer will to live.



© 2021 Becky Laney of Becky's Book Reviews

Wednesday, January 08, 2020

6. The Sobbin Women

The Sobbin' Women. Stephen Vincent Benet. 1937. 26 pages. [Source: Online]

First sentence: THEY came over the Pass one day in one big wagon—all ten of them—man and woman and hired girl and seven big boy children, from the nine-year-old who walked by the team to the baby in arms. Or so the story runs—it was in the early days of settlement and the town had never heard of the Sobbin' Women then. But it opened its eyes one day, and there were the Pontipees.

Premise/plot: Seven brothers are in need of seven brides?!

My thoughts: This short story inspired the musical Seven Brides for Seven Brothers. In the short story, the brothers are NOT named in alphabetical order. They don't go about singing and dancing. The eldest is named Harry. He marries Milly. Milly suggests to her brothers-in-law that they should go kidnap some women to marry. All ends well, as it does in the movie, with the women falling madly in love with the brothers.

"Hello, girl," he said, in one of those big voices men use when they're pretending not to be embarrassed.

She looked up at him straight. "Hello, backwoodsman!" she said, friendly enough. She didn't look a bit scared of him and that put him off.

"It's a nice morning," said Harry, louder, trying to lead up to his point.

"It is for some," said the girl, perfectly polite but going on feeding the chickens.

Harry swallowed hard at that. "It'd be a nice morning to get married, they tell me," he said, with the perspiration breaking out all over him again. He'd meant to say something else, but when it came to the point, he couldn't.

Well, she didn't say anything to that so he had to start all over again.

"My name's Harry Pontipee," he said. "I've got a good farm up the Valley."

"Have you?" said the girl.

"Yes," he said. "It's a right good farm. And some folks seem to think I'd make a good husband."

"Do they?" said the girl. I guess she was smiling by now but Harry couldn't see it—she had her head turned.

"Yes they do," said Harry, kind of desperate, his voice getting louder and louder. "What do you think about it?"

"I couldn't tell on such short acquaintance," said the girl.

"Will you marry me and find out?" said Harry, in a perfect bellow, shaking all over.

"Yes, I will, if you don't ask me quite so loud," she [Pg 146]said, very prim—and even Harry could see she was smiling now.

Well, they made a queer pair when they went up to the minister—the girl still in her chicken-feed clothes, for she didn't have any others, and Harry in his backwoods finery. He'd had to buy out her time from the innkeeper for twelve beaver pelts and a hunting knife.

But when the wedding service was over, "Well, we're married," said Harry, with great relief. "And now we'll be going home."

"Oh, no we won't," said she. "We're going to the store first and buy me some cloth for a decent dress—for landless I may be and dowryless I may be, but I'm a married woman now, and what's fit for a chicken-girl isn't fit for a married woman."

In a sort of daze, he saw her lay out the price of twelve more beaver pelts in cloth and woman's fixings, and beat down the storekeeper on the price, too.

He only asked her a question about one thing—a little pair of slippers she bought. They were fancy slippers, with embroidery on them. "I thought you had a pair of shoes," he said. She turned to him, with a cocky sort of look on her face. "Silly," she said. "How could anyone tell your wife had pretty feet in the shoes I had?"

Well, he thought that over, and, after a while, something in the way she said it and the cocky look on her face made him feel pleased, and he began to laugh. He wasn't used to laughing in front of a girl, but he could see it might have its points.

Then they rode back to the Valley, her riding pillion, with her bundles in the saddlebags. And all the [Pg 147]way back, she was trying him and testing him and trying to find out, by one little remark or another, just what kind of a man he was. She was a spunky little girl, and she had more education than she let on. And long ago, she'd made up her mind to get out of being a bound girl the first way that offered. But, all the same, marrying Harry Pontipee was a leap in the dark.

But the more she tried and tested Harry, the better bargain she seemed to think she'd made. And that took courage to admit—for the way was a wild one and a lonesome, and, naturally, she'd heard stories of Pontipee Valley. She couldn't quite believe they lived with bears, up there, but she didn't know.

And finally, they came to the house, and there were dark things moving outside it. "Bears!" thought Milly, kind of hopeless, and her heart went into her throat, but she didn't let on.

"W-what's that, Harry dear?" she said, holding on tight.

"Oh, that's just my brothers," said Harry, kind of careless, and with that those six hungry six-footers moved into the light.

"Oh!" said Milly, "you didn't tell me you had six brothers." But her voice wasn't reproachful, just sort of soft and quiet.

"I guess it was the wedding kind of knocked it out of my mind," said Harry. "But, there—you'll see enough of 'em anyhow, because we all live together."

"Oh," said Milly again, kind of soft. "I see."




© 2020 Becky Laney of Becky's Book Reviews

Friday, February 22, 2019

Goody Two Shoes

Goody Two Shoes. Anonymous. 1765. John Newbery. 17 pages. [Source: Online]

First sentence: It will be readily understood by our young readers, that the real name of the little girl who is the heroine of this story was not Goody Two Shoes, but Margery Meanwell.

Premise/plot: Margery Meanwell and her brother, Tommy, are ophans. These two are pitied by a rich friend passing through town. Tommy he will take to make a sailor of him. And he will give new shoes--and perhaps new clothes--to Margery. She's so thrilled to have shoes that she goes about the village announcing the fact that she has one, two GOOD shoes. Over the course of her childhood, she learns to read and write and then she teaches anyone and everyone how to do the same. Even some animals. Not everyone loves Goody Two Shoes or Mrs. Margery as she comes to be called when she receives a teaching position of her very own. But plenty do--including a rich widower, Sir Charles Jones who actually proposes to her. Of course this happily ever after morality tale wouldn't be complete without her grown-up-and-now-successful brother returning just in time to see her wed.

My thoughts: I was happily going along with this one until all the animals started entering in. She teaches two birds to spell using wooden alphabet blocks. Another pet bird "awakens" her pupils in the morning. Another pet, a lamb, "teaches" her pupils when to go to bed. Another pet, a dog, acts as guard or porter. He "saves" the children--and their teacher--by dragging them out of the building minutes before the roof collapses. These animals are her companions.
Mrs. Margery, who was always doing good, contrived an instrument to tell when the weather was to continue favourable or unfavourable; by which means she told the farmers when to mow the arrass and gather in the hay with safety. Several persons, who suffered in their crops by not consulting Margery, were so angry at their losses, that they accused her of being a witch and sent Gaffer Goosecap, a silly old meddling fool, to obtain evidence against her.
This old fellow entered the school as Margery was walking about, having the raven on one shoulder, the pigeon on the other, the lark on her hand, and the lamb and dog at her side, and he was so frightened, that he cried. "A witch! a witch!"
Margery exclaimed, smiling, "A conjurer! a conjurer!" and he ran off; but soon after a warrant was issued against her, and she was carried before a meeting of the justices, followed by all the neighbours.
 Was it necessary to introduce this dramatic accusation of witchcraft into the story? I vote no. I mean this morality tale was doing just fine and dandy on its own. But I suppose if it wasn't there would Charles Jones have been compelled to stand up and defend her? Still there's a silliness to this one.

© 2019 Becky Laney of Becky's Book Reviews

Thursday, January 04, 2018

The Story of Live Dolls

The Story of Live Dolls. Josephine Scribner Gates. Illustrated by Mabel Rogers. 1901. 1920. 116 pages. [Source: Read online]

First sentence:  "Look, what's coming!" and with a shout of delight the children of Cloverdale village left their play and rushed into the street.

Premise/plot: Janie is super-excited one June day when she witnesses a spectacular site. The Queen of Dolls rides through town in a carriage pulled by kittens. She's tossing bills as she goes, bills that proclaim that on June 4th--the very next day--ALL the dolls in the town will come alive, and stay alive, for the whole month of June.

Janie rushes to tell her mother. (As I'm sure all the other little girls do). She spends the rest of the day preparing for the big day. But she's not as considerate as she might have been. Poor Dinah! Still, she makes an effort to be a good steward.

Most of the book is about that magical month of June. It isn't all fun and games. There are a few lessons not so subtly tucked away into the text. For example, the Queen of Dolls finds it necessary to have a doll ambulance visit each girls' home to carry off dolls that need a trip to the doll hospital. It's sadly too late for one doll in particular. A doll that was drowned by her owner.

The book reflects an honest enough look at how dolls are treated. Early on in the novel, it's revealed that some of Janie's dolls are--dare I say it, STARK NAKED. She's not the only doll owner about to be judged and found wanting. Still, better to be a naked doll than to have a cracked head, a missing limb, or be DEAD.

Here's the scene where Janie's baby doll, Dollie, comes to life:
"O you dear little mamma, I am so glad you are awake. I want to come into your bed," and up she popped and climbed in under the covers and snuggled up exactly as Janie often snuggled up to her mamma. (14)
Here's the disturbing scene where a doll is declared dead:
One poor little thing lay apart from the others and was dripping wet. Her companions sobbed aloud as they told in low tones of how she was fished out of a water barrel, stone dead. Not even the Queen could bring her to life. (39)
And the agenda comes straight to the point:
She told them how kind they ought always to be to their dolls--just as kind as they wished their mammas to be to them....Her eyes filled with tears as she spoke of the poor little dead one; and she said she could always tell what kind of heart a little girl had by the way she treated her doll. Those who made the sweetest and tenderest mammas were those who had taken the most loving care of their dollies when they were little girls. She wanted them to begin over, and see who could be the best mother during the few weeks that followed. (52-3)
My thoughts: I definitely enjoyed discovering this one. Would I have loved to have my dolls come to life as a child? Probably. Would I have been judged harshly by the Queen of Dolls? It would depend on the doll. There were a few dolls that were a bit out of favor, you might say. I didn't play with them--nor care if they were ever dressed. My mom could tell a few stories on me. BUT thankfully, she's not online.

The story is dated. Dinah is one of the dolls, she's a black cook with a wig askew (though she has a kerchief) and a broken leg that was hastily put on BACKWARDS. That's why I said poor Dinah. I suppose in 1901, when the story was first published, having a black cook in a household was nothing out of the ordinary.

© 2018 Becky Laney of Becky's Book Reviews