51. Rash

51. Rash. Pete Hautman. 2006. 256 pages. [Source: Bought] [5 stars, YA dystopia, YA fiction, YA futuristic; YA Sports]

First sentence: Gramps, who was born in 1990, once told me that when he was my age the only way to wind up in prison in the USSA (back when it had only one S) was to steal something, kill somebody, or use illegal drugs.

Premise/plot: Rash by Pete Hautman is set roughly in the 2070s. Bo Marsten, our protagonist, is having a hard time of it. His father and brother are incarcerated. (Then again, almost a third of the population is. The work force of the USSA is almost primarily prison labor. Would anyone work if not forced???) He's young; he's rash even. He is madly in love lust with Maddy. But Maddy, well, she doesn't exactly feel exclusive with Bo. In fact, she's often with his "enemy" Karlohs Mink. (Even confiding his secrets to Karlohs! The audacity!) In a time when even insults are illegal and could land you with big legal trouble--especially if it's your third "mistake," Bo's fate seems inevitable. To add insult to injury, Karlohs fakes the whole school into believing that Bo has given him a literal rash. No one believes Bo is innocent--except perhaps his family and his school assignment, Bork; It is an A.I. assignment--to create one that will pass as sentient.

When Bo is sentenced to prison--a McDonald's making pizzas--he finds himself struggling to survive in a world that is unfair.

My thoughts: I read Rash TWICE in 2006. I absolutely loved, loved, loved it. I listened to it on audio in 2010, I believe, according to my blog. I wanted to reread it now that my blog is about to turn TWENTY YEARS OLD at the end of the month (August).

Rash is dark and complex. Though the complexity isn't perhaps super super obvious. On one hand, it can read as a dark comedy. Look what society will come to if safety and niceness are the only priority. When personal freedom is almost nonexistent, especially freedom of expression. When almost every natural human emotion or feeling is discouraged, how can one live...and stay out of trouble. Self is smothered. Common sense is nonexistent. And there are some over-the-top moments--like when BO is being chased by literal polar bears. GRAMPS is the voice of reason AND yet comedic relief too.

On the other hand, it examines the justice or injustice system. If almost everything is illegal and it's almost impossible to avoid prison time in the first place, HOW does one rejoin society afterwards. Is one doomed to keep getting locked back up? Will families be forever broken? Will healing and reconciliation ever happen? Most of the crimes in the book are over-the-top ridiculous.

I will say that it ALSO showcases belief systems. GRAMPS world view was shaped by his upbringing, his experiences. He's witnessed GREAT, great change--none of it for the better. Bo loves his Gramps, but, he's been raised in a completely, totally different society with different values, morals, and laws. Bo has a hard time grasping how life could be any different. HE doesn't see what is glaringly wrong with society like readers can. It was definitely not an accident that the original audience for this YA novel would have been born in the 1990s just like Gramps.

This novel definitely has layers. One could almost pick ANY aspect of it and deep dive.


© 2026 Becky Laney of Becky's Book Reviews

82. Skipshock

  

82. Skipshock. Caroline O'Donoghue. 2025. 400 pages. [Source: Library] [5 stars, YA dystopia, YA speculative fiction, YA romance]

First sentence: The most common response I get when I tell people what I do for a living is: I couldn't do a job like that. What they mean is they wouldn't do a job like this. Every so often a new gruesome story circulates about salesmen, and what traveling between time speeds does to one's physical health.

Premise/plot: For readers who get a thrill out of speculative fiction with uniquely crafted worlds, Skipshock is a novel I'd highly recommend. It is a premise-driven novel. Moon and Margo are the narrators. Moon is a salesmen, traveling between worlds, racing against time almost. Margo is an Irish girl on her way to boarding school. Both traveling by train--albeit in different worlds. But when Margo finds herself on Moon's train, things will never be the same. Moon knows that Margo's sudden appearance could change his life forever--and not in an instant romance way. To the right people, Margo could mean a quick sell, big money. He could buy his way out of his [doomed] lifestyle and settle down in a world. Margo doesn't trust Moon fully, but, she's in a strange new world surrounded by people who are--through her eyes at least--strange, odd, dangerous. She is far, far, far from home and if she ever wants to get back home she'll have to risk trusting somebody.

So the premise???? Different "worlds" connected via trains have their own times. For example, some worlds have a TWO HOUR day; some worlds have a SIX HOUR day, etc. Obviously the shorter the day, the shorter the lifespan. Time has everything to do with the haves and have nots.


My thoughts: What did I love about this one? I loved the world-building. I loved the characterization. I loved the relationships. I loved the plot. I enjoyed the twists and turns. Did I see one particular twist coming? YES. If I had read this as a young teen would I have seen it coming? Probably not. Knowing what was likely coming did not change my enjoyment of the novel.

Quotes:

• That's what being in love actually is, at the end of the day. It makes the strong parts of you weak, and the weak parts of you strong.
• No anxiety, no artificiality. Just the ease of being with the person you most want to be with, in the very moment you want to be with them.
• For the first time in her life, she had a person. She and Moon had been born in different places and brought up in different ways, but regardless, one thing was very clear to her. They had each spent most of their lives lonely. Her in a cold house; him in a cold world. They were houseplants that people forgot to check on. And now they had each other. There was a feeling of boundlessness, of growing, of feeling like you could do things. Somehow, she didn't need to wonder if he felt this way, too. She knew it.
• She understood love as a wobbling table, as a three-legged dog. You had to take the weight of a limb when it went missing. You had to hold the other person up. It was the only way you could both make it to the end.

 

© 2025 Becky Laney of Becky's Book Reviews

78. Snowglobe 2

78. Snowglobe 2 (Snowglobe Duology #2) Soyoung Park. Translated by Joungmin Lee Comfort. 2021/2025. 438 pages. [Source: Library] [3 stars, YA Fiction, YA Speculative Fiction, YA Mystery]

First sentence: At once, all the lights go out and the TV goes dead. On the dark screen, ghostly afterimages linger for another moment before they, too, dissipate, plunging us into darkness. 

Premise/plot: Snowglobe 2 is the sequel to Snowglobe. Jeon Chobahm, our main character, has exposed the corruption of which she is aware. But there are more secrets--more impactful and unjust--to uncover and possibly expose. This time she has a team of support. [She is still living with her fellow Haeri clones, even Serin (the cranky one). Then there's her brother, Ongi, her director-friend, Hyang, and Miryu, a former actress.] The novel starts perhaps a bit slowly, but she soon realizes that she's in great danger and that she may be one of the few people who can change the world dramatically even if it means taking a lot of risks. 

My thoughts: Snowglobe 2 has a completely different vibe. The story is definitely unique and different from the first story. I felt the first story definitely focused more on the television aspect--the actors and directors, the entertainment industry, etc. I think the second story definitely focuses more on the corruption of leaders and politicians. Both deal with socioeconomic injustices--the haves and have nots if you will. The cast of characters is LARGE and at times difficult to keep up with. However, I did reread the first novel a few weeks ago. It could have been trickier if I hadn't. I liked the first book a bit more perhaps. But this one was good.

 

© 2025 Becky Laney of Becky's Book Reviews

34. Dead Happy

 

Dead Happy (HappyHead #2) Josh Silver. 2024. [May] 416 pages. [Source: Library] [YA fiction, YA dystopia, 3 stars]

First sentence: I used to like video games.

Premise/plot: Dead Happy is the sequel to HappyHead. Seb (Sebastian) and Eleanor are a 'couple' heading to the second phase of Happy Head, Elmhallow. Their 'relationship' is mutually convenient. They need to be a couple to succeed in the program, and perhaps even to survive long enough to escape the program. However, pretending 24/7 may prove challenging--especially for Seb. There are five couples--ten individuals--and they all want to win the competition no matter the cost. 

How far will anyone go to 'win' when winning means going against everything you've ever believed to be right?

My thoughts: I'm conflicted. On the one hand, it was a compelling read. It was. I came into the story on the hooked side of things because of the first book. On the other hand, I'm just not sure the second book is *as* good as the first. It doesn't need to be. It doesn't. It felt like ONE book divided into two. There was less world-building and less suspense, in my opinion, than in the first book. The first book had more of a surprise factor, I suppose? That being said, I definitely cared enough to keep reading to find out what happened next....

 

© 2025 Becky Laney of Becky's Book Reviews

33. Sunrise on the Reaping

 

33. Sunrise on the Reaping. Suzanne Collins. 2025. 382 pages. [Source: Library] [audio book!] [4 stars, YA dystopia, YA thriller, YA fiction, series book]

First sentence: "Happy birthday, Haymitch!" The upside of being born on reaping day is that you can sleep late on your birthday.

My thoughts (preview): Is Sunrise on the Reaping a necessary addition to the Hunger Games series? Maybe. Maybe not. Readers will most likely come to the book knowing both a) how Haymitch's story ends (as revealed in the Hunger Games book series) and b) Haymitch's Hunger Games story (the 50th Hunger Games). At the very, very, very least they will know Haymitch was the victor for Twelve during his year. There remains no way to keep suspense in the story. 

Premise/plot: Readers who have [long] been fans of the Hunger Games will get Haymitch's backstory in greater depth. There are plenty of details to be filled in that haven't been revealed already. 

My thoughts: I am SO CONFLICTED.

On the one hand, this is set roughly twenty-five (twenty-four) years before the first Hunger Games book. Readers catch glimpses of what life was like in Twelve when Haymitch was a teen. They get to know him before he'd touched a drop of alcohol. Readers see how life in the Capital is as well. MAGS. MAGS. MAGS. (You might say I was thrilled to get to see Mags again). Readers also meet a VERY young Effie Trinket. Another familiar character is PLUTARCH and, of course, President Snow.

On the other hand, there is something futile and hopeless about Sunrise on the Reaping. There is no suspense. EVERYTHING we know about Haymitch in the "present" (aka Hunger Games trilogy) leaves no doubt that the book cover-to-cover will be futile, meaningless, hopeless. No possibility for a smidgen of happiness or peace. 

The plot itself is BRUTAL, brutal, more brutal, all bleak all the way. 

There are no surprises. I mentioned twice now how the book lacks suspense. I think this is the nature of the Games. ALL the books that feature Hunger Games are going to follow a set pattern, formula, rigidity. There is nothing new under the sun. What allows for more unique storytelling is before and after. And again, readers know how the story is going to end--Haymitch bitter, angry, disturbed, apathetic, drunk, a waste. But what the book does is strip away the possibility of a happier Haymitch AFTER the third book. Perhaps this is because this is something the movie gives him that the book never intended? Perhaps this is Suzanne Collins way of saying IGNORE THE MOVIES, Haymitch is *mine*.

Several things to note: FIRST it seems that there is nothing new under the sun. I wouldn't be surprised if every year of the Games there's a few kids [at least] who try to rebel against the system and break the games and make a stand and whatnot. Katniss was not the first. Just the last.

Second, the book's greatest strength will be in CHARACTERS and RELATIONSHIPS. Readers know that the game will be brutal, bloody, bleak, ugly, horrific, psychologically damaging, twisted. But it is in how the main character is in relationship with others in the arena that matters. 

 

© 2025 Becky Laney of Becky's Book Reviews

32. HappyHead

 

32. HappyHead. Josh Silver. 2023. 383 pages. [Source: Library] [4 stars, YA dystopia, YA fiction]

First sentence: "I think it's down there," Mum says.

Premise/plot: Is HappyHead 'like Hunger Games' but better'? Maybe. So essentially this is a [queer] dystopian thriller with a strong emphasis on mental health. That is, to rephrase it, what if the 'mental health treatment center' was at the [horrific] core of the dystopia. What if the people entrusted with caring for society's most vulnerable, most at risk, were evil monsters. Sebastian, the narrator, is a young gay teen who is struggling with balancing pleasing himself [being true to himself] and wanting to please others. This isn't only about sexual orientation or identity. This is about him being a people-pleaser even when it is making him deeply unhappy. I think it is an also universal struggle in that age-old question: do I really want to be the person my parents want me to be?

So Sebastian (Seb) is one of many [a hundred I think????] chosen to take part in a mental health retreat. 'At risk' and 'troubled' teens applied for experimental therapy treatment 'HappyHeads.' They'll be put into teams and face challenges--literal at time: physical challenges, mental and emotional as well. What wasn't quite advertised is that this is a competition. Each participant has a ranking. To what extent 'rankings' matter remains to be seen....for most of the novel. 

Readers meet the other participants....notably Eleanor and Finn. Finn is the 'bad boy' of his dreams. Eleanor is his 'partner' in pretense but also for tactical reasons. She's ranked HIGHLY and she seems to have an instinct for knowing what the powers that be want from the participants. Because Seb wants to please the powers that be, he finds it easier to go along with her. 

Obviously there are secrets and twists and turns....

My thoughts: I found this to be a compelling read. Not at all my normal 'cup of tea' if you will. But unlike Hunger Games, there is no love triangle. AND it is not really focused on being a love story. It is much more in the 'dystopia' and 'coming of age' and 'thriller' camp than being a romance.

Unlike Hunger Games, the characters ARE IN THE DARK. The mysteries are true mysteries. The suspense feels more authentic that way. Hunger Games is very this-is-the-way-things-are. There is something rigid and strict about Hunger Games. The Games may be twisted, however, there's order and structure and HISTORY. This leads to plenty of info-dump possibilities. HappyHead is different in that Seb truly has no idea what is going on and what may be coming. None of the characters do.

 

© 2025 Becky Laney of Becky's Book Reviews

3. The Oarsmen: Chasing Embers

 3. The Oarsmen: Chasing Embers. Glenn Beck with Mikayla G. Hedrick. 2024. 288 pages. [Source: Library] [3 stars, mg speculative fiction, mg dystopia, mg fiction]

First sentence:  It was the night the scales tipped decisively in the Administrator's direction. A young couple was sitting in their unit in the half-built utopian city known as "Oasis." The city was flush with the sounds of mechanical construction--crash, whizz, pop, smash. These sounds were normal in Oasis. The Tenants were hardly bothered by it anymore.

Premise/plot: Chasing Embers is a middle grade [or perhaps young young adult] dystopian novel set in a future America. Like all dystopias it features a bleak, dismal, unsettling, disturbing reality. Some are more subtle than others--think Twilight Zone. Others are more obviously harsh.

What should you know? There are two main characters who alternate narration. Sky and Ember. Both have grown up in Oasis--I believe--and both will have to make a tough decision--or two or three--before the close of the novel.

Ember "inherited" a forbidden book, a handwritten book I believe, that capture in bits, pieces, and spurts the past. It's a past that is purposefully forgotten and/or revised by the current powers that be. The current powers that be determine what is true and what isn't true--and mostly they err on the side of everything from the past being lies, lies, and more lies. There are a few "holdouts" who live apart, and some that live within just super cautiously. There are also fabled Oarsmen. 

 Sky has left Oasis and is visiting one such holdout community and is learning things in "the sticking place." All the "lies" are being taught as truth and the community is being nurtured by morals and values--being taught right from wrong, truth from lie, etc. But Sky has his doubts and cannot believe what he is seeing and hearing. Or perhaps he wants to believe but struggles to incorporate his new realizations with everything he's ever known.

Though much of the book is world-building, plenty is left mysterious--for better or worse. There will be costs to pay for "holding out" and not conforming to the powers that be, and many characters will be forced to decide if it's a cost worth paying.

My thoughts: My biggest issue with this book is the lack of understanding of HOW IMPORTANT AND ESSENTIAL character motivations are within a book--any book really, but especially a supposedly action packed dystopia. IF hard work is put into character motivation--knowing WHY characters do what they do, say what they say, choose what they choose, etc--then much can be forgiven such as info-dumping for world-building sake. Also being premise-driven. A book can be premise-driven, plot-driven and be far from character driven....and still be a compelling read IF some amount of attention is given to showing WHY. 

I feel that both Sky and Ember lack ANY development when it comes to character motivation. It's a big guessing game with extremely shaky foundations as to WHY they say or do ANYTHING at any given time. Yes, it keeps readers guessing but for all the wrong reasons. I think *a little* more focus on building the characters inner worlds would help sell this one as a compelling read.

 

© 2025 Becky Laney of Becky's Book Reviews

94. The 100

The 100 (The 100#1) Kass Morgan. 2013. 323 pages. [Source: Library] [3 stars, YA dystopia, YA fiction, YA romance]

First sentence: The door slid open and Clarke knew it was time to die.

My thoughts (preview): I picked this one up to reread it after binge-watching the television show The 100. I watched ALL the seasons. It had its ups and downs. It had its wild moments. (Though nothing like Riverdale, which I gave up on after three or four seasons). There were things I loved. There were things I didn't love. But what I appreciated MOST of all, were the character arcs. The characters that are sent down to earth, are NOT the same by any stretch of the imagination by the end of the series. 

Premise/plot: 100 teenage prisoners--all nearing their eighteenth birthdays--are sent to Earth to recolonize it after a hundred plus years after nuclear war. Will it be safe? Who knows! They are prisoners who would be executed upon reaching their eighteenth birthday anyway. That's what the powers that be reason anyway. The space colony is beginning to falter and sacrifices must be made. 

Clarke, Bellamy, and Wells provide perspective from earth. Glass provides perspective from the space ship. Each has a back story of how they became prisoners. (The other main character from earth, though we don't have her perspective, is Octavia). 

My thoughts: I am curious about the timing between the book series and the television series. The two share a premise but are 99% different. Clarke, Bellamy, Wells, and Octavia exist mostly in name only. Is that fair to say? I don't care if it isn't. Clarke and Wells--they keep that Clarke is seriously angry at Wells who is the son of the Chancellor. Bellamy and Octavia--they keep the brother-sister relationship being super protective. But everything else is gone...gone with the wind. 

For example, in the book Clarke's parents are BOTH dead. Both were executed. The powers that be are definitely bordering on evil. In the show, Clarke's father was executed trying to be a hero and warn everyone of imminent danger. Clarke's mother is alive and remains the main perspective from the orbiting space colony. She is our perspective into the powers that be. There is a large cast of characters on board ship and on earth. (In the book, there might be two or three other characters mentioned on earth--out of the one hundred. And two or three other characters mentioned on ship--out of thousands.) 

Glass and her boyfriend Luke do not exist on the television show. Their story is interesting perhaps because it did not make the cut. Glass is ARRESTED because she gets pregnant. The father that she named (there is a twist) is EXECUTED for getting her pregnant. Apparently, population control is so strong that it becomes illegal for anyone to have any child without permission.

 If I had recently read the book before starting the series, I might have cheered when differences occurred. Wells is SUPER, SUPER, SUPER, SUPER, SUPER, SUPER incredibly creepy and a huge jerk. I probably would have been angry that they turned Bellamy into season-one Bellamy.

 

© 2024 Becky Laney of Becky's Book Reviews

92. Uglies

Uglies. Scott Westerfeld. 2005. 425 pages. [Source: Library] [4 stars] [YA dystopia, YA fiction, YA speculative fiction]

First sentence: The early summer sky was the color of cat vomit.

My thoughts (preview): I first read this one the year it released. It was LOVE, LOVE, LOVE. I thought it was fabulous. I reread it as an audio book in 2018 and hated the narrator. I didn't blame the book, just the narrator for throwing me out of the story. Now that there is a movie adaptation, I was curious to revisit the book. 

From the original review in 2007 for my blog: 

I have nothing but good memories surrounding Uglies. My first introduction to Miss Tally Youngblood, trickster fifteen year old, was in the fall of 2005. From the early summer sky was the color of cat vomit to I'm Tally Youngblood...make me pretty, I was hooked. So much so that I went out to buy my own copy of the book the very next morning.  

From the original non-blog review in 2005:

Set three to four hundred years in the future, Uglies, a dystopia, focuses on a global community of pretty people. Tally Youngblood introduces readers to this picture-perfect community where appearances are not a matter of one's genes but a matter of extensive plastic surgeries planned by the Community of Morphological Standardss. Tally and Shay are best friends awaiting their sixteenth birthdays and their surgeries after which they'll leave Uglyville behind and join the New Pretties. But Shay doubts that the "Pretty Committee" is as concerned with equality and justice as it appears, suspecting that ulterior motives may lay behind the surface. Days before her sixteenth birthday, Shay runs away leaving a cryptic message for her friend to find the way to Smoke, the rebel community of "ugly" outsiders. When the authorities discover Shay's disappearance, Tally is asked to make the hardest decision of her life: betray Shay and the rebel community to the authorities or face living life ugly.

Uglies is a fast-paced novel taking a typical YA topic--self esteem, conformity, and the perception of beauty--and treating it in a new and ultimately satisfying way by speculating about where current values of beauty and perfection might lead us as a society if taken to the extreme. By setting Uglies in the future instead of a contemporary high school, Westerfeld is able to provide reflection and commentary on a serious topic in a new and original way.

My thoughts: The book is decidedly better than the movie--no surprise. Though I will admit that possibly movie-Shay is better than book-Shay. I don't know if I found book-Shay super-incredibly annoying the first time around, but in this recent reread and in the audio book reread, I found her almost insufferable. The plot is DIFFERENT. I haven't decided which changes were for the best and which weren't. Some things do seem to make better sense. But mostly it just felt rushed and like there wasn't much depth or substance. I also think that it might make for a better animated adaptation. It was hard for the concept of "pretties" and "uglies" to come across since this everyone is already glam. 

I definitely don't love-love-love it the same way all these years later. 

© 2024 Becky Laney of Becky's Book Reviews

80. The Dead and the Gone

The Dead and the Gone. Susan Beth Pfeffer. 2008. 336 pages. [Source: Library] [4 stars] [YA dystopian; YA Science fiction; YA Fiction]

First sentence: At the moment when life as he had known it changed forever, Alex Morales was behind the counter at Joey's Pizza, slicing a spinach pesto pie into eight roughly equal pieces.

The dead & the gone is the companion novel to Susan Beth Pfeffer's Life As We Knew It. While Miranda's story--set in Pennsylvania--chronicles her life from May through March of that decisive year, Alex's story--set in New York City--chronicles his life from May through December. Both are family-oriented. Miranda's life being closely tied to her mom and two brothers; Alex's life being closely tied to his two younger sisters, Brianna and Julie. But Alex's story is stronger in many ways. For Alex is the head of the family--for better or worse. Alex is the one making life-and-death decisions. His mom vanished on May 18th--the day the asteroid struck the moon. His dad may or may not have survived the first terrible week. Having been in Puerto Rico for a funeral, he's unable to make contact with his family. And, well, the coasts were hit hard--again and again. So even surviving the first tsunamis might not mean much in the long term. His older brother, Carlos, is in the Marines. He was far from home when it happened, and while he's able to send word--by phone or mail--a few times throughout the book. He's not the one in charge. He's not the one responsible for making the tough decisions on how to best survive. So while Miranda has to grow-up, it is a gradual growing into adulthood. She still has her relaxed moments. There is never one moment for Alex to relax. He carries a heavy weight day and night.

I enjoyed rereading Life As We Knew It and the dead & the gone back to back. There are things I love about both books. Things I appreciate about both books. One thing that makes the dead & the gone a very different story is the focus on faith and community. The dead & the gone is faith-oriented. Alex and his family are Catholics. They all attend Catholic school. They all regularly attend mass. They take their faith, their spirituality, their religion very seriously. The words mean something. The faith means something to them. Something real. Something personal. While each of the siblings has their own reaction--response--to the crisis, none loses their faith, none lose hope completely. I loved seeing this Catholic community in action. I loved seeing the Catholic church reaching out in love and compassion--with great hope and faith--to their community, to their parishioners. There were so many great scenes of this faith-in-action. Where people were responding with their hearts in faith as opposed to acting out of fear and anxiety. It's courageous and wonderful.

The dead & the gone has a broader outlook as well. While the electricity isn't reliable on a day-by-day basis in the dead & the gone, it is certainly more stable than in Life As We Knew It. Alex is connected to the larger world. He hears--for better or worse--more about the world at large. He is more aware of what is going on in other states. While Miranda and her family may go weeks or months without contact to other survivors, Alex is out of the house most days--at least before the flu epidemic comes. He's not as isolated as Miranda. Does not being so isolated help him cope? Maybe. But every day, every week is a struggle. Alex does things he'd NEVER thought he'd be doing.

Is Alex more of a hero than Miranda? I'm not sure that is exactly fair. Miranda has her courageous moments too. (I'm thinking of the woodstove mishap.) But. Alex's story has power no doubt about it.
I would definitely recommend both books.

"Give the scientists some time and they'll figure out what to do."
"This is too big for the scientists," Lorraine said. "Only God can save us now."
"Then He will," Alex said. (13)

God save their souls, Alex prayed. God save ours. It was the only prayer he could think of, no matter how inadequate it might be. It offered him no comfort, but he repeated it unceasingly. As long as he prayed he didn't have to think. He didn't have to remember. He didn't have to decide. He didn't have to acknowledge he was entering a world where no one had laid out the rules for him to follow, a world where there might not be any rules left for any of them to follow. (65)

"She says you've been having bad dreams."
"Aren't you?" Julie asked. "Isn't everyone?"
Alex burst out laughing. "Only sane people," he said. "Okay, maybe not Bri. But everyone else is."
"Are things going to get better?" Julie asked. "Is that why you listen to the news all the time, because someday things are going to get better?"
Alex shook his head. "That's not why I listen," he replied. "That's why I pray but not why I listen."
"Do you think God listens?" she asked.
"Bri thinks so," Alex said. "Father Franco thinks so." (81)

It was hard being alone in the apartment staring at an unringing phone, haunted by the food in the kitchen, which he wouldn't allow himself to touch, haunted even more by the image of his mother drowning in the subway that very first night. He tried reading. He tried praying. He tried push-ups. He tried counting the cans of soup. He listened to the radio, using up the twenty-dollar batteries. The world was coming to an end. Well, that was nothing new. (123)

"And what's so special about you that you deserve compassion?" Father Mulrooney said. "You have shelter. You have food. You have family and friends. I'm supposed to feel pity for you because of a cut cheek?"
"You don't understand at all," Alex said. "I have shelter for as long as no one thinks about it. Once they do, once they realize my father is gone, they can throw us out. I have food only if I get lunch here. We're down to almost nothing at home, and I have to make sure my kid sister eats. She is my family right now, because my parents are both gone and my older brother is in the Marines somewhere and I sent my other sister to live at a convent with strangers. My cheek was cut because I got caught in a food riot, with my kid sister, and we ended up with no food anyway. I'm not asking you to pity me. I pity me enough for the two of us. But when one of your students asks you for food, you shouldn't say no and feel righteous about it. That's not what Christ would have done, and you know it." (133)

"What do you have planned for tomorrow?"
Alex shrugged. "The usual," he said. "Checking on the elderly, studying theology, fighting for survival. Same old, same old." (151)

"I know it's wrong to feel that way about God and I know it's wrong to not feel anything. I hate it. I don't hate God. I hate not loving Him." (184)

 

 

 

© 2024 Becky Laney of Becky's Book Reviews

65. Legend

65. Legend. (Legend #1) Marie Lu. 2011. 318 pages. [Source: Library] [YA Dystopia, YA Fiction, YA Romance] [5 Stars]

First sentence: My mother thinks I'm dead. Obviously I'm not dead, but it's safer for her to think so. At least twice a month, I see my Wanted poster flashed on the JumboTrons scattered throughout downtown Los Angeles. It looks out of place up there. Most of the pictures on the screens are of happy things: smiling children standing under a bright blue sky, tourists posting before the Golden Gate Ruins, Republic commercials in neon colors. There's also anti-Colonies propaganda. "The colonies want our land," the ads declare. "They want what they don't have. Don't let them conquer your homes! Support the cause!"

Premise/plot:  Legend is YA dystopia. The novel has two narrators: a guy named Day (Daniel) and a girl named June. Both underwent the "trials" at age 10. June received a perfect, perfect score earning her not only the right to higher education (high school and college) but the right to the best education possible, the kind of education that will prepare her for serving the Republic. Day, well, he didn't pass his trials. And like all other low-scoring 10 year olds, he was sent away to labor camp. Once a 10 year old is sent to labor camp, they're never ever heard from again.

When the novel opens, both teens are about 15. Day is a wanted criminal, an outlaw. He doesn't legally exist in the Republic database, in the Republic records. The authorities don't even know what he looks like--what race or ethnicity he may be. So their wanted posters change quite often allowing for every possibility. (It's the occasional finger print on the crime scene that links Day to particular crimes.) Day is in Los Angeles spying on his family. His older brother, John, is the only one in the neighborhood who still knows he's alive. And it is to John he delivers gifts--food, clothes, medicine, money, etc.  Day becomes worried when his family's home is marked with a red X--a symbol that someone within the home has the plague. This is very bad news indeed.

June, on the other hand, is at the top of her class. Though she's just fifteen, she's almost finished with her training, her education. June is anxious to start working for the Republic, to start serving in the military, to start tracking down criminals like Day. Her wish comes true--but not in the way she expected. She wanted to start working with her older brother, Metias. Instead, she takes his place after he is murdered. And it appears that Day is the one responsible for his stabbing. Metias was trying to stop Day from escaping from the hospital after a break in. (Day was hoping to find plague cures for his family.) June is on a mission, and it is personal. She'll track down Day and bring him to justice no matter what.

 My thoughts: The chapters alternate in narrators, and for once I think this is a great idea. Usually, I'm not a big fan of this in novels, but in this case, it not only works, it works well! I was able to care about Day and June--almost from the start!

Legend is action-packed. It's an intense read. But an enjoyable one! I'd definitely recommend it!!! 

I first read this one in June of 2011. I reread it in August of 2024. 

© 2024 Becky Laney of Becky's Book Reviews

63. Mockingjay

63. Mockingjay. Suzanne Collins. 2010. Scholastic. 400 pages. [Source: Library] [YA Dystopia] [4 stars]

First sentence: I stare down at my shoes, watching as a fine layer of ash settles on the worn leather. This is where the bed I shared with my sister, Prim, stood. Over there was the kitchen table. The bricks of the chimney, which collapsed in a charred heap, provide a point of reference for the rest of the house. How else could I orient myself in this sea of gray? Almost nothing remains of District 12.

Katniss has made it through her second Hunger Games--just barely. She was "rescued" just in time. Unfortunately, Peeta, her on-screen romance was not. While Katniss is trying to adapt to her new home in District Thirteen, while Katniss is trying to decide whether or not to become the rebellion's "Mockingjay", he is President Snow's prisoner. And knowing that Peeta is in danger--that he is being tortured--is torture for her.

Is Katniss's reunion with Gale a good thing? You be the judge of that. He does bring out Katniss's anger, her aggression. And not always in the right way. For Katniss finds him infuriating to be around at times. Does Gale make a good soldier for the rebellion? Definitely. But just because he's in favor with the rebellion, with President Coin, doesn't mean that he's a good friend--a good partner--for Katniss.

Katniss is still trying to find herself. She's still having people try to shape her, mold her, conform her, define her, limit her. In many ways, President Coin is just as bad as President Snow in trying to "make" Katniss into something she's not. Coin wants her to be "the face" of the war. In a very artificial way--at least at first. Under the circumstances, Katniss has never had the time--the opportunity--to decide anything for herself. She's forced into everything--either directly or indirectly. Is it any wonder she's so confused? (But Katniss does get her moment in Mockingjay.)


Mockingjay is very much focused on war and politics. And with both sides so committed to war, to destruction, to "winning" it shouldn't be much of a surprise that this one is so violent, so bloody, so ugly.


I liked this one. I thought it was compelling--very intense. It is an emotional book--the subject matter makes it so.

© 2024 Becky Laney of Becky's Book Reviews

58. Catching Fire

Catching Fire (The Hunger Games #2) Suzanne Collins. 2009. 391 pages. [Source: Library] [5/5 Stars] [Dystopia, YA]

First sentence: I clasp the flask between my hands even though the warmth from the tea has long since leached into the frozen air. 

This is THE year I am rereading all the Hunger Games books. It has been over a decade since I've read the original trilogy. I do watch the movies every few years. I was SHOCKED (though I shouldn't be) how much doesn't make it into the movies. I was reminded again that the books are so much better than the movies. I think because I do enjoy the movies so much, I forget how different the experiences are from one another. Hence why I didn't reread the series for so long. But the books offer SO much more depth and substance. 

Premise/plot: Peeta and Katniss should be safe now that the seventy-fourth hunger games are over. But they are far from safe since their controversial win in the arena. President Snow has MANY thoughts and opinions. His mind is made up--despite his offering Katniss an out, essentially. Katniss and Peeta's mere existence is an ongoing threat to "peace" in Panem. But he and his cohorts have a plan for the seventy-fifth game....

My thoughts: Catching Fire IS my favorite of the trilogy. I love and adore this book so much. I like the other books in the series. I do. But this one has EVERYTHING. I love, love, love, love FINNICK. I do love Peeta and Katniss. (Not such a big fan of Gale, though I'm not sure if that's legit because of the first two books or because I can never forget book three). Reading the book for the first time in such a long time--over a decade--was like reading it with fresh eyes.

 

© 2024 Becky Laney of Becky's Book Reviews

55. The Hunger Games

The Hunger Games #1 Suzanne Collins. 2008. 374 pages. [Source: Library]

First sentence: When I wake up, the other side of the bed is cold.

I have seen the movie more than I've read the book. I *believe* that this is my third time to read the novel. And it appears that the last time I actually read the book was October of 2012! I'm surprised by that. 

This has been 'the year' for me revisiting this series. I've reread The Ballad of Songbirds and Snakes. I've seen that movie adaptation twice. I've binged my way through the original movie trilogy. I've been intending to actually read the books themselves again. There is another 'prequel' coming next year, I think. 

As I said, I've watched the movie so many times since 2012, it was so refreshing to discover--rediscover--the DEPTH and substance of the book itself. There are so many layers. Especially when you add in what you've learned from the prequel. One thing that may be super-super-super obvious is that Katniss (our heroine) is BROKEN and traumatized from the moment we meet her. She is strong and resilient and a bit hardened. But the death of her father, the failing of her mother to be an adult, a parent, the HARSH realities of the district, these have made the Katniss we know. She's a provider, a survivor. The Games definitely contributed to her PTSD, her trauma-induced mental and emotional distress, but it wasn't only the games. Life in district 12 is hard--difficult. Raising yourself and your sister is difficult. 

I also was detail focused as I was rereading trying to observe things about all the districts and the characters--no matter how small--themselves. Again, so many layers if you've mainly spent time with the movies.

I do plan on reading the other books in this series. Rereading that is. 2012 may feel like a few years ago, but it's over ten.

© 2024 Becky Laney of Becky's Book Reviews

49. The Kill Factor

The Kill Factor. Ben Oliver. 2024. 368 pages. [Source: Library]

First sentence: Emerson Ness had not been scared in a very long time. Now she was terrified.

Premise/plot: YA dystopia is not as prevalent [abundant] as it used to be ten years ago. The Kill Factor IS YA dystopia with a unique premise. Fifty contestants for a brand new television game show that are facing varying sentences for crimes they've committed. They will face challenges from the Producer [the powers that be] and one another. The winner will essentially be acquitted and have the charges dropped. The losers, well, the losers will face life-time sentences. Signing the contract to participate in the game show has huge risks and low odds of success. Yet for those who feel helpless and hopeless, a little hope is better than none. Emerson Ness, the narrator, has been charged with arson and murder. (I'm not certain at all what degree for the murder charge. I don't think the judicial process had gotten far enough along for official charges to have been made.) Her social-media obsessed dad is at first pushing for her to compete. Her fame could lead to his fame. She is conflicted. But ultimately she chooses to be a contestant so the book would be longer than two chapters.

The book is action-packed with definitely more emphasis on premise and plot than characterization. But Emerson Ness definitely is developed as a character.

My thoughts: I found this a compelling read. I was a big fan of the YA dystopia trend. I'd be happy to see a few published each year. This one definitely has some similarities to The Hunger Games, but also a little darker.

 

© 2024 Becky Laney of Becky's Book Reviews